Schooldays of C.S. Lewis - boarding school misery and theological crisis.

Historical Fiction·Timothy

C. S. Lewis is a Tavern hero

24 scenes
‹
Scene17
The Shift Toward LeverageThe Housemaster's study
›
The Shift Toward Leverage
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Moonlight cuts the landing into pale bands as Alexander stops before the study door, the note heavy in his pocket. Lewis lingers a step behind, while the silence between them feels newly dangerous.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

This does not go to the masters at once. It goes where it can be made useful.

He turns the stolen paper over once, as if weighing a military order, then looks toward the corridor where prefects drift and vanish through the dark.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Fribble is not the point. The point is who can be made to fear discovery.

C. S. Lewis

C. S. Lewis

He means to hold the school with it, not cleanse it.

Alexander slips the note back into his pocket and starts down the landing, already choosing his next audience. Lewis follows, and the path ahead is no longer toward justice, but toward leverage.

“Am I at risk of punishment once the prefects find out that I have assisted Alexander?”

YES (VeryLikely, rolled 49)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Alexander pauses, his gaze lingering on the shadows where a group of older boys congregate near the common room entrance. He gestures toward them with a subtle tilt of his head, his expression devoid of warmth.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

They are already watching us, Lewis. By aligning with me, you have made yourself a target for those who fear what I might do with this paper.

C. S. Lewis

C. S. Lewis

The prefects will see my association with him as a betrayal of the house, and they will not be lenient.

“Will Alexander care if the prefects take severe revenge on me and persecute me as they did to Parsley?”

NO, AND WORSE (VeryUnlikely, rolled 83)

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

You are a tool, Lewis, and tools are meant to be used until they are worn thin. If the prefects break you, it simply proves you were never sturdy enough to be of any real use to me.

C. S. Lewis

C. S. Lewis

He does not see me as a person at all, only as a disposable piece of his own grand design.

“Would Alexander let the prefects use me as a catamite?”

YES (Likely, rolled 14)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Do not mistake my protection for sentiment, Lewis. If the prefects decide to claim you for their own amusements, I shall simply watch to see if you have the spine to survive it, or if you are merely another broken toy to be discarded.

C. S. Lewis

C. S. Lewis

He would let them destroy me without a second thought, provided it served his own cold curiosity.

“I reassure Alexander of my absolute loyalty to him, explain to him that I worship his authority, rank and status as an older boy, and encourage him to use me however he thinks best.”

SUCCESS (Superb Etiquette, rolled +0)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
C. S. Lewis

C. S. Lewis

I am with you, whatever use you choose to make of me.

C. S. Lewis

C. S. Lewis

His rank is the only shelter I can see.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Good. At least you know where safety lies, for the moment.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

If you are useful, you are tolerated. If you are tolerated, you may learn.

Alexander takes the confession in without smiling. The hard line of his mouth eases by a fraction, not into warmth, but into acceptance.

The corridor stays dim around them, the gas lamp shivering over the stone while moonlight lays a pale bar across the landing.

“I joke with Alexander that here he can beat snivelling new boys to impose his authority on the school, but once back in Russia he can inflict similar beatings on rebellious serfs to reform the Russian Empire.”

SUCCESS (Legendary Humour, rolled +2)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
C. S. Lewis

C. S. Lewis

Here, you can beat up snivelling new boys and call it discipline. In Russia, you can probably do the same to rebellious serfs and call it reform.

The joke lands sideways, dry as chalk dust. Lewis keeps his face mild, as if he has merely observed a convenient symmetry in the world.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

That is not entirely unfair.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Men everywhere prefer obedience when they can dress it as order.

For the first time, Alexander's mouth almost curves. It is a thin, private acknowledgment, but it changes the air between them.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

If you are to survive here, keep that wit. It tells the truth without asking permission.

Moonlight catches the edge of the note in Alexander's hand, while the gas lamp gutters lower above the stair.

“I ask Alexander's permission to take Blugg's boots back to Blugg's room, to avoid getting punished for neglecting the errand.”

