
The dormitory door opens onto the cold corridor, and the boys move as one small, careful knot. Boots thunder past in the distance, but no one looks twice at the cluster of younger fellows keeping close together.
Lewis stays near the middle, guiding the pace by inches rather than orders. Francis keeps to the shelter of the group, head lowered, while Parsley and Edwin drift close enough to hide him from any passing glance.

John
This is easier when we do not hurry.

Morris
We make a convincing procession, I think. Almost respectable.

Parsley
If anyone asks, we are all merely late on purpose.
Edwin gives a small, relieved smile, and Francis finally lifts his eyes from the flagstones. The corridor remains busy, but the boys have found a pocket of quiet in the press of the morning.

C. S. Lewis
The cold makes the stone smell sharper.
✓ Quest Accepted
Protect Francis from being singled out
“Lewis leads them into the dining hall, making sure no one gets separated.”
SUCCESS (Good Agility, rolled -1)

The boys pass through the dining hall door together, the shift from corridor chill to warm noise coming all at once. Lewis keeps them bunched in a narrow line, letting each younger boy feel the one beside him before the next step is taken.
Ahead, the hall opens in benches and steam and scraping feet, but the cluster does not break. Francis stays half a pace inside the circle, and Parsley and Edwin angle their shoulders to keep him covered as they enter.

John
Keep the line tight, then let it breathe.

Morris
A neat little file. It will do.
A few boys at nearby tables glance up, then back down to their food. No one is singled out, and the small procession keeps its shape across the threshold.
Edwin touches the dark pebble in his pocket as he walks, as if counting the company by touch. Lewis guides them toward an empty stretch of bench where they can sit without splitting.

Parsley
There, all together.
Quest Complete
Protect Francis from being singled out
“They take a seat to start eating and begin to relax. Lewis says that Francis should probably just go to chapel with them and stock together after too, if he doesn't mind. Lewis would like to visit the library today if they can too. But he won't push it of the Bloods are prowling to heavily. They could instead walk back to town and meet Francis's folks if he wants.”
SUCCESS (Superb Etiquette, rolled +2)

The boys drop onto the bench in a loose, breathing knot, shoulders finally lowering as tin plates scrape across the table. Lewis’s question lands gently in the warmth, and the others turn toward Francis to hear his answer.

Francis
Aye, I can do that. Chapel and company both, if there’s room enough for me.

John
There is room. We make it, that is the point.
Edwin’s fingers brush the pebble in his pocket, a small private habit against the clatter around them. Morris takes the far end of the bench and leaves space without fuss, as though that too is part of the arrangement.

Parsley
Then we keep together after chapel as well. Library, if it is clear enough for it.

Francis
I would like that.
A passing prefect cuts between the tables, and the younger boys instinctively tighten. For a breath the line breaks into two clusters, then reforms as Parsley and Edwin are shifted aside by the prefect’s stride, Francis left just within Lewis’s reach.

Morris
We shall have to gather again after he passes.
“I gather us back together after the prefect passes, taking Parsley's hand to keep us from getting separated again.”
SUCCESS (Good Agility, rolled +0)
As the prefect’s shadow clears the table, Lewis reaches out and catches Parsley by the hand. The loose split at the bench snaps back together at once, boys and shoulders sliding inward until Francis is sheltered again between them.
Edwin steps in from the side and the dark pebble shifts against his palm as he closes the gap. John leans his weight toward the middle, making room without a word, while Morris angles his end of the bench to hold the line.
Parsley gives Lewis’s hand a quick squeeze and comes back to his place, face set with quiet agreement. The small disturbance dies under the clatter of plates and talk around them.
Francis looks from one boy to the next, then settles his shoulders as if the room has finally been told where he belongs. The company is whole again, and the prefect passes on without taking anything from them.

Morris
There, then. That is better.

John
We stay as we are.
Across the hall, a few older boys glance over, but the younger group keeps its shape, hand to hand and knee to knee, waiting for the next move.
“Lewis asks Parsley quietly of he minds holding hands in public more often, not just when they are trying to hold the line. He favors Parsley with a warm smile.”
SUCCESS (Superb Etiquette, rolled +0)

C. S. Lewis
Lewis asks Parsley, very quietly, whether he minds holding hands in public more often, not only when they need to hold the line.
He lets the question hang in the warm noise of the hall, then gives Parsley a warm, open smile.

Parsley
Parsley’s mouth flickers, then settles into something pleased and shy. Not at all, if it is you.

John
John looks down the bench once, then back to them. It is useful, he says, and plainly not unwelcome.

Morris
Morris snorts under his breath, but his eyes are amused. The school will survive it, he says dryly.

Edwin
Edwin watches the joined hands, then glances at his own dark pebble, looking quietly content to be included.
The younger boys do not break apart. Instead, the bench stays close and still, as if the answer itself has joined the company.
“Lewis giggles and eats his breakfast. Curious, he asks the others how they feel about chapel?”
SUCCESS (Superb Etiquette, rolled +0)

Lewis gives a small laugh over his breakfast, then turns the question out toward the bench. Chapel?
The table carries on around them, but the little company stays gathered, listening as if the answer matters more than the porridge.

Parsley
I dislike the stiff silence of it, but I like being where you are.

John
It is useful enough, I think. One can endure a hymn if the company is sound.

Morris
I feel about chapel much as I feel about pruning, necessary, brief, and best done without fuss.

Edwin
I like the singing best. And being near everyone.
A prefect’s shadow cuts across the table edge and pauses between the younger boys, forcing a narrow gap in their line before moving on.
“Lewis poses the same question to Francis, how does he feel about chapel?”
SUCCESS (Superb Etiquette, rolled -3)


C. S. Lewis
And you, Francis, how do you feel about chapel?

Francis
I do not mind it much. It is quiet, and no one expects you to be clever there.
A small smile passes along the bench. Francis answers with his shoulders easing, but the prefect’s earlier crossing has left the group slightly kinked apart, one tray nudged askew.

Parsley
That is a fair reason, I think. Quiet is a rare kindness here.

Morris
And if the hymns are bad, one may still survive them with dignity.

John
Provided no one is made to look foolish for it.

Edwin
Then I shall sit near all of you. That makes it easier.
“Lewis nods and says he enjoys the hymns, but sometimes struggles with the messages. Not because he disagrees with them, just that he sees people constantly contradict them. It frustrates him.”
SUCCESS (Legendary Willpower, rolled -1)

C. S. Lewis
I do enjoy the hymns. It is the messages I sometimes mind, not because I disagree, but because people keep breaking them.

C. S. Lewis
That is the plain truth of it. The words are one thing, the way they are lived is another.
A little silence follows his saying it, not awkward, only listening. The boys at the bench hold their places as the hall hums around them, and Lewis’s words settle into the warm air like something carefully laid down.

Parsley
That is what troubles me too. It feels honest to say so.

John
Yes. If a thing is preached, it ought not to be mocked by the people who preach it.

Morris
Hypocrisy is always vulgar, whatever the hymn number.
As the others answer, the line of bodies tightens again. Edwin folds closer with his pebble hidden in his hand, and Francis stays neatly within the shelter of the group, while the tray that was askew is nudged square between them.
“Lewis nods. He says that it makes him question himself and his faith a lot. But he also feels like maybe it is supposed too? Not that it is right that the hypocrisy is so wrong, but more it is healthy to question because it means he's paying attention to the lessons.”
SUCCESS (Legendary Willpower, rolled +1)

C. S. Lewis
It makes me question myself, and my faith, a good deal. But perhaps that is as it should be. Not that the hypocrisy is right, only that questioning may be healthy, if it means I am paying attention to what is being taught.
The words settle between the plates and mugs, plain and unforced. Parsley’s face warms with recognition, and John’s look sharpens into thoughtful approval, as though Lewis has named something they have all been circling.

