
Helena ends the silent connection with Liam and conceals the tragbares radio beneath her coat. She gathers usable shirts, trousers, and a wool jacket from the abandoned rooms before descending the stairwell.
Her injured side tightens as she steps down, but the careful descent does not worsen it. Below, Petar remains with Anna, Emil, and the wounded soldier in the cellar.
The injured Soviet soldier watches the stairwell from beside the coal bins, rifle lowered. His gaze follows the bundle, then returns to the dark landing above.

Anna Keller
Those will help. Emil is cold, and the soldier’s coat is soaked through. We can change them quietly if we are careful.
Anna Keller accepts the garments and sorts them by size. The wool jacket should fit Emil loosely, while the darker trousers may make the wounded soldier less conspicuous than his uniform.

The Voice Beyond the Door
Keep the bundle close. Liam’s help may reach this building soon, and we should be ready to move without searching for anything else.

Anna Keller
Should I change Emil first, or give the soldier the dry clothes?
✓ Quest Accepted
Prepare the civilians for Liam's rescue
Director's note
Helena speaks: "Help your son, Anna. We can't have him too sick to move."


Anna Keller
The dry clothes should go to the soldier first. Emil can manage with the blanket until we know whether the patrols have passed.

Helena Eichwald
Help Emil first. We cannot let him become too weak to move.
Anna wraps the wool jacket around Emil and changes his damp shirt beneath the blanket. The boy stirs but stays quiet, while the injured Soviet soldier watches from beside the coal bins.

Rozan Tsezar Danilovich
Give the trousers to me afterward. My uniform is soaked, and it will mark me as soon as we leave this cellar.
Anna settles Emil against the mattress, then passes the dry trousers to the injured soldier. He changes behind the coal bins, keeping his rifle within reach and his wounded arm protected.
From the stairwell, a faint vibration travels through the masonry. The cellar remains concealed, but somewhere above, a patrol pauses in the apartment before moving on.

Anna Keller
He is warmer now. When the way opens, I can carry him for a while, but we need a route that keeps us below the streets.
Quest Complete
Prepare the civilians for Liam's rescue
Director's note
Helena speaks to the Soviet soldier. Arms crossed and but still has her guard up: "I'm surprised that you can speak German well for a Russian. You have a name."
“(The Soviet soldier responds: Names, Rozanov Tsezar Danilovich. My conrads call me "Rozan". Ash for the German? I studied German literature in Nizhny Novgorod."”
SUCCESS (Good Communication, rolled +0)


Helena Eichwald
I am surprised you speak German so well for a Russian. You have a name.
Helena keeps her arms crossed, guard still raised. Esper Speak carries the question beneath her quiet voice, helping her meaning reach him despite the cellar’s tension.

Rozan Tsezar Danilovich
Rozan Tsezar Danilovich. My comrades call me Rozan. I studied German literature in Nizhny Novgorod. Ash for the German?
The connection makes his words clear, but Shell Shocked catches Helena’s concentration with remembered rifle cracks. The geas flickers reddish-purple beneath her skin before she forces it quiet.

Rozan Tsezar Danilovich
You may call me Rozan. I will trust your help, but not your silence. When this is over, I expect to know who I am sheltering.
His suspicion remains plainly stated, but he lowers his rifle fully and accepts the name exchange. Anna watches quietly as Rozan settles beside the coal bins, waiting for Helena’s answer.
Director's note
I tell Rozan only that my name is Helena, and nothing else


Helena Eichwald
Helena.
Helena gives him nothing more. Her arms remain crossed, guard raised, while the cellar’s damp silence settles between the coal bins and the stairwell.

Rozan Tsezar Danilovich
Helena, then. No surname, no explanation. That is your choice, but it tells me you are protecting something.
Rozan does not raise his rifle. He tests his wounded arm beneath the borrowed trousers, then glances toward the coal chute where the concealed passage may begin.

Rozan Tsezar Danilovich
I can walk, and I can still remember these service passages. If your people can help reaches us, we need a second way out before the patrols return.