SUCCESS (Superb Etiquette, rolled +1)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
C. S. Lewis

C. S. Lewis

May I take Blugg's boots back to his room, sir, so I am not punished for neglecting the errand?

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Yes. Take them back at once. If anyone questions you, say you were sent.

Alexander lowers the note and glances toward the dark corridor, already weighing the usefulness of this small errand. The boots are back in Lewis's hands, and the landing feels less like a trap than a narrow passage forward.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Be quick. Men who borrow your time often borrow your hide next.

The gas lamp dips again, and the moonlight sharpens along the stair edge. From below comes the faint stir of movement somewhere in the house, but no one steps into view.

Lewis stands with the boots and the brief leave he has been granted, while Alexander keeps the note and the upper stair to himself.

“I take Blugg's boots back to his room”

SUCCESS (Mediocre Agility, rolled -1)

The Shift Toward Leverage
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Lewis takes the stairs quickly, boots tucked tight against his coat, and the landing behind him falls away into moonlit stone.

He keeps to the edge of the hall, past dark panels and shut doors, every footstep softened by carpet and caution.

At Blugg’s room, he slips inside, sets the boots down, and straightens just long enough to leave them where they belong.

The floorboard gives under him with a sharp little crack, and he freezes before it can become a summons.

No one answers, but the sound hangs in the corridor like a dropped coin.

Lewis backs out with empty hands, feeling the errand done and the house a little more awake than before.

You have returned in one piece. Good. Keep that habit.

“Will Blugg punish me for failing to take his note to the kitchens?”

YES (Likely, rolled 21)

The Shift Toward Leverage
Blugg
Blugg
Blugg

Blugg

You were meant to be at the kitchens an hour ago, Lewis. I suppose you thought the silence of the halls would cover your incompetence.

C. S. Lewis

C. S. Lewis

The note is gone, but the punishment remains.

Blugg

Blugg

Since you have such a fondness for wandering, you shall spend your evening scrubbing the refectory floors until they shine like glass. Do not expect to see your bed before midnight.

“I go scrub the refectory floors”

FAILURE (Terrible Health, rolled +0)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Lewis takes the rag and stoops to the refectory floor. The boards answer with a sour squeal under the moonlight, and the first passes only smear the dirt thin.

He kneels lower and works at the stubborn patch by the skirting, but his arms begin to shake. The cloth slips in his damp hand, and the shine stays stubbornly out of reach.

At the room’s edge, a line of old wax and grit catches his eye, pressed up where ordinary sweeping misses. It is not clean enough to fool anyone, but it shows exactly where the floor can be brought up with less waste.

Lewis shifts his weight, and a sting runs through his knees. He pauses a moment, breath shallow, while the rag hangs uselessly near the boards.

Blugg

Blugg

Well? If you mean to make a night of it, do try to look less like a corpse at prayer.

Blugg stays in the doorway, making no move to help, only watching for slowness. The floor remains dull where Lewis has worked, but the edge by the skirting offers a method, if not relief.

“I scrub along the skirting edge”

SUCCESS (Terrible Health, rolled +2)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Lewis drags the rag along the skirting, and the packed grime yields at last. A pale strip appears beneath the moonlight, narrow but honest.

He keeps to the edge, working the boards where the scrub hides quickest. The rag darkens fast, and his wrist starts to ache.

The cleaner line runs farther than the rest, enough to show the floor can be done if he keeps at it. Behind him, Blugg’s silence grows heavier than the lamp ever was.

C. S. Lewis

C. S. Lewis

The edge is coming up.

Blugg

Blugg

About time. Keep to that strip, and don’t waste my night.

Lewis’s hand slips once on the damp cloth, and the skin at his knuckles stings against the boards. The scrubbed edge stays clean, but his fingers come away raw and blackened.

“I keep scrubbing the skirting edge”

FAILURE (Terrible Health, rolled +0)

Lewis keeps at the skirting, but the rag skates on a damp patch and leaves a thin gray smear where the clean line should be. The boards take the polish in one stretch and the filth in the next, as if the floor is choosing what to surrender.