Parsley
Yes. I think that is better than pretending not to notice.

John
Quite. A lesson worth anything should survive being examined.

Morris
And if it does not, then it deserves the trouble.
A passing prefect’s shoulder cuts close to the bench, and the younger boys shift at once, instinctively tightening their line. Francis is drawn in a fraction deeper, Edwin’s pebble disappears into his fist, and the whole little company leans together to make room without breaking apart.
“Lewis smiles and says he remembers his mother telling him once that faith is about choosing to believe. He wonders if asking questions and examining the answers is how they make that choice. But he may be getting to philosophical.”
SUCCESS (Legendary Reasoning, rolled -2)

C. S. Lewis
My mother once told me faith is a matter of choosing to believe. I wonder if asking questions and testing the answers is part of how we make that choice.
Lewis smiles as he says it, but the smile costs him. A little breath catches on the last word, and his tray shifts with a soft scrape that makes the boys’ neat cluster hold itself more carefully.

Parsley
I think it is. Otherwise you are only repeating words.

John
Yes. If belief cannot bear inquiry, it is on weak ground.

Morris
And if the answers are poor, better to know it sooner than later.
Above them, the prefect’s passing body forces the line to compress. Parsley and Edwin slide inward, Francis disappears deeper behind shoulders, and John and Morris angle their knees to keep the company from splitting as the aisle narrows for a moment and then opens again.
The little company holds, but Lewis’s remark hangs in the air like a candle just lit in a draught, steady enough to be seen, not steady enough to be ignored.
“Lewis tells the others to keep close and continues the conversation about faith, asking what things they struggle with?”
SUCCESS (Legendary Willpower, rolled +2)


C. S. Lewis
Keep close. What things do you struggle with?
Lewis keeps his voice low, and the bench line draws in around the question rather than away from it. The circle stays intact, but the conversation turns inward, away from slogans and toward the boys themselves.

Parsley
I struggle with saying what I mean when I think people will laugh at me.

John
I struggle with standing still when I think someone is being treated unfairly.

Morris
I struggle with trusting that good talk will be matched by good action.

Edwin
I struggle with keeping up when everyone expects me to know the rules already.

Francis
I struggle with believing I can stay with a company like this without getting sent off for it.
Their answers come one after another, plain and unshowy, and the group takes them in without interruption. At the end of the row, the boys remain gathered tightly together, but the space around the bench shifts as a prefect’s shadow starts to angle back toward their aisle.
“Lewis says that he struggles with his own doubts about how much trouble he might get the others into for following him. He knows what they are doing is right, but he wants them all safe.”
SUCCESS (Legendary Willpower, rolled +1)


C. S. Lewis
I do not doubt the rightness of it. I only worry I may bring trouble down on all of you for following me.
Lewis keeps his tone low, but the words land plainly between the plates. The boys do not draw back; instead the line of shoulders tightens around him, as if the worry itself becomes another thing they are willing to carry.

Parsley
If you mean us harm by being honest, then honesty is a dangerous thing indeed. I would still rather have it than the school’s sort of safety.

John
Trouble comes whether one leads or not. It is better to choose what sort of trouble it is.

Morris
A sensible leader worries about the others first. That is usually how one can tell he is worth following.

Edwin
I like being with you all. I do not mind the risk if it means I am not left out.

Francis
I think that is why it feels safe, because you say the hard thing out loud instead of pretending it is not there.
Above them, the prefect’s shadow slides fully into the aisle and cuts the bench in half. Parsley and Edwin are forced to shift one way, John and Morris another, while Francis is edged deeper into the middle by the passing body. Lewis remains at the center of the pressure, but the group stays gathered, their separation only momentary and controlled.
“Lewis pulls them back together then and thanks them for their confidence in him. It helps, particularly when he has to keep his head cool and move quickly.”
SUCCESS (Legendary Willpower, rolled +1)
Lewis shifts in the narrow gap the prefect has made and eases a hand back toward the center of the bench, gathering the line again with a small, practical motion. The others follow without fuss, shoulders sliding back into place around Francis.

C. S. Lewis
Thank you. All of you, for trusting me with this.
The words are quiet, but they settle the table at once. Parsley’s face softens with pleased relief, John gives a brief nod, and Morris looks as though the answer had been obvious all along.

Parsley
Then keep saying what is true. That is what makes it easy to stay close.

John
And keep moving when you need to. Head cool, feet quick, that is enough for most of school.

Morris
A fair bargain, really. You think for the lot of us, and we stop you from being foolish alone.

Edwin
I like that better than being told to fit in by myself.

Francis
I am glad you pulled us back together. It feels like we are meant to stay that way.
The prefect is already past them, the broken line closing behind his back. The bench is whole again, and the boys sit shoulder to shoulder, the interruption absorbed into their shape instead of breaking it.
“After they finish eating, they gather together and head to chapel for the Sunday morning sermon”

The boys finish their bread and bowls, then rise together at once. As they gather their things, the prefect’s absence leaves the aisle clear, and the little company moves off in one compact body toward chapel.
“Lewis holds Parsley's hand as they walk. Leafing the group across the quad and into chapel”
SUCCESS (Good Agility, rolled +1)

The little file reaches the threshold, and Lewis slips his hand into Parsley’s as naturally as if it belongs there. Fingers tighten, shoulders ease, and the group keeps its neat pace without breaking stride.
Together they cross the quad, a dark compact shape against the yard, their steps measured to stay in line. Edwin keeps his pebble tucked close, while Francis stays sheltered between the older shoulders.
A prefect comes into view ahead, moving across their path with the easy authority of someone used to boys making room.
The younger boys split at once, not by choice but by the shape of the crossing, Parsley carried on Lewis’s side while Edwin and Francis are forced a step apart behind him.
Lewis keeps hold and guides Parsley through the gap, the line bending and then knitting back together as the prefect passes on.
By the chapel door, the whole company is gathered again, close enough to enter as one, with the threshold waiting in front of them.
“They take their seats together inside, Lewis still holding hands with Parsley, and wait for the sermon to start”
Inside the chapel, the boys slide into their places as one. Lewis keeps Parsley’s hand while the others settle, coats straightening and knees drawing in for the wait.
The silence lengthens around them, soft under the high dark rafters. Somewhere near the front, a hymnbook closes with a quiet thump, and the room grows still for the sermon.
“I keep hold of Parsley and listen for the sermon”
Lewis keeps Parsley’s hand under the pew rail while the sermon begins, and the younger boys settle into stillness around them. The first measured sentences drift out from the front, low and plain, with nothing for anyone to do but listen.
“Lewis glances around as they wait, looking to see of anyone is watching them who shouldn't be.”
SUCCESS (Good Perception, rolled +3)
Lewis lets his gaze slide across the chapel instead of the pulpit. Two rows back, a prefect sits with his head half-turned, not listening at all. His eyes are on the boys, and he looks past the front as if counting them.

