
Lo steps off the ship with the tide of passengers, shoulders hunched beneath a fine stolen coat that fits his broad frame better than his old rags ever did. The dock is all ropes, wet stone, creaking planks, and salt wind. Ahead, Hothmmur rises in pale stone and sharp roofs, a stern city waiting beyond the harbor gates.
He blends into the crowd well enough, coin purse heavy at his side, hidden under cloth and fur. No one looks twice yet. The smell of tar, fish, and river mud clings to everything, while gulls wheel above the masts.

The Dockhand
Move along, then. Keep the line.
The Dockhand waves passengers toward the quay and the city road, already impatient. Beside the gangway, a stern-faced guard watches hands, packs, and pockets with practiced boredom.

The Guard
Any cargo to declare, you say it now.
Lo’s new clothes draw less suspicion than his size should, but the guard’s eyes still track him for a breath too long. The crowd shuffles forward, compressing around the bottleneck to the dock stairs.

Lo
My coat fits. My purse is full. Just get ashore.

The Guard
You there, big one. Hold a moment.
✓ Quest Accepted
Get ashore
“I fake a normal accent, ie, yes sir?”
SUCCESS (Mediocre Persuasion, rolled +2)

The guard’s hand stays up, but his eyes soften a fraction as Lo answers him plain and easy.

The Guard
Aye. That will do. Step forward and keep your hands where I can see them.
Lo’s accent slips into something ordinary enough to pass. The guard’s suspicion eases into bored routine, and he tilts his chin toward the city road.

The Dockhand
You heard him, move along. I have three more boats lined up behind yours.
The guard gives Lo a brief once-over, then lets the moment go. Salt wind snaps the dock ropes, and the crowd presses onward with a wet shuffle of boots.

The Guard
First time in Hothmmur?

The Guard
If you need work, keep to the fish market. If you need trouble, the south alleys will find you soon enough.
He jerks his thumb toward the city, half warning, half local habit, and the line behind Lo surges forward now that the block is gone.
Quest Complete
Get ashore
Lo leaves Harbor dock of Hothmmur behind and arrives at Hothmmur.
“I make my way calmly, as i enter the city and leave the docks, i ask friendly enough, non snob rich folk, where the cheaoest, cleanest inn and tavern is?”
SUCCESS (Great Agility, rolled -1)

Hothmmur opens around Lo in damp stone, fish brine, and chimney smoke. The dockroad loosens into a busy street, where porters, net-menders, and wool-cloaked locals shoulder past one another in a steady tide.
Lo keeps his pace calm, coat settled, eyes moving. He asks the first plain-looking pair he reaches where the cheapest clean inn and tavern can be found.

Dock Porter
Cheapest and cleanest, eh? That is a rare pair to ask for in the same breath.

Dock Porter
Try the Lantern Cup, up three lanes and left at the shrine corner. Not grand, but the sheets are aired and the stew is honest.

Dock Porter
If you want quieter, the old fishwives swear by a room above Brine Mug Alley, though the ale there is rough enough to sand a spoon.
The porter points with a callused thumb, then snorts at his own advice. His companion laughs softly and adds a nod toward the inland lanes, where the buildings rise tighter and drier.

Dock Porter
Go before the supper crowd swallows the place. Tell them Mera sent you, they will know I mean well.
Lo gets the direction, the name, and an extra hint besides. Ahead, the city lanes bend upward into the noise of evening trade, and the porter waits to see whether Lo follows it.
✓ Quest Accepted
Find a cheap, clean inn
“I make my way to latern cup after thanking him and blessing his day”
SUCCESS (Great Agility, rolled +1)

Lo gives the porter a grateful nod and slips into the current of the street. The city swallows his coat and broad shoulders without fuss, and the lanes climb between stacked stone fronts toward the inland quarter.
He follows the porter’s directions cleanly, weaving past a handcart and a knot of shoppers. The Lantern Cup’s sign appears ahead, hanging over a narrow door with a painted lamp and a warm spill of light.
Lo reaches the threshold before the evening crowd can press in behind him. The place smells of clean straw, stew, and a hint of soap, better than the street promised.

Dock Porter
There. Told you it was the sensible stop.
The porter lingers back at the lane mouth, watching with mild amusement as if he expects Lo to approve or complain.

Lo
Thank you. May your day be blessed.
The porter’s grin widens at that, and he lifts two fingers in parting. Inside, a weary innkeeper is already looking up from the counter, waiting to see what sort of guest Lo is.
Quest Complete
Find a cheap, clean inn
“I enter calmly and make eye contact with the main host”
SUCCESS (Good Willpower, rolled -1)

Lo steps fully inside, letting the door settle behind him. Warm lamplight washes over his cloak as he keeps his gaze steady on the innkeeper behind the counter.

Innkeeper
Evening. You’ve got the look of a road-worn man who knows the value of dry floors. What can I do for you?
The innkeeper’s tone is tired but not unfriendly. He sets aside a cloth and gives Lo the kind of careful look that measures coin, mud, and trouble in one glance.

Innkeeper
If you’re asking after a bed, the Lantern Cup has one. If you’re asking after gossip, that costs less than supper and more than honesty.
Behind Lo, the door eases shut on the harbor noise. The porter’s amused presence fades into the lane, while the room’s stew-scent and low murmur take over.

Innkeeper
You look like someone who knows his way around hard roads. Sit, if you like. Tell me where you’re coming from, and I’ll tell you whether Hothmmur is likely to be kinder than the last place.
“I tell him im from a mt. City far from here named "Karris"(a real place, neutral, medium pop) ran by humans and cat men, some giant like me”
SUCCESS (Mediocre Persuasion, rolled +0)


Lo
I come from Karris, a mountain city far from here. Humans and catmen live there, some as big as me.

Innkeeper
Karris, eh. That puts a different dust on your boots than the dock road.
The innkeeper straightens from the cloth and studies Lo with a little less caution, as if the name has given him a shape to fit the stranger into.

Innkeeper
Mountain city, mixed folk, big ones too. I’ve heard of places like that. Usually means hard winters and harder neighbors.

Innkeeper
Not a lie I can hear, and not a common tale either.

Innkeeper
So you’ve crossed a fair stretch to reach my door. What brought you down from Karris, trade, trouble, or the sort of wandering that never sits still?
His tone stays tired, but now it carries real curiosity, the kind that opens a room instead of closing it.
“I say, i worked in mines and worked for the guilds there mostly, not much to do there, saved enough to find a real job”
SUCCESS (Mediocre Persuasion, rolled +2)

Lo
I worked in mines, and for the guilds there mostly. Not much to do in Karris. I saved enough to find a real job.
The innkeeper lets the words settle. His eyes flick over Lo’s cloak, then back to his face, as if matching the story to the shape in front of him.