He shifts his weight, trying again from a new angle. His sore hand bites against the wood, and the effort only spreads the grime into a wider, duller streak.

The task is not finished, but the edge now shows its flaw plainly, a half-clean path that proves where the dirt lies thickest. Lewis can see that if he changes to the near end first, the stubborn patch may give way faster.

Blugg

Blugg

That is the shape of it, then. Work from the stain back, and stop fidgeting like a rabbit.

Blugg’s boot shifts a little farther into the doorway, and his shadow cuts across the strip Lewis has already made. The room feels smaller for it, but the floor is no longer a single broad failure, only a line with a weak point.

C. S. Lewis

C. S. Lewis

The dirt shows its seam.

“I work from the stain back”

FAILURE (Terrible Health, rolled +1)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Lewis drags the rag back through the stain’s edge, and the gray line gives a little. Not enough to vanish, but enough to show the dirt is not one solid mass, only a crust with a softer seam beneath it.

C. S. Lewis

C. S. Lewis

The seam is here.

He changes angle again, working along the weak spot instead of across it. The boards answer unevenly, one narrow band taking on a dull shine while the worst patch breaks into smaller, tractable streaks.

Blugg

Blugg

Better. You have at last found what the floor is willing to give.

Blugg’s tone stays smug, but his boot eases back from the doorway. The refectory remains under his eye, yet Lewis has made one thing plain, the stain has a direction, and so does the work.

The rag comes away with a dark, wet line on it, and beneath that line the wood shows cleaner than before. Lewis has not finished the floor, but he has found the path that makes the task possible.

“I keep scrubbing the skirting”

FAILURE (Terrible Health, rolled +0)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Lewis keeps to the skirting, but the rag catches on a raised splinter and slows him. The clean band widens by a finger’s breadth, then frays at the edge again, as if the floor will only yield in strips.

C. S. Lewis

C. S. Lewis

The boards are split there.

He shifts the cloth to the crack and works with the grain. Dust lifts in a thin gray breath, and for a moment the stain gives up a hidden seam of pale wood beneath the grime.

Blugg

Blugg

There, that is the line of it. Mind the edge, boy.

Blugg remains in the doorway, but his stance changes, less sentry now than overseer of a task that is beginning to make sense. The refectory stays quiet, the only movement the dull shine spreading along the boards.

Lewis has not won freedom from the work, yet he has found the split in the floor’s resistance. If he follows it, the scrubbing can be broken into manageable lengths instead of one useless battle across the whole room.

“Will Blugg want me to clean the entire floor?”

YES, AND MORE (VeryLikely, rolled 13)

Blugg

Blugg

Do not think you are finished when you reach the end of this row, Lewis. The entire refectory floor must be spotless by midnight, and I expect the same attention to detail on every single board.

C. S. Lewis

C. S. Lewis

He intends to keep me here until the very last second, and then likely find a reason to start the next section.

Blugg steps fully into the room, his shadow stretching long and dark across the freshly scrubbed wood, effectively sealing the exit.

“I keep scrubbing the next boards”

FAILURE (Terrible Health, rolled +2)

Lewis drags the rag across the next boards, but the grain catches, and the damp smear blooms sideways instead of vanishing. Blugg’s shoes stop near the edge of the clean strip, his patience thinning as the floor answers stubbornly under Lewis’s hand.

C. S. Lewis

C. S. Lewis

It is worse here than along the skirting. The stain has sunk between the boards.

He shifts his angle and tries again. The motion improves the patch by a little, enough to show the method works, but the rag frays on a splinter and leaves a grey thread snagged in the seam.

Blugg

Blugg

There. Keep to that, then. You have finally found something resembling sense.

Blugg’s remark is not mercy, only permission, but it changes the room. He is no longer merely blocking the exit, he is judging the work, which means Lewis now knows the floor itself is the measure he must satisfy.