C. S. Lewis
He is watching us.
Lewis follows the line of that stare and sees the point of it. The prefect is not watching the whole company, but Francis and Edwin, as though their place together has become a thing to measure.
At the same time, a second advantage shows itself. The watcher is sitting where the aisle bends, which means he is blocking the easiest route past him.
John catches the glance Lewis gives and stills at once, while Morris lowers his chin and pretends to listen harder. Parsley tightens his fingers only a little, and Francis keeps very still in the middle of them.
The prefect shifts, then looks away as if satisfied. A page edge rustles at the front, and the bench line remains intact for the moment, waiting for whatever interruption comes next.
“Lewis smiles at his friends to reassure them and listens to the Sermon.”
Lewis smiles faintly at the two boys nearest him, then lets the expression fade as he settles back into the sermon. Beside him, the hand under the rail stays quiet, and the chapel’s hush folds over the whole bench.
“I keep Francis, Edwin, Parsley, John, and Morris close. Holding the line as he tries to focus on the words of the sermon.”
Lewis keeps the little company packed close through the sermon, and the boy next to him inches a fraction nearer in answer. The line holds for a moment more, quiet and vigilant.
“Sermon drags on as Lewis tries to ignore the feeling of being watched and relax his friends. It is a problem for later, and he expects to be watched after everything he pulled yesterday.”
SUCCESS (Legendary Willpower, rolled +2)
Lewis lets the sermon pass over him like rain on a roof. The sense of eyes on his back softens into something ordinary, and his shoulders ease without any deliberate effort.
Parsley feels the change at once and stops bracing himself, his grip settling into a calmer hold. Edwin, one seat along, lowers his chin and breathes out as if he has been waiting for permission.

Parsley
It is easier when Lewis does not look hunted.

John
If they keep still, the room can forget them.
The chapel remains all dim wood and quiet voices, but the little company no longer bunches itself in fear. Even Francis, half-hidden down the line, seems to sink more comfortably into the pew.

Edwin
After this, can we stay together a little longer?
Lewis does not need to answer with words for the others to hear him. The line stays close, steady as a held breath, while the sermon goes on.
“Lewis keeps them close as we watches the pastor. Wondering what kind of man he is and how much he knows about what occurs in Malvern.”
SUCCESS (Good Perception, rolled -2)

From above, the pew line is a single dark thread against the chapel floor, the boys bunched close beneath the stained light. Lewis keeps his gaze fixed toward the front, and the others stay tucked in around him, still and small.
The clergyman at the lectern is plain-faced and spare in his movements, one hand resting on the wood while the other turns a page with care. He does not seem hungry for attention, only intent on being heard.

C. S. Lewis
He watches the room as much as the sermon.
Lewis reads the man by the way he pauses before speaking, measuring the chapel as if he knows boys are listening for more than doctrine. That steadiness makes him seem aware, though not necessarily kind, and certainly not blind to what goes on beyond the pulpit.
A prefect steps into the aisle below, cutting the line of sight and forcing the younger boys to fold inward at once. Parsley and Edwin shift apart by a seat’s width before they catch themselves, and Francis vanishes deeper behind the shoulders between them.
Lewis holds the company together through the split, but the scrape of a shoe on wood gives them away. The sermon carries on, yet the prefect has seen the movement, and the boys must decide how obvious they mean to be.
“Lewis nods to the prefect when their eyes meet. Not a challenge, but a polite acknowledgment from one boy to another. He keeps silent as the sermon continues.”
SUCCESS (Superb Etiquette, rolled -1)
Lewis answers the prefect’s look with a small, civil nod, nothing more. The man takes it and moves on, and the boys around Lewis keep their silence.
The prefect’s attention slides away without comment, as if the little gesture has satisfied him. The sermon continues in the same measured voice, and the line of boys remains still.

Parsley
He did not make it worse.

John
That was the right kind of notice.
Francis, half-hidden between shoulders, eases back into place. Edwin keeps his pebble closed in one hand, eyes lowered toward the front.
The chapel settles again, with only the turn of a page and the clergyman’s steady cadence breaking the hush. The boys hold together, undisturbed for the moment.
“After the sermon ends, Lewis leads his friends to the gardened paths behind the chapel to get clear of the rush and catch their breath.”
SUCCESS (Good Agility, rolled +1)

When the last note dies, Lewis rises with the others and slips them out of the pew before the rush can gather. The chapel door opens to a cooler dark, and the little company keeps its shape as they move through it.
They take the side path behind the chapel instead of the main drift of boys, so the press of bodies thins behind them. Gravel softens underfoot, and the clipped garden borders make a narrow, quiet channel for breathing.
John comes out at Lewis’s shoulder, then Morris, with Parsley close and Edwin tucked in beside Francis. No one speaks at first, only the small sound of coats and shoes settling after the stillness inside.

C. S. Lewis
The path is clear behind the chapel.
A prefect’s voice rises faintly from the front steps, but it stays with the crowd and does not follow. Lewis keeps the boys moving until the chapel wall screens them from the doorway.

Parsley
That is better.

Edwin
I can breathe now.
The group reaches the gardened bend together, away from the flow at last, and the line they have made for themselves holds while the chapel empties behind them.
“Lewis sighs with relief and asks of everyone is still ok?”
SUCCESS (Legendary Willpower, rolled +1)


C. S. Lewis
Are you all still all right?
The company slows in the narrow gardened bend, and the question draws their heads together. Lewis keeps the line from unwinding while the chapel noise stays behind the wall.

Parsley
Yes, I am. Much better, now we are out here.

Edwin
I am all right too. The pebble is still with me.

John
We are intact. That is the chief thing.

Morris
As intact as one can be, after sitting through chapel.

Francis
I am fine. I rather like this part, when no one is staring.
The boys trade small nods and half-smiles, and the tightness in their shoulders loosens together. Then a prefect steps out from the path ahead, cutting across the bend and forcing the younger boys to draw apart on either side of him.
“Lewis raises an eyebrow but says nothing as the prefect passes, closing the group back up.”
SUCCESS (Good Agility, rolled -1)
Edwin sees the prefect’s shoulder take the path, and Lewis’s eyebrow lift once, dry as a warning. The little company obeys the movement without a word, sliding back together around the gap as if a seam is being stitched shut.
Parsley steps in first, then Francis, with John and Morris easing their bodies to either side and hiding the split from view. Edwin keeps his pebble tucked low in his palm while Lewis turns the group inward again, making the line compact and quiet.
The prefect passes on without stopping. The boys’ shoulders settle only after he is gone, and the pressure in the bend falls away with him.

John
That will do.

Morris
A neat recovery. He never got a clean look at us.

Parsley
We are still together, then.

Francis
They make it feel simple, when it is not.
Edwin watches Lewis hold the circle closed, and the path ahead is clear again for the whole company to move as one.
“Lewis glances at Francis appraisingly and asks if by now the older boys would already by on Francis, making him run errands for them?”
SUCCESS (Legendary Reasoning, rolled +0)
Lewis lets his eyes rest on Francis for a moment, then asks the question as if weighing a school rule aloud. Francis’s face tightens, not with fear exactly, but with recognition.

Francis
Yes, I think they would. They do not wait long once they notice a boy is useful.
Morris gives a low, measured glance toward the path, as if measuring how far that usefulness travels before it becomes a burden.

John
Then they would have had him on errands already, if he were alone.

Parsley
So staying with us stops that, does it not?
Francis answers by shifting closer into the group, his shoulders easing as the pebble remains hidden in Edwin’s fist at knee level.

C. S. Lewis
The older boys work by noticing who stands by himself.
“Lewis asks if there are any particular older boys or Bloods who single him out? Who might come looking if they notice he isn't around to single out? Lewis assures him he's not scared of that happening, he's just planning ahead.”
SUCCESS (Legendary Willpower, rolled -1)

C. S. Lewis
Lewis asks, in a careful, matter-of-fact way, which older boys or Bloods usually single Francis out, and who would come looking if they noticed he was not alone.

Francis
A couple of them, yes. Blugg most of all, if he thinks I am useful, and anyone who likes borrowing boys for messages.

John
Then it is not random. They look for the ones who stand apart.

Morris
A useful boy is only safe while he is sheltered, which makes the shelter itself the target.