Anna Keller
Then let us see whether the coal chute opens. Emil is warm now, but I will not risk carrying him back into the street.
Petar moves to the blocked chute and clears loose brick by hand. Behind it, cold air slips through a narrow crack, carrying the faint echo of water from somewhere below.
Director's note
As I was about to say something back to Rozan. The tragbares suddenly kicks on to life.
Director's note
The radio crackles in-between static and badly gagged transmissions. I struggle trying to adjust it, but nothing is working

Petar Volkov clears another brick from the coal chute. The crack widens into a cramped passage, and cold air carries water sounds from below.

Rozan Tsezar Danilovich
That is old drainage work. It may join the service channels beneath this block, but the way could be blocked farther on.
The tragbares radio suddenly crackles to life beneath Helena’s coat. Static surges between badly garbled transmissions, making the cellar walls seem to carry distant voices.
Helena pulls out the set and struggles with the tuning control. The needle shifts, but every attempt collapses into static before any words become clear.

The Voice Beyond the Door
Do not force it. Hold the frequency steady if you can. A working signal may return between the bursts.
A clipped transmission breaks through: fragments of Russian, a location, then a sharp order swallowed by interference. Anna draws Emil closer as Petar watches the stairwell.

Rozan Tsezar Danilovich
That sounded like a patrol order. If they are coordinating belowground, we cannot remain beside the stairwell.
The coal chute exhales another breath of cold air. Beyond the loosened bricks, water moves steadily in darkness, offering a concealed route but no assurance that it is empty.
Director's note
I hold the radio frequency steady and listen for clear words.
Director's note
I some manage to get a local news broadcast frequency.
Director's note
Unseen News broadcaster: "Strange and numerous sightings of unidentified creatures have been see in various locations in the nearby hills and Forest. Soviet officials on the ground are demanding that... -ople, remain their homes. Till an all clear has past"... "What? What you mean-... *Static*.... T
Helena holds the tuning control steady despite the static. The carrier tone wavers, then catches a working frequency as Petar crouches beside the coal chute and listens.
The transmission collapses into a hard burst of static. Petar lowers his head, while Anna draws Emil closer and Rozan turns toward the stairwell, rifle ready but lowered.

The Unseen News Broadcaster
Strange and numerous sightings of unidentified creatures have been reported in nearby hills and forests. Soviet officials demand that all people remain in their homes until an all clear has passed. What? What do you mean—
Static swallows the broadcast. Helena keeps the frequency fixed, but only broken syllables return. Cold air continues to breathe through the loosened bricks from the hidden drainage passage.

Rozan Tsezar Danilovich
That was a local broadcast. If officials are ordering people indoors, the streets will be watched more heavily. The drainage passage is safer than the stairwell.

The Voice Beyond the Door
We move everyone through the coal chute when it is open enough. No one returns to the street, and we wait for Liam’s help belowground.
Director's note
As the two men are talking. My geas eye begins to flare up, violently. I cover it up as best I can. But something outside is forcing me... Compelling me to head outside and look. Petar and Rozan chase after me trying to stop me from going outside

As Petar and Rozan speak over the drainage passage, Helena’s left eye flares violently beneath her hand. Reddish-purple light leaks between her fingers, and an unseen pull turns her toward the cellar stairs.
The compulsion drags Helena past the coal bins and toward the stairwell. Her injured side tightens when she rises too quickly, disrupting her stride, but the force keeps drawing her toward the sealed street above.

The Voice Beyond the Door
Helena, stop. The street is under lockdown. Whatever is pulling you outside, it will lead you straight into the patrols.
Helena reaches the cellar steps. Petar catches her around the shoulders from behind, while Rozan plants his rifle against the wall and grips her forearm with his uninjured hand.

Rozan Tsezar Danilovich
Do not fight us. I have felt fear drive men into gunfire before, but this is different. Something outside is calling you.
The geas strains against their restraint, making the stair rail shudder and loose dust rise from the masonry. Helena’s eye burns brighter, but Petar holds her back from the hatch.

The Voice Beyond the Door
Rozan, block the stairs. Anna, keep Emil behind the coal bins. Helena, listen to my voice. We find what is pulling at you without opening that hatch.
Director's note
As the two men are the two men are pulling Helena back inside. All three look up into the black night sky. And see the swirling multi color bands bands of the Aurora borealis, arcing across in a fiery intensity.