Innkeeper
Mines, guilds, and a long road after. That sounds honest enough to blister a man.

Innkeeper
A laboring catman from the high country, then. Not a lordling in borrowed cloth.

Innkeeper
What sort of work did you do, stone cutting, hauling, or watching the guild folk keep their promises?
He leans his elbows on the counter now, no longer measuring the distance between them so carefully. The lamplight makes the room feel warmer still.

Innkeeper
If you want honest work in Hothmmur, I might know where a strong back matters more than a clean accent.

“Mostly faught off wild things for the fighters guilds workers, helping them take out goblins, feral goatmen, occasional hill giants. Mostly worked digging, not too skilled at working gems or any craft assaosiated with mining”
SUCCESS (Good Strength, rolled -2)

Lo answers plainly, and the innkeeper listens without cutting in. The room stays quiet around them, only the fire and the low clink of mugs carrying from the back hall.

Lo
Mostly hauling, digging, and fighting off wild things for the guild crews. Goblins, feral goatmen, sometimes a hill giant if it came close enough.

Innkeeper
That is work with teeth on it. Better than a desk, and worse for the bones.

Innkeeper
Not a soft tale. Not a liar's tale either.
He scratches at his jaw, then nods toward Lo’s hands as if seeing pick marks and old bruises there.

Innkeeper
The mines need bodies that can lift, and the harbor needs hands that do not flinch at rot or rope. If you can swing a tool, I can think of three men who would pay by the day.
His tone softens again, more practical than suspicious now. He reaches under the counter, not for a weapon, but for a folded scrap of paper and a stub of charcoal.

Innkeeper
I can write the names down for you, if you want. Or I can tell you which door to knock on first.
“I tell him, lowly, i saved up a modest amount, id like vacation a little while, being not very social, living a little while from Karris in the mt. Id like to explore, drink, laugh a bit. I ask him, what kind of longer arrangement deals of any he has, to stay for say 2, 3 weeks. Maybe longer, if i do work there”
FAILURE (Mediocre Persuasion, rolled -1)


Lo
I can stay a little while, two or three weeks maybe. Longer if I work. I am not much for company, but I can drink some, laugh some, and settle in.

Innkeeper
That sounds like a man asking for breathing room, not charity. I can respect that.
He sets the charcoal beside the paper and studies Lo over the counter, not unkindly, as if matching the request to the shape of the room.

Innkeeper
Two weeks is easy enough if the bed stays paid. Three, if the work comes through. If you earn your keep, I will not throw you into the lane on the first bad day.
His mouth twitches with the start of a smile, then he glances down at the scrap, already thinking in lists and names.

Innkeeper
You are not the first quiet traveler to ask for a corner and a cup. But you are the first tonight who asks plain. That helps.

Innkeeper
Tell me this, do you want the work list, or do you want me to mark down a room first?
“I say i the work list is fine, and wait for him to show me the room or point”
SUCCESS (Mediocre Persuasion, rolled +1)

The innkeeper slides the paper toward him instead of the room key, trusting Lo to choose the first burden. Firelight warms the counter between them.

Innkeeper
Work list first, then. Rooms are easier once a man knows tomorrow has coin in it.
He taps the charcoal once against the scrap, then turns it so Lo can see the marks. Several names are short, practical, and crossed into little clusters.

Innkeeper
Harbor hauling, fish barrels, a warehouse sweep, and a mason's yard if your shoulders are as honest as they look.

Innkeeper
He keeps his tone light, but his eyes stay attentive, testing whether Lo flinches at any of it.
He nudges the paper closer, then reaches under the counter and brings up a plain room tag with a thumb loop.

Innkeeper
Take the list. If one of them takes you, I mark your room after. If none do, you still have a dry bed for tonight.
The room behind him stays quiet, full of low hearth crackle and the smell of salt, ale, and clean straw.
“I ask him the per night cost, friendly, honest, calm sounding”
SUCCESS (Mediocre Persuasion, rolled +0)

Innkeeper
The room? Three coppers a night, if you keep to your boots and don't wake the hall.

Innkeeper
Four if you want a wash basin brought up, and the basin's kinder than the harbor water.
He sets the room tag flat on the counter, then rests two fingers beside it like he is naming a promise he expects to keep.

Innkeeper
Eat here and I can shave the first night to two, if you take one of the jobs on that list.
His mouth quirks, half humor and half hope, as if he is already measuring Lo against the work and finding him a decent fit.

Innkeeper
That fair enough for you, or do you want me to keep the tag warm while you think on it?
“I say, that sounds great and i would like to buy 4 copper the basin deal”
FAILURE (Mediocre Persuasion, rolled -1)

Lo
That sounds great. I would like the basin deal for four coppers.
The innkeeper looks to the room tag, then back to Lo, weighing the words with a patient, practical eye.

Innkeeper
Four coppers, then. Room and basin. Fair enough, if you mean to sleep here and not make trouble.
He slides the tag closer, but does not take the coin yet. His fingers tap the charcoal and paper beside the work list, making the choice feel plain.

Innkeeper
If you want the basin, I can set water heating while you look over the jobs. It is less lonely than staring at the walls.

Innkeeper
He seems honest enough. Best to keep him fed, dry, and pointed at work.
A beat passes in the warm common room. The innkeeper waits with the room tag in hand, giving Lo space, but the price now sits in the open between them like a settled fact.
“I ask him how much musical show does his inn bar have, i offer that i play a modest amount of songs and have some instruments”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
I ask if the inn has much music, and I offer to play a modest set if it does.

Innkeeper
Music? A little, now and then. Nothing grand. A sailor with a fiddle, or a drunk with a reed pipe, if the night is kind.

Innkeeper
If you can truly play, that is worth more than a polite lie and a louder mug. Folks linger longer when there is a tune to sit with.
He glances at Lo, then at the work list, as if weighing song against hauling and hammerwork. His mouth quirks, thoughtful rather than dismissive.

Innkeeper
I do not pay performers like a city hall, but I can trade a supper, a room, and a fair hearing. If your songs keep the room gentle, I may have patrons put a coin in your paw.
The charcoal rests beside the papers, untouched. The offer changes the shape of the evening, not by much, but enough to make the room feel like a possible stage.