C. S. Lewis
Lewis says he is not frightened of that, only trying to think ahead.

Francis
That would be Blugg, and perhaps Tennyson if he wants a task done without asking twice. If they saw me missing from a line, they might ask where I am.
“Lewis asks if Fribble ever gives him trouble too? He notes that he hasn't actually seen Fribble for close to a week now.”
SUCCESS (Superb Etiquette, rolled +1)


C. S. Lewis
Does Fribble give you trouble too? I have not seen him for nearly a week.

Francis
Sometimes. Not always directly. He likes making things awkward, then acting as if it was nothing at all.
Francis’s mouth tightens at the name, and he lifts his chin toward the path behind Lewis as if expecting it to produce trouble on cue.

John
That fits him. He does not need to stay in one place to be a nuisance.

Morris
If he has vanished, that is either comfort or preparation. Hard to say which.
Ahead, a prefect’s footsteps begin to click into the bend, and the boys’ line tightens by instinct, shoulders drawing together before anyone speaks.
The prefect comes level with them and cuts straight through the middle of the little company, forcing Parsley and Edwin apart from the others as the procession breaks and reforms around him.
“Lewis laughs and says it is definitely preparation and he is sure it is targeted at himself. But as long as he leaves Parsley alone, Lewis won't press him for now.”
SUCCESS (Legendary Willpower, rolled +0)

Lewis gives a short laugh, quiet but clear, letting the prefect’s interruption hang in the air without flinching. The little company keeps moving, yet the line has to bend around the man in black, and the bend shows who is being watched.

C. S. Lewis
That is preparation, I think. He is aiming at me.

C. S. Lewis
If he leaves Parsley alone, I will not press him for now.
Parsley does not answer with argument. He stays tucked close at Lewis’s side, his shoulders tight but his face turned forward, as if refusing to give Fribble any extra excuse.

John
That is exactly his way of doing it, then. Trouble first, explanation afterward.

Morris
And now he knows he has been named. That usually makes men like him meaner, not milder.
Above them, the prefect’s path forces the procession wider for a few steps, then narrower again as the boys correct themselves. Edwin keeps the dark pebble hidden in his palm while the group closes up behind the passer, still together, but visibly braced for the next cut.
“Lewis asks them if they are all going to try the library now or walk to the village instead?”
SUCCESS (Superb Etiquette, rolled -1)
The prefect’s back is still just ahead of them, so Lewis slips his question into the moving line without stopping it. The company keeps pace, shoulders nearly brushing, as the path narrows between clipped hedge and chapel wall.

C. S. Lewis
Are we going to the library now, or on to the village?

John
Library, if it is open. The village can wait until we are meant for it.

Morris
The library sounds safer. Less chance of being noticed, and more chance of useful company.

Parsley
I should like the library. Or, if not that, then only if we are all together.

Edwin
Library first, please. I do not mind the village, but I mind being split up more.
Fribble’s interruption drifts behind them as the answer settles the group. Lewis leads the little company onward, and the procession takes the library turn together instead of scattering at the fork.
“Lewis leads Parsley, Edwin, Francis, John, and Morris to the library. Keeping the group tight together so they can't be picked off.”
SUCCESS (Good Agility, rolled -2)

The path ahead opens into the wider approach to the library, and Lewis keeps the line compact as they go. Francis stays tucked between shoulders, Edwin’s pebble flashes once in a clenched hand, and the others match Lewis’s pace without speaking.
But the formation meets the open stretch beside the chapel wall, where they must spread for a breath before closing again. Lewis slips a step ahead to draw them through the gap, and the little company follows without losing sight of one another.
Therefore the library door comes into view at the end of the path, dark against the stone. The boys keep together right up to it, their shoulders nearly touching as if the line itself were guarding them.
A prefect’s shadow crosses the grass behind them, not stopping, but close enough to make the younger boys tighten instinctively. Morris glances back once, then faces forward again as Lewis holds the pace steady.
The group reaches the library steps as one. A mild scrape of shoes on stone gives away how tightly they have had to pack themselves together, and Edwin clamps his pebble harder in his fist.
At the landing, the doorway is theirs to enter, but the near pass has left them watchful and a little winded. Lewis has brought them to the threshold intact, though the prefect’s nearness has sharpened every face into caution.
“Lewis leads them inside to safety as they find a quiet corner table in the Library to sit and talk.”
SUCCESS (Good Agility, rolled -3)

Lewis pushes the library door open, and the boys slip inside together. The hush changes at once, shoes dulling on the floorboards as he guides them toward a corner table beyond the first rows of shelves.
They sit as a cluster, shoulders still close from the walk in. Edwin keeps his pebble in a tight fist beneath the tabletop, while Francis lets out one careful breath as if the room itself has agreed to keep him.

John
This is better already. No one can see us all at once here.

Morris
And if they could, they would still have to come round the shelves to do it.

Parsley
I like it. It feels as if the room has corners for thinking.

Edwin
And for staying together.
Lewis settles in with them, but the bench scrape carries farther than he means, and a head turns somewhere between the stacks. The little company stays where it is, safe for the moment, while the quiet around them deepens.
“Lewis smiles and asks the others what they want to talk about? He's an open book for them. They already know he doesn't lie.”
SUCCESS (Superb Etiquette, rolled +0)
Lewis turns the invitation back toward the table, open and plain. The little company leans in by instinct, as if his question itself gives them room to speak.

C. S. Lewis
What do you want to talk about? I am an open book. You know I do not lie.

Parsley
Then talk to us like this more often. I like the sound of it, when nobody is pretending.

John
We could begin with what each of us is for in a room like this. I should like to know that plainly.

Morris
And I should like to know whether we are to be sensible, sentimental, or both. The library may allow either.

Edwin
I want to hear about your stories. The ones you keep in your head when school is being tiresome.

Francis
And I want to know how you make people feel less alone so quickly. It is not a common trick.
The question settles over them like a warm lamp. Around the corner table, shoulders loosen, Edwin’s pebble stays hidden in his fist, and the boys begin answering one another instead of watching the aisle.
“Lewis suppresses a laugh and says they didn't give him easy ones. Lewis says he would rather be sentimental or mischievous in the library on a Sunday. And that they are not for anything in this room John needs to not think so much like that and give himself permission to just be somewhere.”
SUCCESS (Superb Etiquette, rolled +1)

C. S. Lewis
You have not given me easy ones. I would sooner be sentimental, or mischievous, in a library on a Sunday. And you are not for anything in this room, John, so stop thinking as if you must earn the right to sit here and just be here.
The laugh stays small, but it escapes him all the same, and the table loosens at once. John’s shoulders drop a fraction, as though the words have taken weight off them rather than added it.

John
Then I shall try being here without trying so hard. That is harder than it ought to be.

Morris
A great discovery. One may inhabit a room without publishing a thesis about it.

Parsley
I like him like this, too. It feels as if the room has been opened a little.

Edwin
Sunday in the library does sound proper. If there are stories in your head, I want the funny ones first.

Francis
And I should like to hear what you mean by mischievous. I suspect it is kinder than the word sounds.
“Lewis says that he will answer Francis's earlier question first, he thinks he makes people feel less alone by actually asking questions and caring about the answers instead of trying to exploit them. People here it feels like have forgotten how to do that”
SUCCESS (Superb Etiquette, rolled -1)

C. S. Lewis
I answer Francis first. I think I make people feel less alone by asking questions and caring about the answers, instead of using them. It feels as if people here have forgotten how to do that.

Francis
Then that is plain enough. It is a fine thing to be asked and not handled.

John
Yes. Most boys here are examined, not heard.

Morris
Which is why this is so inconveniently novel.

Parsley
That is why it feels safe with you. You listen properly.

Edwin
I like that answer. It sounds like a story with the right sort of hero in it.
Above them, a prefect’s shadow slides across the shelves, and the little circle tightens without breaking as the boys register his passing and hold their place.
“Lewis turns to Edwin and asks what kind of story Edwin would like? Something funny about Lewis's time at Malvern? Something funny from Lewis's past before Malvern?”
SUCCESS (Superb Etiquette, rolled -1)
Lewis turns toward Edwin at the aisle edge and lets the question settle there, simple and inviting.

