
Fog crawls through the wire mesh, turning the records cage into a small, damp coffin of paper and rust. Dallas holds the ledger open under the sickly pier light. The footsteps stop at the half-ajar door.

The Unknown Figure in Hallway
You found it quicker than I expected.
The figure shifts in the doorway, coat dark with sea mist. Dallas sees the clean angle of a badge chain and the stiff way the man keeps his right hand away from his jacket.

Dallas Fontaine
Then you know why I am here.

The Unknown Figure in Hallway
I know Voss is finished if that book leaves this cage. Hand it over, and maybe you walk out breathing.
Murderbone appears at Dallas's side, shoulder low, teeth bared at the threshold. Down the corridor, a second pair of boots scuffs in the fog, just far enough away to be trouble.

Dallas Fontaine
The badge is real. So is the fear.

Clara
Dallas, do not let him buy time. That ledger ties Bell to the shipment schedule, and the schedule ties straight to Voss.
The man flinches at the name, and for one thin second Dallas sees it, not a thug, but a courier who came too late to save himself. The corridor behind him is full of the next move, and the book in Dallas's hand is the proof that gets Voss.
“I bluff that Bell already sent him”
SUCCESS (Good Psychology, rolled +2)


Dallas Fontaine
Bell already sent me. I am just here to pick up what he is missing.

The Unknown Figure in Hallway
His shoulders ease a fraction, like a man hearing his own excuse repeated back at him.

The Unknown Figure in Hallway
Sent you? Then I am late. I was told to hold this door until the courier arrived.
Dallas turns the ledger just enough to catch the line that matters, then lets the page settle closed. The man’s gaze follows it like a hooked fish.

The Unknown Figure in Hallway
If Bell changed the handoff, nobody told me. I only run the paper, not the dock.

The Unknown Figure in Hallway
Maybe this gets me home. Maybe it gets me blamed. Either way, he is not bluffing like an amateur.
Murderbone lowers his head a little, but he does not stop watching. The fog thickens beyond the mesh, softening the corridor into a gray tunnel.

The Unknown Figure in Hallway
You want the shipment record, or the name on the back end?
“I ask for the name on the back end”
SUCCESS (Good Psychology, rolled -1)


Dallas Fontaine
Name on the back end. The one pulling the strings.

The Unknown Figure in Hallway
...Carter Vale. He signs the back end slips, never the front.

The Unknown Figure in Hallway
If Bell set this up, then Vale is the safer name to give. Safer, maybe.
The man swallows and finally eases one shoulder off the doorframe, like the answer costs less than a lie. Murderbone watches him hard, but does not move.

Clara
Carter Vale, of course. Bell’s cleaner in the paperwork. He never touches a dock crate without gloves.

Clara
If you have Vale, you have the receipt trail. That is where men like him start to crack.
Fog whitens the mesh behind them, and the corridor beyond turns featureless. Dallas holds the ledger steady while the tension in the cage drops from a blade edge to a low hum.
“I follow the receipt trail to Carter Vale”
SUCCESS (Superb Investigation, rolled -1)

Dallas turns a page in the ledger and finds the receipt pattern that matters, numbers repeated in a clerk's hand, then corrected in a second ink. He traces the chain to Carter Vale's stamp and follows it through the margin notes.

Dallas Fontaine
Vale's the hinge, not the door.
He lifts the matching receipt from the desk file and lines the codes up. The paper confirms a handoff window, a storage drawer, and a pier-side office tied to Vale's name.

Clara
That's him. He cleans the records before anyone sees the cargo.
Murderbone sniffs once at the paper, then shifts toward the corridor as if catching a fresh scent. The fog outside the mesh thins just enough to reveal a moving shadow beyond the door.

The Unknown Figure in Hallway
Wait. If Vale's involved, then somebody up the chain is watching this office right now.
Dallas folds the receipt into his pocket with the ledger still open in front of him. The route is pinned down now, and the next footstep in the hall sounds like it belongs to whoever meets Carter Vale.
“I slip out before the shadow sees me”
FAILURE (Fair Stealth, rolled -2)

Dallas eases the ledger down and shifts toward the open seam of the door, trying to make himself part of the fog and shadow.
His boot clicks the metal lip by a fraction too hard. The shape in the corridor stops moving.

The Unknown Figure in Hallway
I see you in there.
Murderbone plants himself at the threshold, baring his teeth without lunging, while Clara snaps her attention to the door.

Clara
Dallas, don’t freeze. Keep it tight.
Dallas pulls back from the opening just as the hallway shadow shifts closer, cutting off the clean exit he was trying to use.

The Unknown Figure in Hallway
If you want out, come out slow.
“I slip out before the shadow sees me”
FAILURE (Fair Stealth, rolled +0)
Dallas slides his shoulder toward the gap, trying to turn fog into cover.
A floorboard gives under his heel. The hallway shadow snaps its attention straight onto the doorway.