Petar and Rozan pull Helena back from the stairwell, keeping their grips firm around her shoulders and forearm. Her injured side tightens under the sudden effort, but the compulsion keeps drawing upward.

The Voice Beyond the Door
Hold her here. Do not open the hatch. Whatever is outside wants her to see it, and we cannot give it the street.
Rozan braces one boot against the stair wall and tightens his grip. The rail shudders beneath Helena’s hand as reddish-purple light pulses through the cellar, drawing all three toward the sealed hatch.

Rozan Tsezar Danilovich
Petar, look up. The sky is changing.
The hatch strains open a finger’s width despite the bar. Cold night air spills down, and through the gap they see swirling bands of green, violet, and red arcing across the black sky with fiery intensity.

The Voice Beyond the Door
That is no ordinary northern light. Rozan, keep Helena anchored. Anna, get Emil behind the bins and keep everyone silent.
Above them, the colored bands twist over Dresden while distant patrol voices falter. Helena remains held between the two men, her burning eye fixed on the opening as the cellar walls tremble.
“can I break Free of Petar and Rozan gripe, and head outside?”
NO, BUT (Unlikely, rolled 36)

Helena strains against Petar’s hold and Rozan’s grip, but the compulsion cannot carry her past them. Her injured side tightens under the sudden effort, and the hatch remains out of reach.

The Voice Beyond the Door
Do not fight us, Helena. You are not getting outside while that thing is pulling you toward the street.
Rozan keeps his boot braced against the stair wall and refuses to release her. Through the hatch’s narrow gap, the fiery bands brighten the ruins and expose a drainage outlet beneath the neighboring wall.

Rozan Tsezar Danilovich
There. Beneath the wall, a lower opening. If it connects to the drainage passage, we can reach it without using the street.
The compulsion surges once more, dragging at Helena’s shoulders, but Petar and Rozan hold firm. The flare recedes without freeing her, while the newly visible outlet offers a concealed route away from the cellar stairs.

The Voice Beyond the Door
We use the coal chute instead. Rozan, remember that opening. Anna, keep Emil behind the bins until we can check the passage.
✓ Quest Accepted
Return safely to the civilians
“can I break Free of Petar and Rozan gripe, and head outside?”
YES (Unlikely, rolled 17)

The reddish-purple flare surges through Helena’s arm. Petar’s hold slips as the compulsion tears her shoulders free, and Rozan’s grip breaks when the stair rail shudders beneath them.
Helena stumbles up the steps without choosing the movement. Her injured side tightens under the sudden exertion, but the force carries her toward the hatch before either man can seize her again.

The Voice Beyond the Door
Helena, stop! The street is exposed. Rozan, get ahead of her and block the opening!
Petar lunges after her, but the compulsion pulls Helena through the narrow gap beneath the hatch. Cold air strikes her face as the fiery bands wheel above Dresden.

Rozan Tsezar Danilovich
She is outside. I cannot reach her before the hatch shifts. Petar, the light is drawing her toward the wall outlet!
Behind Helena, Petar and Rozan scramble through the opening. The hatch drops crookedly after them, leaving the cellar concealed while the drainage outlet and the blazing sky wait ahead.
“Is the aurora causing Helena’s compulsion?”
YES (Likely, rolled 52)
The compulsion tightens as the aurora twists overhead. Each green, violet, and red band pulses in time with Helena’s burning eye, drawing her attention toward the drainage outlet.

The Voice Beyond the Door
It is the light. The aurora is pulling at her, not the outlet itself. Rozan, keep her between us and do not let her face the wall.
Rozan catches Helena’s shoulder while Petar grips her other arm. The force answers their restraint with a violent tremor through the hatch and a flare of reddish-purple light beneath her skin.

Rozan Tsezar Danilovich
Then the sky is directing her. I have never seen anything like it, but the timing is clear. When the bands brighten, she pulls toward them.
The aurora brightens above the broken wall, and Helena’s body leans against both men despite their footing. When the colors fade, the compulsion weakens, leaving the drainage outlet still and dark.

The Voice Beyond the Door
We wait for the next dimming, then move underground. The sky has found her once, and I will not give it the open street.
Above Dresden, the fiery bands continue their slow arc. The cause is no longer uncertain: the aurora is feeding the geas and compelling Helena toward its light.