As Lewis lowers his head again, the clean boards stretch farther than before, and the next rough section comes into view beside the wall. The smell of wet polish hangs in the air, sharp and ordinary.

The sting in his wrist eases if he works slower. A narrow, usable rhythm opens up, and with it the possibility of keeping Blugg occupied without inviting another order.

“Will Blugg beat me if I don't work hard enough?”

YES (VeryLikely, rolled 59)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Blugg shifts his weight, the floorboards groaning under his boots as he leans closer to the patch Lewis just scrubbed. He points a thick finger at a faint, lingering smudge near the corner, his expression hardening into a sharp, predatory mask.

Blugg

Blugg

You are testing my patience, Lewis. If that mark remains when the clock strikes twelve, I shall ensure you learn the weight of my cane far more intimately than you have today.

C. S. Lewis

C. S. Lewis

He is not merely watching the work, he is waiting for the slightest failure to justify the violence he clearly craves.

“Is Blugg waiting for an excuse to cane me?”

YES, AND MORE (VeryLikely, rolled 13)

Blugg does not wait for a response, his hand darting out to seize Lewis by the collar and haul him upright. The prefect's grip is iron, and he drags Lewis toward the center of the room, his eyes gleaming with the dark satisfaction of a man who has finally found his justification.

Blugg

Blugg

You have had your chance to prove your worth, and you have failed. Now, you will learn exactly what happens to those who think they can scrub away their own insolence.

C. S. Lewis

C. S. Lewis

The cane is not a punishment for the floor, it is the point of the entire exercise.

“Is Blugg about to beat me?”

YES (VeryLikely, rolled 54)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis

Blugg raises his cane, the wood whistling through the air as he tests its weight against his palm. He does not strike yet, instead letting the silence of the refectory stretch, his eyes fixed on Lewis with a cold, deliberate intensity that confirms the violence is not a possibility, but a certainty.

C. S. Lewis

C. S. Lewis

He is not looking for a clean floor, he is looking for a reason to break me.

“Am I physically strong enough to endure the beating without crying?”

NO (VeryUnlikely, rolled 68)

The cane descends with a sharp, stinging force that leaves Lewis gasping for air. Despite his resolve to remain silent, a sharp cry escapes his lips as the pain overwhelms his composure.

“I beg Blugg for mercy”

SUCCESS (Great Willpower, rolled +2)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Lewis swallows against the pain and forces the words out. His voice comes thin, but it holds.

C. S. Lewis

C. S. Lewis

Please, sir. Mercy.

Blugg hesitates, cane lifted, his smugness tightening into calculation as the room goes very still.

Blugg

Blugg

Mercy is earned. What have you got to offer me?

Lewis keeps his eyes lowered. The blow has changed the air in the refectory, and Blugg now listens instead of striking.

Blugg

Blugg

He is hurt enough to be useful, if he learns quickly.

At the edge of the room, Alexander remains silent, his attention fixed on the exchange as though weighing every word for its price.

Blugg

Blugg

Speak plainly, Lewis. I am not in the habit of wasting time on whining.

“I offer to tell Blugg everything I know about Fribble's illicit scheme.”

SUCCESS (Great Willpower, rolled +1)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Lewis steadies himself, then gives Blugg the shape of the thing, not the whole knife. Fribble has been using boys as couriers, runners, and cleaners, with notes and payments passed out of sight.

C. S. Lewis

C. S. Lewis

Fribble is using younger boys to carry messages and do his errands, and there is money changing hands somewhere.

Blugg’s cane lowers a fraction. He does not look pleased, only newly attentive, as if a door has opened into a room he means to search.

Blugg

Blugg

Money, you say. Not schoolboy nonsense, then.

Alexander’s mouth tightens into something almost amused. He looks from Lewis to Blugg, already measuring what this admission can buy.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

He is finally being practical.

Blugg releases Lewis’s collar, not from mercy, but because the exchange has become useful. He turns slightly toward the room, weighing the tale against his own advantage.

Blugg

Blugg

Go on, Lewis. Tell me exactly who carries what, and where it goes.