Innkeeper
Can you play something that suits a harbor house, or are you the wandering sort that sings of roads and lost things?
“I say i am not a school trained expert but i can play calming, drinking, warm and friendly and some pace building songs, not much singing but back ground intruments. I can show you a demo when you'd prefer”
SUCCESS (Mediocre Persuasion, rolled +2)

Lo
I am not school-trained, but I can play something calming, warm, and friendly. More for the back of the room than the front. I can show you a demo, if you want.

Innkeeper
That is fair enough by me. A room does not always need a show, sometimes it needs a hand to steady it.
He reaches for the room tag, then pauses, listening as if he already hears the shape of the tune in Lo’s words. The charcoal and work list sit between them, quiet as waiting patrons.

Innkeeper
Harbor houses like a pace they can sway to. Slow enough for the ale, steady enough for tired feet. If you know that sort of music, you know the room better than many who sleep in it.
His smile softens, and he shifts one elbow off the counter, making space instead of crowding it. The offer of coin stays unwritten, but the welcome becomes more certain.

Innkeeper
Play when you are ready, or after supper. If it suits the place, I will say so plainly. And if it does not, I will still hear the effort.
“I agree when is best for him. I ask what is worth visiting, seeing, socializing around here, before it gets too dark”
SUCCESS (Mediocre Persuasion, rolled +1)


Innkeeper
After supper, best. The room fills faster once the lamps are lit, and folk loosen up when they are fed.

Innkeeper
Worth seeing, if you have the daylight left, is the fish market by the quay. Noisy, honest trade. For socializing, the ropewalk taverns draw sailors, smiths, and a few storytellers who swear too much.

Innkeeper
He taps the room tag against the counter, then sets it flat beside the work list as if reserving both answers and a place for them to matter.
He nods toward the street-facing windows, where the last of the harbor light washes the glass in pale gold. The common room hums low around them, quiet enough that his voice feels private.

Innkeeper
If you want company without trouble, try the lamp shrine on Pier Street. If you want names, go where the dice tables gather, but keep a hand on your purse.

Innkeeper
And if you mean to play tonight, I can point the benches your way. Folk listen better when they are settled, and I would like to hear whether your calm is real.
“I ask him about a tailor, one that can make or has clothes my size”
FAILURE (Mediocre Persuasion, rolled -1)


Lo
Do you know a tailor nearby, one who can make clothes for my size?

Innkeeper
Aye. Not many do proper work for broad shoulders and long arms, but there is one near the dye lane. Stern woman, good needle, no nonsense.

Innkeeper
He glances over Lo again, measuring with a craftsman's eye. Not just a customer, then, a problem with a shape.

Innkeeper
If you go now, she may have scraps and offcuts to mend you up cheap. If you wait till morning, she will measure you right and curse your posture for free.
He slides the room tag a little closer to Lo, then hooks one finger under the work list as if keeping the evening organized by habit alone.

Innkeeper
Name is Mera Stoutthread. Ask for her by name, and tell her I sent you. She will grumble, but she will listen.
The innkeeper's tone softens, and the common room noise seems to settle around the two of them, warm and unhurried.

Innkeeper
If you want, I can show you which street bends toward her shop, before the lamps come up full. What do you think?
“I thank him and agree for his help”
FAILURE (Mediocre Persuasion, rolled -2)

Lo dips his head in thanks, the words simple and earnest. The innkeeper takes it with a small nod, pleased more than formal, and lets the room breathe around them for a moment.

Lo
Thank you. I will go with you.

Innkeeper
Good. Saves you wandering crooked streets with that lost look on your face.
He folds the work list once, taps it against the counter, and reaches for a nearby rag as if the matter is already settled in his mind.

Innkeeper
Mera likes honest customers, even noisy ones. If she sizes you up, let her. She would rather curse you first and trust you second.
A faint smile touches his mouth. Outside, the last clear light drains from the window panes, leaving the common room amber and soft.

Innkeeper
You have the look of a fellow who knows hard work. Tailors notice that. So do I.
He nudges the room tag aside, then pauses, watching Lo as if waiting to see whether the offer of guidance is enough, or whether the catman wants something else from the evening.
Lo leaves The Lantern Cup behind and arrives at Mera Stoutthread's shop.
“I take his guidance and make my way for the door”
SUCCESS (Great Agility, rolled +0)

Mera Stoutthread’s shop smells of dye, chalk dust, and warmed wool. Bolts of cloth climb the walls in tight, tidy stacks, and a tiny lamp throws gold over the worktable.

Mera Stoutthread
You made it. Come in, then, and mind the thread on the floor. I hate waste, but I hate tangled boots more.
Lo steps inside with the easy precision of someone used to narrow places, and the door settles shut behind him. Mera studies his shoulders, then the line of his cloak, already thinking in measurements.

Mera Stoutthread
Tall, broad, and tired. The city sends me a lot of men who wish they were built for honest labor. You look like you already are.

Mera Stoutthread
What do you need most, a coat that fits, repairs for what you are wearing, or something sturdy enough to survive work in the rain?
The shop is warmer than the street, and the lamp light makes the cloth edges look almost soft enough to sleep in.
“I ask her how busy of late is she, id like for now to try on some stuff and possible hire here to make a few outfits so i have more then just 2 sets of clothes”
SUCCESS (Mediocre Persuasion, rolled +0)

Mera glances toward the front window, where the street noise stays pleasantly distant. She sets the chalk down and rolls her shoulders as if measuring the day in her bones.

Mera Stoutthread
Busy enough to keep my hands honest, not busy enough to turn away good work. A few hems, two patched sleeves, and one merchant who wants to look richer than he is.

Mera Stoutthread
You want more than two sets, that is sensible. Folk forget a second shirt until the first one is damp and useless.
She gestures Lo nearer to the table, then reaches for a length of plain cloth and a pinned measuring ribbon.

Mera Stoutthread
Try these on, or wrap them over what you wear now. I want to see where you move, not just where you stand.

Mera Stoutthread
If you hire me for a few outfits, I can make you one for work, one for rain, and one that does not announce you to every alley in Hothmmur.
The little lamp throws a warmer gold across the cloth as she waits, patient and practical, already looking past the first fitting to the rest of the order.
“I agree, i say i need a few nice, common, outfits and a nice one for formal events, mostly”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
I want a few common outfits, and one proper one for formal events.
Lo keeps his tone careful, but the words come out plain. Mera studies him a moment longer, then nods as if the request fits a pattern she knows well.

Mera Stoutthread
Common first, formal after, that is the sensible order. You will need clothing that works hard before it ever needs to look fine.

Mera Stoutthread
A working man with a formal need, not a merchant trying to shine. Better. Easier to fit honestly.
She lifts the cloth, comparing it to Lo's frame with quick, practiced eyes. The ribbon slides over her fingers, then rests against the table edge while she thinks in measurements.