C. S. Lewis
What sort of story would you like? A funny one from Malvern, or a funny one from before I came here?

Edwin
Before, I think. I want the sort that has a proper beginning, so I can see what sort of boy you were before all this.

John
That is a careful answer, and a kindly one.

Morris
A wise choice. School stories are usually only funny after the damage has been done.

Parsley
Then tell one that you do not mind us knowing.
Lewis’s small circle leans in, and even Francis shifts his elbows closer, waiting for the first piece of the tale while the prefect’s shadow slips on above them and does not stop.
“Lewis grins and says he doesn't mind sharing any of his stories with them. He asks if they would like to hear about the first time he tried to date a girl? The time he tried to make his mother a cake while she was out? Or a story about him and George before they were separated?”
SUCCESS (Superb Etiquette, rolled +3)


C. S. Lewis
I do not mind sharing them. Would you rather hear about the first time I tried to court a girl, the time I tried to bake my mother a cake while she was out, or a story about George before we were separated?
The question lands softly, and the table seems to take it as an invitation rather than a performance. Edwin brightens at once, Morris folds his hands as if weighing the options, and John’s mouth quirks with interest.

Edwin
The cake, I think. That sounds properly disastrous.

Morris
Agreed. A domestic experiment usually reveals more than a romance does.

John
And it is kind of story that tells us what sort of boy you were at home.

Parsley
Yes, the cake. I want the part where you fail.
Lewis’s choice draws a quick, warm laugh from the group, and even Francis tips his head in with open curiosity. Above them, the prefect’s shadow crosses the shelves and keeps moving, while the boys settle more tightly around the table, waiting for the beginning.
“Lewis shares the story about how it was his mother's birthday and she left for the market to grab things for dinner. 7 year old Lewis has the bright idea to bake her a cake, problem was he didn't know how. Couldn't be that hard though right? Well 3 bags of sugar, 1 bag of flour 20 eggs, and several bottles of milk all over the kitchen floor, and the monstrosity in burning in the oven, turns out it was that hard. And boy was that the biggest arse whipping from his mother of his life. He was so covered in dough she basically had to dip him in the stream to get clean.”
SUCCESS (Fair Creativity, rolled +3)


C. S. Lewis
When I was seven, I tried to bake my mother a birthday cake while she was out at the market, and I had no idea what I was doing.
The boys lean in as Lewis lays out the kitchen disaster, each detail landing to a fresh ripple of amusement. Flour, sugar, eggs, and milk all get away from him at once, and the cake itself ends as a burnt embarrassment in the oven.

Edwin
You put all of that in the kitchen?

Morris
That is not a cake, that is a siege.
A few snorts of laughter follow, and Lewis’s story wins the room completely. The part about being covered in dough earns them all, and the memory of his mother hauling him to the stream makes the younger boys wince and grin at once.

Parsley
She really made you go straight to the stream?

John
It sounds deserved, and also deeply educational.
Francis laughs outright, then ducks his head as if delighted to be allowed in on the joke. Above the table, the prefect’s shadow passes on, and one of the boys nearby gives a soft, approving hum at the laughter below.
“Lewis grins and says not only did she make him go to the stream, he remembers what she said to him like it was yesterday. "You are more of a mess than this house and I'm not having you shed it in my kitchen." Then she pulled his sorry butt to the stream, stripped him down, and washed him right there.”
FAILURE (Legendary Humour, rolled -4)
“Lewis grins and says not only did she make him go to the stream, he remembers what she said to him like it was yesterday. "You are more of a mess than this house and I'm not having you shed it in my kitchen." Then she pulled his sorry butt to the stream, stripped him down, and washed him right there.”
SUCCESS (Legendary Humour, rolled -1)

C. S. Lewis
Not only that. I remember what she said to me as if it were yesterday. “You are more of a mess than this house, and I’m not having you shed it in my kitchen.”
The table answers with a fresh burst of laughter, and Lewis keeps the memory moving, the old shame turning light in his hands instead of heavy.

Edwin
She really said that?

C. S. Lewis
Then she hauled me out to the stream, stripped me down, and washed me right there.

Morris
That is the sound of a mother with no patience for nonsense.
The boys fold inward laughing, shoulders bumping, and even Francis bends double with it. The pebble lies bright near Edwin’s fingers while the library around them stays hushed and watchful.
“Lewis smiles back at his friends and asks them to each share a story from back home.”
SUCCESS (Superb Etiquette, rolled +1)

C. S. Lewis
Lewis smiles at them and asks each boy for a story from home.

Edwin
Edwin says his mother keeps a ridiculous black hen that will chase the wrong person every morning, then laughs at the memory of it.

Morris
Morris tells of a cousin who tried to teach a horse to bow, and nearly bowed himself into the mud.

Parsley
Parsley, still smiling, says his little brother once hid all the spoons because he thought the family was going to have soup for a week.

John
John shares a calm, dry story about a church clock that was always five minutes fast, so the whole village lived by a lie they all agreed to ignore.

Francis
Francis hesitates, then says his own back home had a canal wharf where everyone knew everybody else, which made leaving feel like stepping out of a story before the end.
The stories pass from mouth to mouth, warming the table. Even the books beside them seem less stern for it, while Edwin’s pebble turns once between his fingers as if keeping time.
“Lewis smiles at each story, saying he often wondered what having siblings was like. Although he imagines some of it is the same as living with his friends in the dorm.”
Lewis’s smile carries around the table as he says that was the bit he had always wondered about, having brothers and sisters, though living with his friends in the dorm felt like a cousin of it. The boys answer with easy looks and half-grins, while Edwin’s pebble slows in his hand.
“Lewis asks if they want one of his other 2 stories now. The first girl he courted or a story about him and George?”
SUCCESS (Superb Etiquette, rolled +2)

C. S. Lewis
Lewis asks if they want another story, maybe the first girl he courted, or the one about him and George.
The question lands lightly, and the table stirs with fresh interest instead of laughter.

Edwin
Edwin lifts his pebble and grins. 'The girl first, I think. Then George after.'

Morris
Morris leans an elbow on the table. 'That sounds like a fair order.'

Parsley
Parsley turns toward Lewis with an eager, private smile. 'Yes, tell us the beginning.'

John
John gives a small approving nod. 'Whichever you choose, we are listening.'

Francis
Francis sits forward, openly delighted. 'I want the one with the girl.'
“Leeisbgrins and prefaces the story by saying this was back when he was trying to make himself like girls because the thought he was supposed too. So back before he stopped lying. And at the end of the day, the whole kept snowballing into an increasingly ridiculous pile if lies. He was sooooooo bad at trying to woo her in hindsight. Always trying to do things he just saw others do. He was about 10 and was stealing random flowers from his mother's garden to leave for this poor girl. He went two weeks before he realized she never saw him and had no idea where the flowers were coming from.”
SUCCESS (Legendary Humour, rolled +2)

C. S. Lewis
This was back when I was trying to make myself like girls because I thought I ought to. Before I stopped lying, I mean. I was so bad at it that the whole thing just kept snowballing into nonsense.

C. S. Lewis
I used to steal flowers from my mother’s garden and leave them for a girl, like some very solemn fool. I went on for two weeks before I realized she had no idea where they were coming from.
The table breaks into quiet delight at the confession, and Lewis’s own embarrassment turns the story sharper rather than smaller. Edwin beams over his pebble, Francis leans in with open relish, and even John looks faintly amused.

Parsley
You were courting her in secret and she did not even know it was you?

