
Fog crawls through the wire mesh, turning the records cage into a small, damp coffin of paper and rust. Dallas holds the ledger open under the sickly pier light. The footsteps stop at the half-ajar door.

Julian
You found it quicker than I expected.
The figure shifts in the doorway, coat dark with sea mist. Dallas sees the clean angle of a badge chain and the stiff way the man keeps his right hand away from his jacket.

Dallas Fontaine
Then you know why I am here.

Julian
I know Voss is finished if that book leaves this cage. Hand it over, and maybe you walk out breathing.
Murderbone appears at Dallas's side, shoulder low, teeth bared at the threshold. Down the corridor, a second pair of boots scuffs in the fog, just far enough away to be trouble.

Dallas Fontaine
The badge is real. So is the fear.

Clara
Dallas, do not let him buy time. That ledger ties Bell to the shipment schedule, and the schedule ties straight to Voss.
The man flinches at the name, and for one thin second Dallas sees it, not a thug, but a courier who came too late to save himself. The corridor behind him is full of the next move, and the book in Dallas's hand is the proof that gets Voss.
“I bluff that Bell already sent him”
SUCCESS (Good Psychology, rolled +2)


Dallas Fontaine
Bell already sent me. I am just here to pick up what he is missing.

Julian
His shoulders ease a fraction, like a man hearing his own excuse repeated back at him.

Julian
Sent you? Then I am late. I was told to hold this door until the courier arrived.
Dallas turns the ledger just enough to catch the line that matters, then lets the page settle closed. The man’s gaze follows it like a hooked fish.

Julian
If Bell changed the handoff, nobody told me. I only run the paper, not the dock.

Julian
Maybe this gets me home. Maybe it gets me blamed. Either way, he is not bluffing like an amateur.
Murderbone lowers his head a little, but he does not stop watching. The fog thickens beyond the mesh, softening the corridor into a gray tunnel.

Julian
You want the shipment record, or the name on the back end?
“I ask for the name on the back end”
SUCCESS (Good Psychology, rolled -1)


Dallas Fontaine
Name on the back end. The one pulling the strings.

Julian
...Carter Vale. He signs the back end slips, never the front.

Julian
If Bell set this up, then Vale is the safer name to give. Safer, maybe.
The man swallows and finally eases one shoulder off the doorframe, like the answer costs less than a lie. Murderbone watches him hard, but does not move.

Clara
Carter Vale, of course. Bell’s cleaner in the paperwork. He never touches a dock crate without gloves.

Clara
If you have Vale, you have the receipt trail. That is where men like him start to crack.
Fog whitens the mesh behind them, and the corridor beyond turns featureless. Dallas holds the ledger steady while the tension in the cage drops from a blade edge to a low hum.
“I follow the receipt trail to Carter Vale”
SUCCESS (Superb Investigation, rolled -1)

Dallas turns a page in the ledger and finds the receipt pattern that matters, numbers repeated in a clerk's hand, then corrected in a second ink. He traces the chain to Carter Vale's stamp and follows it through the margin notes.

Dallas Fontaine
Vale's the hinge, not the door.
He lifts the matching receipt from the desk file and lines the codes up. The paper confirms a handoff window, a storage drawer, and a pier-side office tied to Vale's name.

Clara
That's him. He cleans the records before anyone sees the cargo.
Murderbone sniffs once at the paper, then shifts toward the corridor as if catching a fresh scent. The fog outside the mesh thins just enough to reveal a moving shadow beyond the door.

Julian
Wait. If Vale's involved, then somebody up the chain is watching this office right now.
Dallas folds the receipt into his pocket with the ledger still open in front of him. The route is pinned down now, and the next footstep in the hall sounds like it belongs to whoever meets Carter Vale.
“I slip out before the shadow sees me”
FAILURE (Fair Stealth, rolled -2)

Dallas eases the ledger down and shifts toward the open seam of the door, trying to make himself part of the fog and shadow.
His boot clicks the metal lip by a fraction too hard. The shape in the corridor stops moving.

Julian
I see you in there.
Murderbone plants himself at the threshold, baring his teeth without lunging, while Clara snaps her attention to the door.

Clara
Dallas, don’t freeze. Keep it tight.
Dallas pulls back from the opening just as the hallway shadow shifts closer, cutting off the clean exit he was trying to use.