Mera Stoutthread
Two sturdy sets for travel and labor, one clean set for being seen, and a formal piece with room in the shoulders. For that last one, do you want plain respectability, or something with a little authority?
Mera's mouth quirks, not teasing, just interested. The lamp warms the cloth between them, and the shop feels quieter around the question.
“I say, respectable, smart, not showing off or too fancy”
SUCCESS (Mediocre Persuasion, rolled +0)


Mera Stoutthread
Respectable, then. Smart enough to be taken seriously, plain enough to keep your own shape in it.

Mera Stoutthread
Plain cloth wastes less money, and men who ask for plain usually know what they can wear.
She spreads a dark bolt across the table and taps two places with her chalk, marking a clean line at the chest and a modest fall at the hem.

Mera Stoutthread
No shine, no useless trim. A jacket with a firm collar, trousers that will not snag, and a second coat you can wear to a hall without looking like you borrowed it.

Mera Stoutthread
For the formal one, I can give you sober color, neat stitching, and a cut that says you have business here, not that you are begging to be admired.
Mera glances up at Lo, then lets a small, approving smile settle in as she reaches for a fresh length of cloth.

Mera Stoutthread
That suit will suit a man who wants to be remembered for his word, not his ribbons. Shall I put the first set to cloth, then?
“I say yes”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
Yes. Put the first set to cloth.

Mera Stoutthread
Good. Then I can shape the rest around it instead of guessing at you from the rail.
Mera turns the chalk in her fingers and eases the marked bolt nearer, her posture loosening from measurement into craft.

Mera Stoutthread
A man who knows what he needs saves both of us time. I like that.

Mera Stoutthread
And if he keeps to plain work, he will be easier to fit than most.
She lays the second length flat, then smooths the first with both hands, checking where the cloth will fall at Lo's shoulders and hips.

Mera Stoutthread
Tell me one thing before I cut, do you want the formal coat to read as trade, guard, or traveler?
“I say doing well, commoner, clothes, to offset my size”
FAILURE (Mediocre Persuasion, rolled +0)


Lo
Commoner. Plain. I want the coat to look like it belongs on someone smaller, someone ordinary.
Mera pauses with the chalk above the cloth, then lets out a quiet huff of understanding. She studies Lo's frame again, not measuring now, but imagining how to hide weight in line and drape.

Mera Stoutthread
Ah. Not disguise, exactly. Respectability with less notice. That is a sharper ask.

Mera Stoutthread
He does not want to be grand. He wants to pass.
She pinches the fabric at the shoulder, then flattens it along the side seam, already changing the shape in her mind. The second cloth waits beside her like a promise made more practical.

Mera Stoutthread
Then I shorten the visual line, keep the shoulders clean, and use common cuts with better cloth. It will say worker first, and only later, if someone looks twice, something more expensive.
Mera makes a fresh chalk mark, this one farther in than the first, narrowing the silhouette on purpose. Lo's request does not vanish, but it comes back changed, more honest and harder to argue with.

Mera Stoutthread
If that is what you mean, I can do it. But tell me, do you want to disappear into a crowd, or merely avoid looking easy to count?
“I say, blend, but look nice if inspected closer”
SUCCESS (Mediocre Persuasion, rolled +3)

Mera gives a small nod and reaches for a fresh strip of chalk. She lays it beside the pattern, then taps the cloth where the eye would land first, at the collar and front seam.

Mera Stoutthread
Then we dress the truth in better manners. Common at a glance, neat when someone leans in.
She sketches two tiny changes, a plain cut at distance, a finer finish close up. Her mouth curves as she works, pleased by the problem itself.

Mera Stoutthread
That is the trick, really. A coat should not shout for a man who wants to move through a crowd.

Mera Stoutthread
But it should reward a careful eye. Better stitching, cleaner lining, a shape that says you have habits and coin, even if you do not announce either.
She slides the chalk back and smooths the fabric flat with both palms, then glances up at Lo with open curiosity.

Mera Stoutthread
Who taught you to ask for that balance? Most customers want to be seen. You want the opposite, and still want courtesy.
“I tell her, i hope to find an intresting jobs, im from a quite city in the mountains. I say the inn keeper has agreed to possibly have me play instruments at the bar, i must look nice enough, but not fancy”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
I come from a mountain city. I look for work that is interesting, and the innkeeper says I may play at the bar. So I need to look neat, not fancy.
Lo lets the words sit between them while Mera studies the new line with a tailor's eye. The cloth on the table stays pinned under her hands, but her expression softens at the practical answer.

Mera Stoutthread
Ah. A performer who would rather vanish into a room than command it. That helps more than you know.

Mera Stoutthread
Mountains make sturdy folk. Hothmmur crowds make careful folk. If you want to work both, we cut for movement, then hide the ambition in the stitching.
She marks the cloth again, slower this time, as if the answer has given the garment a shape she can trust. Her chalk traces a line that is plain at a glance and deliberate up close.

Mera Stoutthread
And the bar, is that a one-night favor, or do you mean to earn your supper with music for a while?
Mera pauses with the chalk hovering, waiting for Lo to decide how much of himself he wants sewn into the coat.
“I answer, i might play for many days, he sounded positive, intrested”
FAILURE (Mediocre Persuasion, rolled +1)


Lo
Maybe. For many days, if the inn wants it.
Lo keeps his answer plain, but it lands with enough steadiness to matter. He leaves the promise loose, like rope that can be tied later if the work feels right.

Mera Stoutthread
Good. That tells me more than a grand speech would.

Mera Stoutthread
A steady hand in a singer is useful. A steady customer is better.
She sets the chalk down and folds one arm over the table, studying him over the cloth instead of through it now.

Mera Stoutthread
If you are staying awhile, then your coat should survive weather, crowds, and bad choices. I can hide the seams well enough for a room, but not for a life.

Mera Stoutthread
And if you play often, I should know whether you favor sleeves that free the wrists, or a cut that looks proper when you stand before strangers.
Her mouth tilts, not quite a smile, as she waits for his answer and the cloth lies open between them, ready to become something longer lasting.
“I answer, most importantly something that breathes, i am big, i dont want to be big and smelly”
SUCCESS (Good Health, rolled +2)

Lo states it plainly, and Mera’s eyes sharpen with understanding. She reaches for a softer bolt beside the dark cloth, pinching it between two fingers.

Mera Stoutthread
Breathable, then. Not just a fine face for the street, but a coat that lets a broad man move and breathe in heat.
She taps the table once, thoughtful, then sketches two quick lines at the arm opening and the side seam.