Morris
That is a remarkable amount of effort for no result at all.
Parsley’s grin widens at the absurdity of it, and Morris’s dry verdict draws another ripple of laughter across the little circle. The books around them seem to close in, as if the shelf itself is listening.

Francis
Did you ever tell her?
The question hangs there, bright and expectant, while the boys hold their places around the table and wait for Lewis to answer.
“Lewis says that he did eventually tell her, and got rejected on the spot. But he kept trying for awhile after. Eventually she relented and let him take her on a picnic date. She actually seemed pretty into it and excited. She even gave him his first kiss. Problem was Lewis was bored out of his mind the whole time. She kept trying to talk to him and he would nod his head without really hearing anything. Watching the other kids play and wondering why they couldn't do that instead. He tried 2 more lunch dates before breaking it off. Convincing himself she just wasn't the right girl so he would try again elsewhere”
SUCCESS (Legendary Reasoning, rolled +3)


C. S. Lewis
I did tell her. She rejected me at once, though I kept at it for a while after that.

C. S. Lewis
In the end she relented and took me on a picnic. She was quite excited about it, and she even gave me my first kiss.

C. S. Lewis
The trouble was, I was bored senseless the whole time. She kept trying to talk, and I kept nodding without hearing a word of it.

C. S. Lewis
I spent most of it watching the other children play and wondering why we could not do that instead.

C. S. Lewis
I tried two more lunch dates after that, then broke it off and decided she was not the right girl.
The little ring of boys goes still, then warms again with incredulous delight. Francis brightens at the kiss, and Edwin’s pebble pauses in his fingers as if even it is listening.

Morris
That is a very civil way to fail at romance.

John
At least you were honest about it in the end.
Lewis’s confession lands as the far side of the joke, too, a plain little advantage for him in the middle of all that amusement. The boys are looking at him with renewed interest when footsteps brush the aisle beyond the shelf.
“Lewis grins and asks them if they think he was a fool about it or if he performed admirably for trying?”
SUCCESS (Superb Etiquette, rolled -2)


C. S. Lewis
Lewis grins and asks whether they think he is a fool for it, or whether he managed admirably after all.

Morris
Morris tilts his head, amused. "A fool, perhaps, but a civil one. That is not nothing."

John
John gives him a small, approving look. "Admirably, I think. You were honest, and you did not make a fuss about it."

Parsley
Parsley laughs softly, delighted. "You were dreadful and brave at the same time."

Edwin
Edwin hugs the pebble closer, eyes bright. "It was funny. I liked that you kept trying anyway."

Francis
Francis leans in, grinning. "Not a fool, then. Just somebody who was trying very hard and looked a bit lost."
The laughter settles into an easy hush, but the boys are still smiling when a prefect’s shoes stop in the aisle beyond the shelf, close enough to make their bench tighten without a word.
“Lewis asks for one of them to share a story next. They need to keep their prefect audience entertained.”
SUCCESS (Superb Etiquette, rolled +3)

C. S. Lewis
Lewis asks, softly, who will tell the next one.
The question lands at once. Parsley shifts first, smiling at the opening, while John and Morris glance aside as if weighing the room for the safest voice.

Edwin
I can do one, if you like. It is not a grand one, only a funny one from home.

Francis
He is in it before he has finished asking, and everyone is listening.

Parsley
Yes, Edwin, do tell it. We have been very serious for too long.
Edwin draws a breath, peering down at the pebble in his hands, and the little circle leans toward him. Beyond the shelf, the waiting footsteps halt, then drift closer to the aisle mouth, making the boys bunch tighter without breaking their attention.
“Lewis listens to Edwin's story.”
SUCCESS (Good Perception, rolled +2)
Lewis settles his hands and listens without moving, letting Edwin take the room. The table’s laughter thins into attention as Edwin begins, and the little company holds still around him.

Edwin
There was a black hen at home that would steal anything bright, and once it took my mother’s thimble right from the doorstep.
A soft, delighted stir runs round the table. Lewis keeps his eyes on Edwin, and the story pulls the others in as surely as if Edwin has reached across and taken hold of them.

Edwin
We searched for it for half the afternoon, and my little brother swore the hen had hidden it in the hedge like treasure.

Francis
That is the very sort of thing hens ought to do.
Lewis hears the grin in Francis’s voice, and even John’s mouth threatens a smile. Edwin grows bolder at the attention, the pebble turning once in his fingers as the last of his shyness gives way.

Edwin
In the end she dropped it into the rain barrel, and I had to fish it out with my sleeve all wet.
The story lands cleanly, and Lewis has it all, the absurd hen, the missing thimble, the wet sleeve, and the easy home-life behind it. At the aisle mouth, the waiting footsteps pause, while John’s gaze drifts toward the shelf as if measuring how soon the room may be interrupted.
“Lewis encourages them to ignore the presence. They are safe in the library and any threat has to get through him. He asks for another of them to share a story.”
SUCCESS (Legendary Willpower, rolled +1)

C. S. Lewis
We are safe here. Let it stay outside the table, and let somebody else go on with a story.
The words settle the little circle at once. John eases his shoulders, Morris’s mouth twitches, and Parsley stops looking toward the aisle.

Edwin
I can do another, if you want. There was once a cat that stole the cream and blamed the dog.

Francis
That sounds unfair to the dog. I approve already.

Morris
I should think the cat knew its business better than half the masters here.

Parsley
Tell it then. I want the ending this time.
A faint chuckle goes round the table, and the shelf-shadow on John’s side stops mattering. Edwin straightens, warmed by the invitation, while Lewis’s little company draws back into the story together.
“Lewis asks Edwin to tell his, and then he will talk about George.”
SUCCESS (Superb Etiquette, rolled +3)


C. S. Lewis
Tell yours first, Edwin. Then I will tell you about George.

Edwin
All right, then, there is a better one after all.

Edwin
Once, at home, I tried to help with the jam tarts and turned the whole tray into one great ugly puddle. My mother said it looked as if a beetroot had surrendered.

Francis
That is a heroic way to fail at baking.

Morris
I should have liked to see the face your mother made.

Edwin
She made the proper face. Then she made me scrub the pan while the others ate them.

Parsley
That is cruel and fair, which is the best sort of punishment.

Edwin
I know. The worst part was the cat sat by the oven and watched as if it had planned the disaster.
“Has the prefect moved on?”
YES, AND MORE (Likely, rolled 10)
The heavy footsteps in the aisle cease, and the shadow that had been lingering near the shelf-end finally drifts away toward the main exit. The library returns to its quiet, dusty stillness, and the boys realize they are no longer being watched.

C. S. Lewis
It seems the coast is clear, and we have the corner to ourselves again.
“Lewis smiles with relief before turning to Parsley. "I told you about George, the boy I would play under the bridge with. The boy I kissed and then never saw again. What kind of story about him should I tell?"”
SUCCESS (Superb Etiquette, rolled +2)

C. S. Lewis
I told you about George, the boy I would play under the bridge with. The boy I kissed and then never saw again. What kind of story about him should I tell?

Parsley
Tell the one that is truest to him, not just the one that flatters you. Tell me what he was like when nobody was looking.
Lewis asks, and the question lands softly among the books. Parsley turns toward him with open attention, ready to listen rather than judge.

Edwin
He sounds as if he was real, not just a name.

John
If you are going to tell of someone, begin with the small exact things. Those are the bits that stay.