Julian
If you want out, come out slow.
“I slip out before the shadow sees me”
FAILURE (Fair Stealth, rolled +0)
Dallas slides his shoulder toward the gap, trying to turn fog into cover.
A floorboard gives under his heel. The hallway shadow snaps its attention straight onto the doorway.

Julian
There. Thought so.
Murderbone shifts in front of Dallas, blocking the line, while Clara drags the ledger closer to her chest.

Clara
No sudden moves, Dallas. He’s got the angle now.
Dallas pulls back into the cage instead of forcing it. The fog stays in the doorway, thick and waiting.

Dallas Fontaine
He’s watching the threshold, not the room.

Julian
Slide the book out first, then maybe we all walk away.
“I slip out before the shadow sees me”
SUCCESS (Fair Stealth, rolled +3)
Dallas lets the pause stretch, then shifts sideways into the fogged aisle. His shoes make no more sound than the dripping pipes.
Murderbone keeps his chest between Dallas and the doorway, but the dog’s weight moves with him, making room instead of blocking it.
Clara’s eyes flick once to the hall, then back to the ledger. She doesn’t stop Dallas, only tightens her grip and clears a narrow path.

Dallas Fontaine
The fog hides the edges of the room, but not the sound of footsteps in the hall.
Dallas slips past the threshold and into the service corridor, the shadow missing him by seconds.

Julian
Hey. Back there.
The voice snaps behind him, but Dallas is already out of the cage. Ahead, the corridor bends toward the loading side, where a low engine hum grows clearer through the damp.
“I head toward the loading side”
SUCCESS (Legendary Agility, rolled +2)

Dallas takes the bend without breaking stride, the corridor narrowing into puddled concrete and pipe shadows. The engine hum swells from ahead, steady and close.
Murderbone pads at his knee, then veers a step wide, checking the dark seam of the loading side first. Clara stays behind, half-lost in the fogged doorway.

Dallas Fontaine
The sound is coming from the dock side, not the office.
Dallas reaches the loading-side opening and catches a sliver of the bay beyond, lit by a swinging work lamp and the wash of headlights through mist.
A crate truck idles outside the frame, its rear doors already open. Someone has started the move.

Julian
If you go out there, they see all of us.
Dallas slips into position at the threshold, where the corridor gives way to the loading bay, and the first shape of the shipment comes into view.
“I ask the Unknown Figure for safe passage”
SUCCESS (Good Psychology, rolled +1)

Dallas keeps his voice low and steady, asking for safe passage instead of a fight. The truck lights bleach the fog white while the bay listens with him.

Julian
You ask that like I can grant it. I am not the one loading the crates.

Julian
He is not bluffing. He sounds like a man who already knows where the weak points are.
A beat of silence passes. The figure steps out of the corridor shadow and lowers their hands just enough to show they are choosing words over panic.

Julian
If you want through, take the lane by the stack of pallets. Don’t look at the driver. Don’t stop at the tailgate.
Murderbone eases half a step back, still wary, while Dallas reads the figure’s face in the glare and catches the strain under the caution.

Julian
I saw what went through here before. Paper trail, seals, paid hands. It all smells cleaner than it is.

Julian
Go on. I have said enough to get myself in trouble.
“I thank him and tell him get home safe. Then I take the lane to the truck”
SUCCESS (Good Psychology, rolled -1)

Dallas gives the warning a nod and steps into the glare, choosing the pallet lane instead of the open bay. The truck idles on, patient and ugly in the fog.

Dallas Fontaine
Thanks. Get home safe.

Julian
You say that like anyone here gets to go home clean.
The figure watches him pass, jaw tight, then looks away from the truck like it might remember their face.

Julian
I worked the records side. I saw names vanish, dates change, seals swapped. Nobody asked for permission, they asked for silence.
Dallas reaches the lane, shoulders brushing damp wood and stacked crates, as the bay lights smear across the wet floor.

Julian
If you find the man who signs off on the clean versions, don’t let him talk you soft. He pays people to look harmless.
“I slip closer to the truck”
SUCCESS (Fair Stealth, rolled +1)
Dallas slips along the pallet lane, hugging the truck’s shadow. The fog turns the headlight glare into a white wall, and the open cargo bed hums with a low, impatient idle.
He reaches the rear bumper and catches a fresh smell of salt, oil, and wet rope. A shipping stencil on the door is half-smeared, but one clean line of numbers stays readable.

Julian
That number, if you can read it, means they changed the load after midnight.