Mera Stoutthread
I can give you room under the arms, vents at the back, and lining that does not cling when you sweat. It will not smell of a storage chest after three days.

Mera Stoutthread
A sensible request. Better than vanity, and easier to make handsome.
She lifts the cloth to Lo’s shoulder, measuring with her gaze, then nods as if some private puzzle has clicked into place.

Mera Stoutthread
For your frame, I would also add hidden slits at the hips. Enough give to climb, sit, or play without the whole coat fighting you.
“I relax and let her work, i ask her if she's from here originally”
SUCCESS (Mediocre Persuasion, rolled +1)

Lo settles back and lets the work continue. Mera keeps one hand on the cloth, but her eyes lift from the pattern to him, curious now rather than merely measured.

Lo
Are you from here originally?

Mera Stoutthread
No. I came north with a caravan and stayed because the cloth here is better than the company was.

Mera Stoutthread
Hothmmur gave me work before it gave me roots. That is often how a city keeps you.
She smooths the lining flat, then gives a brief, crooked smile as she marks the hem with chalk.

Mera Stoutthread
I learned my trade from an aunt who could make a king look sensible and a sailor look clean. She said good stitching is a kind of mercy.

Mera Stoutthread
What about you, Lo? Did your road bring you here by choice, or by necessity?
“I tell her the work was too small where im from, too small of a life, work, drink, eat, sleep, not much else. I came to fill my life with more”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
Work was too small where I am from. Just work, drink, eat, sleep. I came to fill my life with more.
Mera stops her chalk at the end of the line. She looks up slowly, not dismissive, just measuring the weight of what he means.

Mera Stoutthread
That is a plain answer, and a hard one. Plenty stay in a place because it feeds them. Fewer leave because it does not feed enough of them.

Mera Stoutthread
Wanting more does not make a person greedy. Sometimes it only means they are still alive inside the routine.
She folds the cloth once, then twice, using the motion to hide a small, knowing smile. The pattern under her hands is beginning to look less like measurements and more like a promise of shape.

Mera Stoutthread
So you did not leave for glory, then. You left because the life you had was too narrow for you.
Her tone is gentle, but the question lands cleanly. For a moment the room feels quieter, as if the bolts of cloth are listening too.
“I tell her i like a rugged fight here and there, if they needed a extra body i like action, quest. Im fine with quite too, just more going on then back home”
FAILURE (Mediocre Persuasion, rolled +0)


Lo
I like a rugged fight now and then. If you need extra hands for work, I can do that. I am fine with quiet, just... more than back home.
Lo's words land plain and careful, like he is offering a tool he hopes will be taken seriously. The shop stays warm around them, but the unfinished coat on the table seems to wait with him.

Mera Stoutthread
That is useful to know. A man who can carry cloth, swing a hammer, or stand his ground has more use than he thinks.

Mera Stoutthread
But wanting action is not the same as knowing where to spend it. Hothmmur has plenty of honest labor, and a few foolish fights too.
She sets the folded lining aside and reaches for a measuring cord, not to hide her answer, but to keep working while she gives it.

Mera Stoutthread
If you are looking for something to keep your hands busy, I can point you toward the right doors. If you are looking for trouble, I can do that as well, though I would rather not.
Mera gives him a small, assessing smile, half amusement and half practicality. Her tape rests against his sleeve, waiting for him to choose whether he means work, trouble, or both.
“I say, anything you'd like to mention. Im not bad with tailoring myself, need some training to better myself eventually, havent thought of it as a trade, im not skilled enough”
SUCCESS (Mediocre Persuasion, rolled +2)


Lo
I can manage simple stitching, and I would like to learn more, if you think it is worth the time.
Lo keeps his voice low and steady. The admission is plain, almost stubbornly plain, as if he is placing a small tool on the table and waiting to see if it will be accepted.

Mera Stoutthread
Worth the time? Yes. A body that can mend its own seams saves coin, and a patient hand learns to respect cloth instead of bullying it.

Mera Stoutthread
You speak like someone who has had to make do. That usually means you notice what others waste. That is a good start for tailoring.
She shifts the cord through her fingers and studies him with the pleased focus of a craftswoman seeing a promising edge in rough stone.

Mera Stoutthread
If you stay in Hothmmur, I can show you how to read a shoulder line, how to set a sleeve for reach, and how to hide a repair so well no one notices it.

Mera Stoutthread
And if you want honest advice, do not begin by calling yourself unskilled. Begin by saying you are learning. That is a better trade than pride.
“I grunt friendly and thank her”
SUCCESS (Mediocre Persuasion, rolled +2)

Lo gives a small, friendly grunt and the tension in his shoulders eases. The thanks lands plainly, without flourish, but it is sincere.

Mera Stoutthread
There, that is better. A clean thank-you sits well on you.

Mera Stoutthread
If you want to learn, I will not waste your time. I prefer apprentices who listen, ask, and keep their hands honest.
She lets the cord fall to the table and reaches for the folded lining, smoothing one corner with her thumb like she is testing its temper.

Mera Stoutthread
He has the look of someone who learns by doing, and by surviving. That can be worked with.

Mera Stoutthread
Stay after the stitching is done, if you like. I can show you how to turn a torn hem into something neat enough to fool a sharper eye.
The shop feels quieter around the two of them, warm with cloth dust and lampheat, as Mera waits to see whether Lo takes the offer or asks for the next lesson first.
“I talk lightly and absorb her skill working”
FAILURE (Poor Reasoning, rolled -3)

Lo shifts closer to the table and lets his gaze follow Mera’s hands instead of her face. The room stays hushed, all soft lampglow and fabric rustle, as he tries to catch the rhythm of her work.

Mera Stoutthread
Good. Watch the cloth, not just the needle. Cloth tells you when it is being bullied.
Mera folds the lining back on itself, pinches a seam flat, then taps the edge with two fingers as if marking a path only she can see.

Mera Stoutthread
First you persuade it. Then you commit. Too much force frays it, too little leaves a lie in the stitch.

Lo
The fold is tighter than it looks.
Lo leans in at the wrong moment, and the edge slips under his paw before he can track the turn. He notices the motion a beat too late, missing the small correction she makes by feel.

Mera Stoutthread
Ah. You see? Your eyes chase the movement after it happens. That is normal. We can teach the hands to be quicker than the surprise.