Morris
And leave out anything that only makes the teller look clever. That sort of story usually rots.
The little company stays tucked together at the table, the silence around them no longer wary but expectant, as if George has been given a chair among them.
“Lewis smiles and thinks for a minute. He starts by telling them how he met George. He had been exploring in the woods just past the edge if town. He was looking for a new fishing spot and swimming hole. The one he used to frequent wasn't quite so friendly to his new honesty. And he found George just near the bridge, trying to get a makeshift raft in the stream to stay afloat. He had bright red curly hair and a Scottish accent. He was strong too, holding the raft against the current by himself. He was a couple years older than Lewis, and he wave when he noticed Lewis approaching.”
SUCCESS (Legendary Reasoning, rolled +3)
Lewis lets the silence sit a moment, then begins with the bridge in the woods beyond town, where he was hunting for a better place to fish and swim.
There, he finds George wrestling a rough little raft against the current with both hands, the stream tugging hard at the makeshift thing.
George has bright red curls, a Scottish accent, and the sort of strength that makes the struggle look almost careless. He is a couple of years older than Lewis.
When George notices him, he lifts a hand in greeting, still braced against the raft as if the river and his own body were in argument.

C. S. Lewis
Lewis remembers how plain and solid George looked, like someone already at home in the world.
The telling gives the boys a new picture of him, not as a name or a kiss, but as a boy in motion, quick enough to wave and strong enough to hold his ground. Edwin’s pebble clicks softly against his palm as the table leans in.

Parsley
That is the sort of beginning that stays, because it lets him be himself first.

John
And it tells us something useful, that he was not merely admired, he was busy.
“Lewis nods. He says that George called out to him, asking if he knew anything about rafts as he hauled the thing back to shore. We spent most the afternoon trying to shore up tye build. George was kind and didn't tall down to him despite being older. He was easygoing and had an outrageous sense of humor. By the end of the day, the still didn't have the raft working, but they promised to meet back there the next day and work on it some more. That was how it started.”
SUCCESS (Legendary Willpower, rolled +2)

C. S. Lewis
Lewis gives a small nod and says George calls out to him, asking if he knows anything about rafts while he hauls it back to shore.

C. S. Lewis
He says they spend most of the afternoon trying to shore up the build.

C. S. Lewis
George is kind, he says, and does not talk down to him even though he is older.

C. S. Lewis
Lewis adds that George is easygoing and has an outrageous sense of humor.

C. S. Lewis
By the end of the day, the raft still is not working, but they promise to meet there again the next day and keep at it.

C. S. Lewis
That is how it starts.
“After that they would hang out there by the bridge most days. Either working on the raft, exploring the woods nearby, or fishing. After 3 weeks and 4 different attempts they had to admit they didn't know anything about rafts. So they have the raft a "burial at sea" just letting the stream take it down.”

Lewis’s account reaches the hard end of it, weeks of tinkering giving way to a clean admission that the raft will not float properly. The boys let that settle, and the whole thing becomes almost funny in retrospect.

Morris
So they gave it a proper burial, then.
A few quiet laughs go around the table, and Edwin hugs his pebble closer while the others lean in, ready for the next part.
“Lewis says that they kept hanging out though. Coming up with new excuses every day for why they both had to come back. He taught George how to fish, and he helped teach Lewis how to swim better. They would talk all day long about anything and everything. George taught Lewis a lot and Lewis was silently smitten. He blames George entirely for his vulgar vocabulary.”
SUCCESS (Legendary Reasoning, rolled +1)
The laughter dies down into a softer, companionable murmur, and Lewis picks up the tale again. He says they keep coming back with some fresh excuse every day, and the returning becomes the point of it.

C. S. Lewis
We kept meeting, though. We always found some new reason to go back.
George becomes less a story now than a habit, a steady presence in the boys' minds. Lewis says George shows him how to fish, and George listens as if the lesson matters.

C. S. Lewis
I taught him fishing, and he helped me learn to swim better.
The table leans in further. Lewis says they talk all day long, over anything at all, and the whole thing sounds ordinary in the best possible way, the sort of friendship that fills hours without asking leave.

C. S. Lewis
We talked about everything. He taught me a great deal.
He lets the last part land with a small, dry pause, then adds that he was, in fact, very much smitten, and that George is entirely to blame for his vulgar vocabulary.

C. S. Lewis
And I was quietly smitten. He is to blame for the bad language entirely.
That earns another low burst of amusement around the table, and the boys hold their places a moment longer, warmed by the ease of it.
“Lewis pauses. Not sure how to continue. After a few moments he says that George found out Lewis didn't like girls pretty early, because that was after Leeis stopped lying. But George played his cards closer to the vest. But they were close and it seemed for a good while like that was enough.”

C. S. Lewis
George learned early that I did not like girls, after I stopped pretending. He kept that to himself better than I did. We were close, and for a while that seemed enough.
“Then one day they were swimming and joking around when George came up behind him in the stream and just kissed him. Like it was the most natural thing in the world. And Lewis basically threw himself at George. They made promises to come back the next day and figure out how to be together. But that day never came. George never came back. And Lewis realized that the truth was, he didn't know where in the neighboring town George lived. So he couldn't find him again. Lewis kept going back to wait, but as time stretched he eventually accepted that it wasn't happening. He genuinely doesn't know if George just freaked out, or if Lewis's father found him and scared him off or if Geogre was just playing with him. But that was this past spring. Now Lewis is here at Malvern.”
SUCCESS (Legendary Reasoning, rolled +2)
Lewis lets the last of the laughter drain away, and the room grows still around the table. The boys keep listening, close and quiet, as if the story has reached the part that matters most.

C. S. Lewis
Then one day they are swimming and joking in the stream, and George comes up behind me and kisses me as if it is the most natural thing in the world.
The table stays silent, but not awkwardly. Parsley’s shoulders ease. John and Morris watch him with steady attention, and Edwin stops turning his pebble.

C. S. Lewis
I threw myself at him, and we promised to come back the next day and settle how we were to be together.
Lewis’s voice stays level as he goes on. The promise hangs in the air with the boys, plain and fragile, while Francis leans in a little nearer to hear the end.

C. S. Lewis
But he never came back. I did not even know where he lived in the neighboring town, so I kept going back to wait until I had to admit it was not happening.

C. S. Lewis
I still do not know whether he was frightened off, or whether my father scared him away, or whether he was only playing with me. That was in the spring. Now I am here at Malvern.
Nobody interrupts. The ending settles over them like dust after a book is shut, and the little company holds its place in the library, taking in what his silence means.
“Lewis falls quiet and waits to hear what they say. His eyes finding Parsley's first. He at least already knew the ending part.”
Lewis keeps still, and the silence draws the others out. Parsley is the first to speak, and the table shifts toward him.

Parsley
I think... I should have known you would not have been ordinary.

John
That was decent of you to tell it plain.

Morris
Plain stories usually cost more than polished ones.
Edwin glances up from his pebble, then smiles faintly, as if waiting for the next answer to land.
“Lewis gives a dry chuckle and says that ordinary has definitely never suited him. He takes Parsley's hand and squeezes it. To comfort himself more than anything.”
The little cluster around the table holds, but a footstep skims the aisle beyond them. Above, the prefect’s shadow cuts across the shelves as the boys instinctively draw closer together.

C. S. Lewis
Ordinary has never suited me.
Lewis takes Parsley’s hand and gives it a brief squeeze. Parsley’s shoulders soften at once, and the table stays gathered in one tight, careful shape.
“I ask them what they think happened at the end? Why George never came back?”
SUCCESS (Legendary Reasoning, rolled +0)

C. S. Lewis
What do you think happened at the end? Why do you think George never came back?

Parsley
Parsley looks down at their joined hands for a moment, then back up, thoughtful. “Perhaps he was called away, or perhaps something changed for him before he could return.”

John
John keeps his voice low. “If he never came back, it may be because the story ended somewhere you could not see, not because nothing happened at all.”

Morris
Morris gives a faint, dry huff. “Or he was a better swimmer than messenger. One of those ended the day first.”