The Unknown Figure in Hallway
There. Thought so.
Murderbone shifts in front of Dallas, blocking the line, while Clara drags the ledger closer to her chest.

Clara
No sudden moves, Dallas. He’s got the angle now.
Dallas pulls back into the cage instead of forcing it. The fog stays in the doorway, thick and waiting.

Dallas Fontaine
He’s watching the threshold, not the room.

The Unknown Figure in Hallway
Slide the book out first, then maybe we all walk away.
“I slip out before the shadow sees me”
SUCCESS (Fair Stealth, rolled +3)
Dallas lets the pause stretch, then shifts sideways into the fogged aisle. His shoes make no more sound than the dripping pipes.
Murderbone keeps his chest between Dallas and the doorway, but the dog’s weight moves with him, making room instead of blocking it.
Clara’s eyes flick once to the hall, then back to the ledger. She doesn’t stop Dallas, only tightens her grip and clears a narrow path.

Dallas Fontaine
The fog hides the edges of the room, but not the sound of footsteps in the hall.
Dallas slips past the threshold and into the service corridor, the shadow missing him by seconds.

The Unknown Figure in Hallway
Hey. Back there.
The voice snaps behind him, but Dallas is already out of the cage. Ahead, the corridor bends toward the loading side, where a low engine hum grows clearer through the damp.
“I head toward the loading side”
SUCCESS (Legendary Agility, rolled +2)

Dallas takes the bend without breaking stride, the corridor narrowing into puddled concrete and pipe shadows. The engine hum swells from ahead, steady and close.
Murderbone pads at his knee, then veers a step wide, checking the dark seam of the loading side first. Clara stays behind, half-lost in the fogged doorway.

Dallas Fontaine
The sound is coming from the dock side, not the office.
Dallas reaches the loading-side opening and catches a sliver of the bay beyond, lit by a swinging work lamp and the wash of headlights through mist.
A crate truck idles outside the frame, its rear doors already open. Someone has started the move.

The Unknown Figure in Hallway
If you go out there, they see all of us.
Dallas slips into position at the threshold, where the corridor gives way to the loading bay, and the first shape of the shipment comes into view.
“I ask the Unknown Figure for safe passage”
SUCCESS (Good Psychology, rolled +1)

Dallas keeps his voice low and steady, asking for safe passage instead of a fight. The truck lights bleach the fog white while the bay listens with him.

The Unknown Figure in Hallway
You ask that like I can grant it. I am not the one loading the crates.

The Unknown Figure in Hallway
He is not bluffing. He sounds like a man who already knows where the weak points are.
A beat of silence passes. The figure steps out of the corridor shadow and lowers their hands just enough to show they are choosing words over panic.

The Unknown Figure in Hallway
If you want through, take the lane by the stack of pallets. Don’t look at the driver. Don’t stop at the tailgate.
Murderbone eases half a step back, still wary, while Dallas reads the figure’s face in the glare and catches the strain under the caution.

The Unknown Figure in Hallway
I saw what went through here before. Paper trail, seals, paid hands. It all smells cleaner than it is.

The Unknown Figure in Hallway
Go on. I have said enough to get myself in trouble.
“I thank him and tell him get home safe. Then I take the lane to the truck”
SUCCESS (Good Psychology, rolled -1)

Dallas gives the warning a nod and steps into the glare, choosing the pallet lane instead of the open bay. The truck idles on, patient and ugly in the fog.

Dallas Fontaine
Thanks. Get home safe.

The Unknown Figure in Hallway
You say that like anyone here gets to go home clean.
The figure watches him pass, jaw tight, then looks away from the truck like it might remember their face.

The Unknown Figure in Hallway
I worked the records side. I saw names vanish, dates change, seals swapped. Nobody asked for permission, they asked for silence.
Dallas reaches the lane, shoulders brushing damp wood and stacked crates, as the bay lights smear across the wet floor.

The Unknown Figure in Hallway
If you find the man who signs off on the clean versions, don’t let him talk you soft. He pays people to look harmless.
“I slip closer to the truck”
FAILURE (Fair Stealth, rolled -2)
Dallas lowers his shoulders and eases deeper into the pallet lane, letting the stacked crates break up his shape from the truck lights.
The wet boards barely answer under his shoes, but the open bay ahead floods everything with white glare and fog.
He reaches the truck's flank, close enough to smell diesel and salt, but the cab mirror catches a sliver of his movement.
Inside the truck, a silhouette shifts behind the wheel, and a hand taps the dash as if counting time.

The Unknown Figure in Hallway
Careful. The cleaner likes a straight line of sight.
Dallas freezes half a step shy of cover, now pinned between the truck's open cargo and the bright mouth of the bay.
The engine keeps idling, patient as a threat, while the fog turns the pallet lane into a narrow, watched corridor.