Mera Stoutthread
Tell me, when you mend something rough, do you start at the tear, or do you work outward until the whole piece sits right?
“I talk lightly and visually absorb her skill working”
FAILURE (Poor Reasoning, rolled -1)

Lo tries to follow the line of Mera’s work, but his attention catches on the neat, almost invisible rhythm of her fingers instead. The fabric stops fighting where her thumb presses, and the seam lies down like it has been convinced.

Mera Stoutthread
That is it. You do not wrestle cloth into obedience, you learn where it wants to bend.
She shifts the lining, turns the edge, and makes a tiny fold with the corner of her nail. The motion is small, but it changes the whole shape, as if she is speaking a second language with her hands.

Mera Stoutthread
Tailoring is half patience, half memory. If you remember where the strain lives, the rest follows.

Lo
The fold changes before the seam does.
Lo stays close, but when he reaches to test the edge, his paw lands a little too heavy. The cloth bunches, and Mera has to lift it free before it wrinkles worse.

Mera Stoutthread
There. That is the mistake most beginners make, they ask the cloth to forgive them after they have already pinched it.

Mera Stoutthread
Tell me honestly, do you want to learn the repair first, or the cut?
“I say whichever you feel is first”
SUCCESS (Mediocre Persuasion, rolled +1)


Mera Stoutthread
Then start with repair. A clean repair teaches your fingers respect, and respect is what keeps a cut from becoming waste.
She turns the cloth toward him, flattening the bunched edge with two quick strokes of her palm. The line looks simple now, almost stern in its straightness.

Mera Stoutthread
Cutting is faster, but if you do not understand mending, you never learn why a garment fails in the first place.
Mera sets the needle aside and taps the seam allowance with one finger, then slides a scrap of thread toward Lo like a small offering.

Mera Stoutthread
Humor an old habit of mine, tell me what you think this edge will do when you bend it twice.

Lo
The edge wants room at the turn.
Mera’s mouth softens at that, pleased despite herself. She pulls the fabric a little wider, making space where the strain will gather.

Mera Stoutthread
Good. You see it. Then we begin there, and if you keep your hands gentle, I will show you the first proper cut after.
“I watch and follow her intructions”
FAILURE (Poor Reasoning, rolled +0)

Lo leans in and tries to match her fold for fold. His paw follows the seam, but the cloth slips under his grip and the line skews jagged.
Mera reaches in at once, still calm. She catches the fabric before it tears farther, but the repair is now off the mark.

Mera Stoutthread
There, that is the lesson. If you pull to force the cloth, the rip wins twice.
She turns the damaged edge toward him, the mistake plain now, a small fray where a clean join should have been.

Mera Stoutthread
Watch my thumb, not the needle. The thumb sets the tension, the needle only obeys it.
Mera places the thread scrap beside the failed stitch, then presses Lo's paw lower, guiding him into the correct angle.

Lo
The thread keeps slipping if he grips too hard.

Mera Stoutthread
Again, slowly. This time, show me the edge before you try to save it.
“I take her direction”
SUCCESS (Great Agility, rolled +2)

Lo adjusts his grip and loosens the pressure at once. The cloth settles flat under his paw, the edge finding its line instead of fighting it.
He follows Mera's angle, thumb first, needle second. This time the stitch bites clean, straight through the seam without dragging the weave aside.

Mera Stoutthread
Good. That is it. Let the cloth tell you where it wants to sit.
The fray tightens under the new join, becoming neat and nearly invisible. Beside it, the thread scrap now looks less like a warning and more like a spare piece waiting its turn.

Mera Stoutthread
You felt the edge before you forced it. That saves time, and cloth.

Lo
The seam holds.
Mera gives a satisfied nod and slides the fabric a little farther down the table, offering him the next section without taking her hand away. 'Again,' she says, 'and show me if you can keep that line all the way through.'
✓ Quest Accepted
Learn tailoring from Mera Stoutthread
“I relax and do as she instructed”
FAILURE (Great Agility, rolled -4)

Lo eases his paw forward and tries to keep the stitch line calm. The needle enters clean, then skims too close to the edge.
The thread tugs. A small pucker pulls into the cloth, breaking the neat run Mera just praised.

Mera Stoutthread
Steady. Do not chase the needle, guide it.
Mera taps the warped spot with one fingertip, then lifts the fabric a fraction so the strain shows plain in the light.

Mera Stoutthread
You are pulling with your wrist again. Let the paw follow the cloth, not the other way around.
The line now stands interrupted by the slight bunch, and the next section lies waiting, harder to hide than before.

Mera Stoutthread
Try the next inch, or unpick this one and do it clean.
“I relax and do as she instructed”
SUCCESS (Great Agility, rolled -1)

Lo loosens his wrist and lets the needle ride the cloth instead of fighting it. The thread settles into a smoother path.
The next inch closes in a neat line, the puckered strain flattening behind his paw as the seam straightens.
Mera watches the stitch travel, her hand hovering above the work but not вмешatting.

Mera Stoutthread
There. That is the motion I wanted. Feel how the fabric leads your hand.
The repaired stretch holds clean under the light, and the bad tug no longer pulls at the edge.

Mera Stoutthread
Good. Now keep that rhythm, and show me you can repeat it without my hand on yours.
“I try it”
SUCCESS (Great Agility, rolled +2)

Lo takes the rhythm and keeps it. His paw moves in a steady line, the needle dipping and rising without Mera's guiding touch.
The thread lays clean in the cloth, each stitch sitting beside the last like it belongs there.
Mera's brows lift as she leans closer to inspect the run of seam.

Mera Stoutthread
There. That is it. You are not fighting the cloth anymore, you are listening to it.
Lo finishes the stretch in one smooth pass, and the repaired section holds its shape under the lamp glow.

Mera Stoutthread
Good. That is enough to call a stitch learned. Put your paw there, and show me you can do the next seam without pausing.
“I do it”
SUCCESS (Mediocre Tailoring, rolled +0)

Lo takes the cloth under his paw and sets the needle in on his own.
His first stitch lands true, then the next, each one matching the seam beside it.
The fabric stays flat. No bunching, no pull, just a clean line under the lamp.

Mera Stoutthread
Yes. That. Keep your pace steady, and let the cloth tell you where it wants to sit.
Lo finishes the seam in one unbroken run, and the edge lies smooth in his paw.

Mera Stoutthread
Good. You have the feel of it now. Try the next seam, and I will watch your hand instead of your stitch.
“I continue”
SUCCESS (Great Agility, rolled +2)
Lo sets the needle into the next marked seam and draws the thread through with a sure, even pull.
The cloth answers cleanly. The line settles flat beneath his paw, each stitch landing where the mark asks for it.

Mera Stoutthread
There it is. Keep that rhythm, and the seam will behave for you.
Lo finishes the run without snag or wobble, and the new edge lies as smooth as the last.