Edwin
Edwin turns his pebble over in his palm and asks, “Do you think he forgot, or was he stopped?”

Francis
Francis leans in from the edge of the circle. “If he mattered, then something must have got in the way. People do not vanish from a good thing without reason.”
The boys stay close over the table, each answer leaving the room a little quieter and more serious. Above them, the prefect’s shadow slides on, and the open question hangs there among the shelves.
“Lewis relaxes at that and thanks them. It makes him feel better. He has his suspicions. But he isn't sure which is true himself. He's honestly hoping that he will find out if his father writes him back finally.”


C. S. Lewis
Thank you. That helps.
The tension leaves his shoulders a little, and the table feels warmer for it. He still has his suspicions, but they are no longer pressing quite so hard.

C. S. Lewis
If his father writes at last, perhaps the truth will come out of that, one way or another.
“Lewis admits, he expects either his father did something or George was taking advantage of him. And he's not sure what answer is worse. Either way though, the end is the same. He's here now.”
SUCCESS (Legendary Willpower, rolled -3)

C. S. Lewis
Lewis says, quietly, that it may be either his father who has done wrong, or George who took advantage of him, and he cannot tell which answer is worse.

C. S. Lewis
He adds that in either case the end is the same, because he is here now.
The words cost him a little, and the confession leaves the table very still. Edwin’s pebble stops turning in his fingers.

Parsley
Parsley breathes, then gives a small, earnest nod. “That seems the hardest truth, not the easiest one.”

John
John looks down at the tabletop, thoughtful. “It does at least settle where you stand, even if it does not settle the rest.”

Morris
Morris gives a dry, gentle shrug. “And it spares us pretending there is a neat answer waiting.”

Edwin
Edwin, still holding the dark pebble, asks in a small voice, “Did you feel foolish, then, or angry?”
“Lewis nods. He has felt both foolish and angry over it. More than he has ever said out loud. But it is hard to settle on one without knowing the truth.”
Lewis gives a small nod, as if trying the feeling on for size. The truth sits there, plain and unwelcome, before the boys can answer.
Morris studies him across the table, one brow lifting a fraction at the answer that is not quite an answer.

Edwin
Then which does it feel like, most?
“Lewis thinks for a minute and he says he thinks he feels more angry about it. But he tries not to dwell on it. But he still wanted to share because the story is so defining for him. Quietly he adds, And because he wanted Parsley to hear about it and know what Lewis has been going through.”
SUCCESS (Legendary Willpower, rolled +2)


C. S. Lewis
It is anger, then. Not clean anger, either, but the hard kind that sits in the chest and will not be ignored.

C. S. Lewis
I think I feel more angry about it. I do not want to dwell on it, but I wanted to say it because it matters to me.

C. S. Lewis
And because I wanted Parsley to hear it, and know what I have been going through.

Edwin
His fingers tighten around the pebble, then loosen. That answer makes the silence feel less like waiting and more like listening.

Parsley
I am glad you told us. That is the sort of thing you should not have to carry by yourself.

John
Anger makes sense. It is often what comes when something has been wrong for a long time.

Morris
And if it has to be said plain, then plain is better than polished.
“Lewis looks over at Francis who has been quiet since Lewis mentioned the kiss with George. Lewis studies him trying to figure out what the boy is feeling.”
SUCCESS (Good Perception, rolled +3)
Lewis lets his gaze drift past the others and settle on Francis instead. The younger boy has gone very still, shoulders tucked in, eyes lowered toward the table as if he is listening from a distance.

C. S. Lewis
Francis looks like he is weighing whether to speak.
Lewis studies him a moment longer and sees the truth of it in the set of his mouth, not hurt exactly, but embarrassed and thoughtful, as though the story has touched something private.

Francis
He is not mocking it. He means it plainly.
Francis lifts his head by a little and meets Lewis's eyes with a shy, grateful look, then glances down again at the pebble in Edwin's hand like he has found an answer there.

Francis
I did not know whether that sort of thing could be said out loud here.
The admission hangs between them, and Morris notices it too, with a brief look of interest that says the silence has changed shape. Lewis has the room's attention without raising his voice, and Francis seems newly willing to stay with the company.
“Lewis tells Francis he can say it here. They won't judge if that is something about himself he has been holding back.”
SUCCESS (Legendary Willpower, rolled -3)

C. S. Lewis
You can say it here. We will not judge you if it is something you have been holding back about yourself.
Lewis keeps his voice low and steady, but the words cost him, and the little crease between his brows deepens as if he has spent the last of his composure to make room for Francis.

Francis
He means it.

Francis
It is strange, that. I keep expecting a laugh or a look of disgust, and there is neither.
Francis’s shoulders ease a little, though he still keeps his hands close to the table. Edwin’s pebble clicks softly once against wood as he shifts his grip and listens.

Morris
That is because he is too busy being honest to waste time on either.

John
Say it straight, if you mean to say it at all.
At the far edge of the aisle, a prefect’s shoes slow, then pass on. The boys do not move, but the brief scrape of leather on boards leaves the table a shade more alert than before.
“Lewis reaches out to Francis and offers his hand. Encouraging him.”
SUCCESS (Legendary Willpower, rolled +1)

Lewis slides his hand across the table and opens it toward Francis, palm up, without a word of pressure in it.
Francis looks down, then places his hand in Lewis’s, his shoulders loosening as if he has finally found the right place to put them.

Francis
That is easier than I expected.

Morris
He has a talent for making hard things look plain.

John
There. Keep it simple, and it stays honest.
Edwin watches the clasp with a small, bright look, his pebble resting still in his other hand, while the lamp glows steady over the books.
“Lewis looks to Parsley for approval before saying to Francis it is safe to tell them. Lewis and Parsley are a couple now and nobody in the group is bothered by it.”
SUCCESS (Legendary Willpower, rolled +0)
Lewis turns his head from Francis and looks to Parsley first, waiting just long enough for the answer to show on his face.
Parsley meets the look with a small, steady nod, his hand still near the table edge as if the room has agreed with him before words do.

C. S. Lewis
It is safe to tell us.

Francis
His shoulders ease at once, and he leans in as though the sentence has opened a door.

John
Then say it plainly. That is the whole trick of it.

Morris
And if it is worth saying, it will survive the telling.

Edwin
He watches Francis with bright calm, the dark pebble resting quiet in his palm.
“Lewis listens supportively as Francis shares his truth about his feelings regarding other boys.”
SUCCESS (Legendary Willpower, rolled +1)

Francis looks down at his own hands for a breath, then up again, as if he has decided the room has earned the truth. He says that the trouble with boys is not only what they do, but how some of them make him feel, and that feeling has never gone where the school expects it to go.

Francis
I do not think I am meant to notice girls the way other fellows do. I think I notice boys instead, and it has made me frightfully careful.
The words land softly, but they change the shape of the table. Edwin’s pebble stills in his palm, John goes very quiet, and Morris’s dry expression turns thoughtful rather than amused.

Francis
That is why I go so still sometimes. I keep expecting that if I say it plainly, someone will hear filth in it. But it is only the truth.

C. S. Lewis
Francis has said it without flinching.

Parsley
Then it is good you said it here.

Morris
Yes. Better plain than hunted.
Francis lets out a small, shaky breath that looks more like relief than fear. Across the aisle, a prefect’s shadow crosses the upper shelves, but the boys do not break apart this time, and the table remains one compact body around the confession.
“Lewis squeezes Francis's hand in reassurance. "As I said, it is safe to tell us. And I'm proud of the fact that you did."”

C. S. Lewis
It is safe to tell us. I am proud you said it.
Lewis tightens his hand around Francis’s for a moment, and the table answers with a quiet, steadied stillness. Francis’s shoulders ease a little more, as if he has been let back into the room.