“I tell Blugg exactly who carries the notes”

SUCCESS (Great Reasoning, rolled +0)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov

Blugg’s gaze hardens into a clerk’s attention. Lewis, still catching his breath, gives him names and duties, the boys who slip notes, the ones sent for ink, bread, coal, and excuses.

C. S. Lewis

C. S. Lewis

He uses boys from different forms. One carries messages to the kitchen, one brings back money, and another takes scraps of paper to him when no master is looking.

The prefect’s face shifts as the pattern becomes plain. This is no single prank, but a tidy little system with a center and routes, like a map folded in a pocket.

Blugg

Blugg

Names. Start with the kitchen runner.

C. S. Lewis

C. S. Lewis

The floor is cold under his knees, and the room is very still.

Lewis names the runner, then the second boy who takes folded notes past the servants’ door. Blugg listens without interruption, already filing the information away for use.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

So there is a chain after all.

Blugg’s hand tightens on the cane, but he is not looking at Lewis now. He is looking past him, as if the refectory wall has become a window into Fribble’s reach.

“Is Blugg going after Fribble now?”

YES, AND MORE (VeryLikely, rolled 10)

Blugg

Blugg

Fribble has grown fat on the labor of others, and he has grown careless. He thinks he owns the corridors, but he has forgotten who holds the keys to the house.

Blugg turns his back on Lewis, his posture shifting from a guard to a predator scenting blood. He begins to pace the length of the refectory, his cane tapping a rhythmic, sharp cadence against the stone floor.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

It seems the hierarchy is about to undergo a rather violent pruning, does it not.

“I tell Blugg what Fribble has been doing”

FAILURE (Great Reasoning, rolled -3)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
C. S. Lewis

C. S. Lewis

Fribble has boys carrying his errands and his money.

The words come out flat and small in the echoing refectory. Blugg stops pacing for a moment, then resumes, cane ticking once against the boards as if marking the value of the information.

Blugg

Blugg

Names.

Lewis stays where he is, breathing carefully. The prefect’s attention narrows, not on punishment now, but on tallying leverage.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

A useful arrangement, if one intends to keep a house obedient.

Alexander’s voice is mild, almost amused, but his eyes do not leave Blugg. The balance in the room shifts, not toward mercy, but toward calculation.

Blugg

Blugg

Then Fribble is careless, and careless boys leave trails.

Blugg turns partly back toward Lewis, no longer hunting him with the cane, but measuring whether he is worth more alive than broken. Lewis’s attempt lands, yet it does not buy safety, only interest.

“Is Blugg going to act against Fribble?”

YES, AND MORE (VeryLikely, rolled 11)

Blugg

Blugg

Fribble has grown fat on his little empire, and he has grown careless. I shall dismantle his network piece by piece, and he will not even know which of his own couriers turned the key.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

A surgical removal, then. It is far more elegant than a blunt confrontation, and it leaves the house hierarchy much cleaner for those of us who prefer order.

C. S. Lewis

C. S. Lewis

They are not just talking about Fribble, they are already deciding who will take his place.

“I suggest to Blugg that he should tell the Housemaster about Fribble's scheme.”

SUCCESS (Great Reasoning, rolled +0)

The Shift Toward Leverage
Blugg
Blugg
Lewis
Lewis
Alexander Pavlovich Romanov
Alexander Pavlovich Romanov
C. S. Lewis

C. S. Lewis

You should take this to the Housemaster.

Blugg

Blugg

Hm. Yes, that would be cleaner than letting Fribble rot in his own cleverness.

Alexander Pavlovich Romanov

Alexander Pavlovich Romanov

Provided, of course, he arrives before the prefects have time to warn one another.

Blugg lifts his head at once, the cane shifting in his grip as he measures the advantage. The refectory feels suddenly narrower, as if the walls themselves are listening.

Blugg

Blugg

Quite right. The Housemaster should hear it from me, not through gossip.

Alexander's mouth tilts faintly, and his attention stays pinned to the note, already weighing who benefits from the report.