Mera Stoutthread
Good. You are not fighting the fabric now. You are reading it.
Mera slides the cloth a finger's width farther along the table, exposing another marked line and a tighter turn near the corner.

Mera Stoutthread
One more. This one curves, and I want to see if your hand follows.
“I complete it calmly”
SUCCESS (Mediocre Tailoring, rolled +0)

Lo sets the needle into the curve and lets the thread follow his paw without hurry.
The stitch takes hold cleanly, then bends with the mark as if it were meant for it all along.
The fabric stays flat. No snag catches, no pucker rises, only a smooth turning line under his hand.

Mera Stoutthread
There. That is the turn. Keep your pace there, and the cloth will keep its shape for you.
Mera lifts the edge, checks the curve, and gives a small approving nod before shifting the piece again.

Mera Stoutthread
This part is learned now. Do you want the next lesson to be a hem, or do you want to try this curve once more on your own?
“I say a hem is fine”


Lo
A hem is fine.

Mera Stoutthread
Good. Hems teach patience, and patience keeps a garment useful. Show me you can hold the line steady, and I will show you how to make the edge sit true.

Mera Stoutthread
A decent hem lets a cloak hang clean, keeps a sleeve from fouling the hand, and tells anyone looking that the maker cared. That matters more than fancy trim, most days.
“I let her teach”
FAILURE (Poor Reasoning, rolled -2)

Lo sets the needle to the folded edge. The cloth fights him at first, sliding just enough to spoil the line.
The fold is thinner than it looks.

Mera Stoutthread
Easy now, keep the edge pinned. Let the fabric rest against your thumb.
He follows her hand, but his stitch bites too deep. The hem puckers into a little ridge.

Mera Stoutthread
There, stop. You are pulling it, not guiding it. A hem needs gentleness.
Mera lifts the work a finger's width, then turns the fold back flat. Her own stitches land close and even, making his rough section look louder by contrast.

Mera Stoutthread
Watch the spacing. If the first line wanders, the whole edge shows it.
“I try being gentler”
FAILURE (Mediocre Tailoring, rolled -1)

Lo sets the needle again, slower this time, trying to let the thread glide instead of drag. The point slips through the fold, but the cloth bunches beneath his paw anyway.
His next stitch lands loose. The hem drifts out of line, and the earlier pucker spreads into a crooked ripple.

Mera Stoutthread
Not so light that it wanders. Gentle, yes, but still decisive.
Mera does not take the needle from him. She lays one broad finger beside the seam, showing where the fabric has started to twist under its own tension.

Mera Stoutthread
Feel that? The fold is pulling away from your line. Pin it before you stitch, not after.

Lo
The edge shifts before the needle does.
The hem now looks more uneven than before, but the mistake is clear, stretched open under Mera's hand and impossible to ignore.
“I take her advice”
SUCCESS (Mediocre Tailoring, rolled +3)

Lo stops chasing the cloth and presses the fold flat first. His paw steadies, the needle bites where Mera marked, and the rippled hem begins to settle into line.
The thread draws through cleanly. This time the seam holds its shape, and the pucker tightens down instead of spreading.

Mera Stoutthread
There. That is the trick, hold the fabric before it argues with you.
Mera watches the edge with a small, satisfied nod, then lifts her finger away to leave the corrected line on display.

Mera Stoutthread
Good. You felt the pull before it won. Do it again, and tell me what your paw noticed first.
The hem lies flatter now, the crooked ripple pinned back by Lo's steady hands, while Mera waits for his next stitch.
“I feel for its tug to be pulled”
SUCCESS (Good Perception, rolled +4)

Lo feels the thread shift under his paw, a tiny tug that runs through cloth and needle alike. He stops forcing the line and follows that pull instead.
The fabric answers at once, settling where it wants to sit. His next stitch lands by that tension, clean and sure.
A faint extra give shows in the hem, as if Lo has found the seam's rhythm before Mera says another word.
Mera's eyebrows lift. She leans in, studying the way the cloth lies flat under his grip.

Mera Stoutthread
Yes, that. You are listening to the cloth now.

Mera Stoutthread
Hold that feel in your paw, and your stitches will stop fighting you.
The needle glides through without complaint, and Mera keeps her hand back, giving Lo the line to own.

Mera Stoutthread
Good. What did you feel first, the pull on the top fold, or the drag under it?
“I say, the first”
FAILURE (Poor Reasoning, rolled +1)


Lo
The top fold pulls first, then the drag underneath. I feel it start to slip before I fix it.
The answer comes out a little rough, but the motion in his paw proves he means it. The stitch wavers for a heartbeat, then he catches the line before it runs away.

Mera Stoutthread
Good. That is the right sort of mistake to notice.

Mera Stoutthread
A weak seam tells you what it wants by tugging at the cloth. If you answer late, it puckers. If you answer early, it lays flat.
Mera slides the hem a finger's width, then stops and lets the fabric settle on its own. The line is still straight, but the slack is gone, replaced by a sharper tension he has to read through touch.

Mera Stoutthread
He hears the cloth before he understands the words. That can be taught.

Mera Stoutthread
Tell me this one too, then. When the cloth tightens like that, do you loosen your grip, or do you turn the seam with your wrist?
“I say, both”
FAILURE (Poor Reasoning, rolled +0)


Lo
Both. If the cloth is tight, I loosen some, then I turn the seam with my wrist.
Lo tries to show the motion, but the needle catches the edge of the fold. The thread tugs hard, and the fresh line kinks before he can smooth it out.

Mera Stoutthread
There. That snag is the lesson talking.

Mera Stoutthread
You do not fight the pull, you give it a little room, then guide it where you want it.

Mera Stoutthread
See how your wrist turns too late? The seam starts to answer before your paw does.
She lifts the ruined stitch between thumb and forefinger, then sets the cloth flat again. Her eyes stay on the bend, not on Lo, as if she is reading a familiar problem in the grain of the fabric.

Mera Stoutthread
Try once more, slowly. Tell me what you feel first, the slack, or the turn.
“I give it more slack but just a little”
SUCCESS (Great Agility, rolled +1)

Lo eases the cloth with two careful fingers, feeding it just enough slack to answer the turn.
The kink relaxes. The fold stops fighting and lies flatter under the needle.
Mera watches the line settle, then gives a small, approving nod.

Mera Stoutthread
There. That is the cloth breathing with you.