Julian
They always change the load when somebody upstairs gets nervous.
Dallas lowers himself beside the rear wheel well, close enough now to see a strip of fresh tape sealing one crate edge. The bay stays quiet, except for the truck’s vibration through the dock plates.

Julian
I used to copy the clean manifests. Carter Vale liked them neat, no smudges, no questions. Said the ugly paperwork scared honest men.
The figure’s voice softens at the corridor mouth, not calling him back, just talking into the fog like confession might count for something. Dallas finds a second mark on the crate, a clerk’s stamp partly hidden under the shipping label.

Julian
If you’re checking the right crate, you’re already past the first lie. Do you want the name I saw on the clean version?

“I check the fresh clerk stamp”
SUCCESS (Superb Investigation, rolled +1)

Dallas peels back the shipping label with two fingers and studies the fresh clerk stamp beneath it. The ink is still tacky at the edges, a clean square pressed over an older manifest line.

Dallas Fontaine
It is a recent overstamp, not a warehouse mark.
He angles the crate toward the truck lights and catches the code in full. The stamp matches the load number on the rear door, then adds a handwritten initials line in the margin.

Julian
That is not Bell's hand. That is the cleaner's approval.
Dallas compares the fresh stamp to the ledger, and the same route number appears twice, once in ink, once scratched and corrected. Whoever touched this shipment changed the record after the truck was already loaded.
He spots a second detail, a dock time stamped under the tape, and it is later than the schedule by seventeen minutes. The crate was routed through Far Harbor under a revised signature, not the original clerk's.
The Unknown Figure in Hallway leans farther into the light, voice low and urgent. The truck engine shudders in place, waiting for someone to close the doors.

Julian
You have the clean version now. Say the word, and I tell you who signed off on the reroute.
“I ask who signed off on the reroute”
SUCCESS (Good Psychology, rolled -2)

Dallas lowers the ledger and turns from the crate, giving the question space instead of the steel. The truck hums beside them, fog beading on the open doors.

Dallas Fontaine
Who signed off on the reroute?

Julian
Carter Vale did. Not with his own name, with a cleaner stamp and a clerk's hand in the margin.

Julian
He sounds relieved to say it, like the lie has been sitting in his throat for days.
The figure steps fully into the loading bay light, one palm open toward the crate. His shoulders loosen, but his eyes keep checking the ink, the route number, Dallas's hands.

Julian
I saw the original paper once. Bell's name was the cover. Vale's was the correction. Same shipment, different lie.
Murderbone stays near Dallas's leg, silent now, watching the man's face instead of the corridor. The fog presses against the bay and softens the truck's headlamps.

Julian
If you want the name on the reroute, I can point to the signature. If you want the reason, that costs more than paper.
“I ask for Carter Vale's signature”
SUCCESS (Good Psychology, rolled +0)
Dallas tilts the page under the bay light and holds it steady between them. The truck idles in the fog, but the bay feels quieter now, like it is waiting with them.

Julian
There. The cleaner stamp is Vale's mark. The clerk wrote over it, then tried to make the numbers look honest.
He reaches out, stopping short of Dallas's hand, and points to the tiny overlap where the ink thickens at the margin.

Julian
You can see where he pressed harder. Same hand, same route, different owner. That's how men like Bell survive.

Dallas Fontaine
Carter Vale's signature is the correction, not the original.
Murderbone watches the man's finger, then relaxes a fraction when the page stays still. The fog slides past the open doors of the truck.

Julian
I kept that in my head for weeks, thinking it would buy me out. Maybe it finally does.
He gives Dallas a thin, tired look, then taps the reroute line once more, waiting for what Dallas wants from him next.
“I search the truck for the shipment”
SUCCESS (Superb Investigation, rolled +1)

Dallas folds the page once, then steps to the truck. He hooks the rear door wider and shines his light into the cargo bay.
Inside, the shipment sits under a tarp, but the cover has been dragged back enough to show sealed cases, wet rope, and a second crate marked for transfer, not storage.

Dallas Fontaine
The load is already on board.
He crouches by the nearest case and finds a fresh dock tally tucked beneath the strapping, with Vale's reroute stamp over a changed destination code.

Julian
That is the one. If you can match it to the manifest, Bell loses the clean version.
Murderbone noses the open bay, then stiffens at the far end of the loading dock. The engine keeps humming, but no one moves to stop Dallas.

Julian
Take the tally now, or leave it and let the truck roll. What do you want me to do?
Quest Complete
Intercept the shipment
New Gift: Tactical Interception