Blugg turns toward the door, decision made, while Lewis is left in the cold spill of lamplight, watching the power shift begin to move without him.

“Will the Housemaster accept Blugg's report?”

YES (Likely, rolled 42)

The Shift Toward Leverage
Blugg
Blugg
The Housemaster of School House
The Housemaster of School House

The Housemaster of School House listens to Blugg's account with a stony, unblinking intensity, his gaze sharpening as the prefect details the illicit courier network. He accepts the note as evidence without a word of doubt, his stern features hardening into a mask of cold, administrative fury.

C. S. Lewis

C. S. Lewis

The hierarchy is about to collapse, and I am standing right in the path of the debris.

“Will the Housemaster punish Fribble?”

YES (VeryLikely, rolled 58)

The Shift Toward Leverage
The Housemaster of School House
The Housemaster of School House
The Housemaster of School House

The Housemaster of School House

Fribble has brought a rot into this house that I will not tolerate. He shall be summoned to my office immediately to answer for this betrayal of his station.

C. S. Lewis

C. S. Lewis

The Housemaster is not merely angry, he is dismantling the entire structure of Fribble's influence.

“Is Fribble about to be punished?”

YES (VeryLikely, rolled 50)

The Shift Toward Leverage
The Housemaster of School House
The Housemaster of School House

The Housemaster strikes the brass bell, its sharp, resonant tone cutting through the heavy silence of the office. A servant appears at the doorway almost instantly, his face pale as he receives the order to fetch Fribble for an immediate reckoning.

C. S. Lewis

C. S. Lewis

The machinery of the school is turning against him, and there will be no reprieve once the summons reaches his room.

“I wait for Fribble to arrive”

SUCCESS (Great Willpower, rolled -2)

The Shift Toward Leverage
Lewis
Lewis
The Housemaster of School House
The Housemaster of School House

Lewis takes the spare chair by the wall and waits. The Housemaster keeps the note under his hand, and the room goes still except for the ticking clock and the faint scrape of the desk blotter.

The door is ajar. Fribble will hear the bell before he sees the desk.

The servant hurries back into view, breathless, and whispers from the threshold that Fribble has been found. The Housemaster gives one sharp nod, sending him away again without a word.

The Housemaster of School House

The Housemaster of School House

Let him come. We shall see how he explains himself.

Lewis stays silent, but the waiting costs him. His shoulders stiffen under the chair back, and the smart from Blugg's cane flickers anew across his side.

Outside, footsteps stop in the corridor. The Housemaster straightens, still and prepared, as if the entire school has narrowed to the strip of light under the door.

“I watch with delight as Fribble enters and the Housemaster punishes him.”

SUCCESS (Great Willpower, rolled -2)

The Shift Toward Leverage
Lewis
Lewis
Fribble
Fribble
The Housemaster of School House
The Housemaster of School House

Lewis keeps his gaze on the doorway, and Fribble steps into the strip of lamplight at last. The Housemaster does not rise, only turns the paper slightly beneath his hand.

Fribble halts short of the desk, all color draining from his face as he sees the note. Lewis's mouth tightens with the effort of silence, and the old ache in his side sharpens.

The Housemaster of School House

The Housemaster of School House

You have been using younger boys as messengers and keepers of money.

Fribble

Fribble

Sir, I, I can explain... it was only for convenience.

The Housemaster's answer is a small movement of the hand, and Fribble's confidence collapses with it. Lewis sees the prefect's shoulders draw in, as if the room itself has turned against him.

The Housemaster of School House

The Housemaster of School House

You will explain it to Blugg, and to me, separately. The house will be searched.

Lewis does not smile, but inside the chair he feels the matter land cleanly. Fribble is ordered back into the corridor, and the Housemaster's lamp throws his shadow long and thin across the floor.

Quest Complete

Expose Fribble's illicit scheme

Attribute Upgrade: Willpower Great→Superb

Contact Us

Did you have a bad experience? Think we can do better? Tell us!

Want to delete your account? Account Deletion