Mera Stoutthread
You felt the pull before it became a problem. Good.
She slides the fabric a finger-width toward him, inviting the next stitch and waiting to see where his hand goes first.
“I tug the high corner of it lightly to even it out and continue with a neat, even pattern”
SUCCESS (Great Agility, rolled +0)

Lo catches the high corner with two fingers and gives it a light tug. The cloth answers at once, the line straightening under his touch.
He follows through, setting the needle into a steadier rhythm. Each stitch lands neat and even, the seam holding its shape without a hitch.

Mera Stoutthread
Good. That pull is doing exactly what it should.

Mera Stoutthread
You are not forcing the fabric now. You are guiding it.
Mera leans in and taps the smoother corner with one knuckle, then lets her hand fall away, satisfied.

Mera Stoutthread
Try the next stretch on your own. Keep that same hand on the tension.
The cloth lies flatter than before, the repaired line flowing cleanly forward as Mera waits for Lo's next move.
“I keep it even and clean”
SUCCESS (Great Agility, rolled -1)

Lo keeps the cloth moving under his paw, and the seam stays true. The thread sinks in evenly, each stitch spaced with a careful, practiced pull.
The hem settles flatter across the table, cleaner than before, with no wavering line to catch the eye. Lo’s hand finds the rhythm and holds it.

Mera Stoutthread
That is it. Steady, clean, and honest work.

Mera Stoutthread
You are feeling the cloth now, not fighting it.
Mera lifts the fabric edge, checks the stitch from one end, then nods once and lets it fall back into place.

Mera Stoutthread
There, that line will hold. Take the next section when you are ready.
The repaired seam lies smooth under Lo’s fingers, and Mera’s hand hovers over the remaining cloth, waiting for his choice.
“I take the next section”
SUCCESS (Great Agility, rolled +0)

Lo lifts the next section of cloth with one paw and lays it forward in a single smooth motion.
The fabric answers cleanly, no snag, no twist, just a neat spread over the table as his needle finds the edge.
He stitches on, faster now, and the line stays straight under his hand.
Mera watches the new seam form, then gives a quiet, satisfied hum.

Mera Stoutthread
Good. That is the cloth settling for you, not against you.

Mera Stoutthread
Keep that rhythm, and you can carry it through the rest of the seam.
The fresh stitch line tightens into place, even and true, and Mera slides the remaining length within reach, her fingers pausing there for Lo's next choice.
“I follow through”
SUCCESS (Great Agility, rolled -1)
Lo keeps the thread moving, one smooth pull after another, and the seam answers with the same even rhythm.
His paw works the cloth forward, needle dipping and rising without a snag, the line lengthening cleanly along the table.
Mera leans back a little, watching the stitch settle flat across the fabric.

Mera Stoutthread
There. That is the pace. Let the fabric come to the needle.
Lo finishes the remaining stretch in the same steady motion, the last stitches locking the seam straight and true.

Mera Stoutthread
Good. You have carried it through.
Mera lifts the sewn length, checks both sides, then lays it down with a satisfied nod and reaches for the next piece of cloth.
“I thank her and offer her more lesson at another time, that id like to save some time tonight to settle in.”
FAILURE (Mediocre Persuasion, rolled -2)


Lo
Thank you, Mera. I should keep some time tonight to settle in.

Mera Stoutthread
A wise choice. A new bed, a new street, those both deserve attention.
Mera sets the cloth aside and wipes her fingers on a scrap of wool. The shop goes quiet around the steady little rustle of fabric.

Mera Stoutthread
You learn quickly, Lo. Not gracefully, perhaps, but honestly. That matters more than speed.
She slides the needle case nearer, then taps the stitched seam with one blunt fingertip, as if marking the lesson in place.

Mera Stoutthread
When you come back, we can start with a hem you cut yourself. Fewer hands on the cloth, more of your own judgment.
Mera gathers the next piece of fabric but does not begin it yet. Her gaze stays on Lo, warm and measuring, waiting to hear whether he means to return soon.
“I ask her, how soon i should return, possibly her first finished project”
SUCCESS (Mediocre Persuasion, rolled +1)


Lo
How soon should I come back for the next lesson? And when is your first finished piece due?

Mera Stoutthread
Come back tomorrow after the morning bustle. By then, this will be ready enough to show you how the seams settle.
She lifts the paused cloth and smooths it once across her forearm, already measuring its weight in her hands.

Mera Stoutthread
My first finished project? A sailor's coat, patched for two winters already. The owner wants it strong, not pretty.

Mera Stoutthread
A good first lesson for him, then, real wear, real repair, real judgment.
Mera gives Lo a small nod, pleased by the question, and slides the cloth back into place without starting the stitch.

Mera Stoutthread
If you return tomorrow, I will have the coat out and the hem cut. We can work from the part that matters most.
“I agree and thank her, big her goodnight and calmly depart outside”
SUCCESS (Great Agility, rolled +2)

Mera Stoutthread
Good. Rest your paws, Lo. Come back tomorrow, and I will have the coat waiting.

Lo
Thanks, Mera. Goodnight.
Lo eases back from the worktable, careful not to jostle the flat seam, and gives Mera a small, respectful nod.

Mera Stoutthread
Night, then. And mind your steps on the dock road, the stones keep their own opinions after dark.
A faint smile touches her mouth as she folds the cloth over her arm, already thinking ahead to morning.

Mera Stoutthread
You are welcome here, Lo. Not just for the lessons.
Lo slips to the door and out into the cooler harbor air, leaving the warm shop and its lamplight behind.
“I take in the city, the noise, smell and people”
SUCCESS (Good Perception, rolled +0)
The dock road hits Lo like a living thing, salt, tar, fish guts, wet rope, and hot bread carried on the wind. He pauses beneath a hanging sign and lets the city spill past him in layers.
Boots clack over stone. Porters shout. A gull screams from somewhere above the rooftops, and the harbor answers with creaking masts and a low slap of water against hulls.

Lo
Fish market. Smoke. Crowds.
Lo turns his head slowly, catching the thread of it all, a spice stall, a tanner's yard, lantern oil, fresh-cut timber. The noise is messy, but readable.
Among the passing faces, a pair of apprentices in stained aprons argue over cloth bolts, one with chalk on her wrist, the other carrying shears wrapped in oilcloth.

Mera Stoutthread
There. If you want trade, follow the smell of wool and dye. If you want trouble, stay near the alehouses.
Mera's voice carries from behind him, calm and matter-of-fact, as she lifts a hand toward the district ahead. Lo now has the shape of the city in his nose and ears, and the tailor's quarter stands out cleanly from the rest.
Quest Complete
Learn tailoring from Mera Stoutthread
Attribute Upgrade: Agility Great→Superb