Yseldra moves carefully among Posh’s unfinished constructs, her black mantle brushing neither bone nor metal. She studies exposed joints, pinned vertebrae, and bright strips embedded within pale frames.
Yseldra Vey
The metal is not merely reinforcement. It follows the skeleton’s intended movement. What alloys do you trust, and which have failed you?
She crouches beside a half-assembled frame, examining its hip socket and segmented spine from several angles. Her hands remain folded behind her back, carefully avoiding contact.
Yseldra Vey
You mentioned imprinting memories into newly formed bodies. Do you provide instructions, sensations, or an entire borrowed history?
Candlelight glides across the workshop’s scattered tools and unfinished forms. Nothing stirs; even the faintest magical residue lies quiet beneath the smell of oil, dust, and old bone.
Yseldra Vey
And where do you place the boundary between invention and necromancy? Is it the source of the material, the presence of memory, or the will that answers afterward?
Yseldra Vey
She has built enough here to make theory irrelevant. The question is whether her definitions protect the work, or merely protect herself.
✓ Quest Accepted
Have Yseldra acknowledge Posh's bonecraft as legitimate practice