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Adventure of Posh 1

Fantasy·Posh

5 scenes
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Scene4
The Empty Ossuary WorksitePosh's workshop
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The Empty Ossuary Worksite

Posh leaves the Crooked Bell alone, carrying the black relic beneath her gothic coat and the three-eyed-crow token securely in her possession. No archivist follows, and Dain remains behind.

The concealed stair winds downward through damp stone before opening into Saint Vey’s outer ossuary. Cold air carries rain, old dust, and the dry mineral scent of bone.

A weathered relief of the saint watches over a circular worksite. Bone dust marks its boundary, disturbed only by faint footprints leading toward a sealed archway.

Posh

Posh

The worksite is prepared, but no one is here.

The black relic stays cold beneath Posh’s coat. The ossuary offers no answering chime, only the soft drip of water somewhere beyond the walls.

At the circle’s center rests a low stone plinth, its surface etched with interlocking bone shapes and a shallow space sized for a written account or ritual instrument.

The stair behind Posh remains open to the upper passage. Ahead, the sealed archway and waiting worksite leave the next choice entirely hers.

The Empty Ossuary Worksite

“She sits on it and waits”

Posh settles onto the low stone plinth, its carved bone shapes pressing coolly beneath her gothic coat. The shallow recess remains empty beside her.

She waits beneath Saint Vey’s weathered relief while water drips beyond the walls. The sealed archway stays motionless, and the black relic remains cold.

Posh

Posh

The plinth is more comfortable than it looks.

Minutes lengthen into an unhurried vigil. Bone dust clings to the circle’s edge, and the faint footprints toward the archway lose their sharpness beneath settling powder.

Rain murmurs through unseen cracks overhead. No ward answers, no messenger arrives, and nothing disturbs Posh’s possession of the key or the three-eyed-crow token.

At last, the ossuary’s silence becomes the whole appointment for now. The prepared worksite waits with her, patient beneath the saint’s worn stone gaze.

“She waits until they arrive”

The Empty Ossuary Worksite
Dain Vell
Dain Vell
Yseldra Vey
Yseldra Vey

The vigil continues beneath Saint Vey’s weathered relief. At last, footsteps descend the stair, measured and unhurried, followed by the soft clink of bone clasps.

Dain Vell enters first, green hood damp with rain. Behind him comes an elderly elf woman with a tall, slender frame, ash-brown skin, white hair braided with bone beads, and a severe black mantle.

Dain Vell

Dain Vell

There you are, fox. I said the owner would come, and for once the appointment has behaved itself.

the Bell's owner

the Bell's owner

You waited without disturbing the circle. That is a promising beginning.

The elderly elf woman approaches the plinth and studies the empty recess, the sealed archway, and the bone-dusted boundary. Her calm gaze finally settles on Posh.

the Bell's owner

the Bell's owner

I am Yseldra Vey, keeper of the Marrow Bell. Dain has described your ritual, your key, and your unusual manner of negotiation.

Dain Vell

Dain Vell

The worksite is yours for the discussion, fox. Yseldra has brought the Bell’s terms, and she is prepared to hear what you do with them.

““Alright Dain, you can leave now, thank you””

SUCCESS (Fair Noble manners, rolled +3)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey
Posh

Posh

Alright, Dain, you can leave now, thank you.

Dain blinks once, then gives Yseldra an amused bow. He steps back across the bone-dusted boundary, turns toward the stair, and leaves without protest.

Dain Vell

Dain Vell

Dismissed with remarkable efficiency. Very well, fox. I will leave the solemn bargaining to you and Yseldra.

His damp footsteps fade upward, leaving the outer ossuary quiet again. The stair remains open, and Dain’s departure gives Posh the private audience she requested.

Yseldra Vey

Yseldra Vey

You send away your broker before negotiations begin. That is either confidence or excellent instinct. I find both useful.

Yseldra moves closer to the plinth and draws a small bone-sealed packet from her mantle. The seal bears the Marrow Bell, and she places it beside the empty recess.

Yseldra Vey

Yseldra Vey

Dain’s account is accurate. I will offer you the Bell’s terms directly, without his embellishments or commission.

““Well actually I’m way more interested in talking to another bone lover. You are one, unless I’m mistaken?””

SUCCESS (Legendary Reasoning, rolled +0)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey
Posh

Posh

Well, actually, I’m much more interested in talking to another bone lover. You are one, unless I’m mistaken?

Yseldra studies Posh across the plinth, one hand resting near the bone-sealed packet. Her severe expression softens into unmistakable amusement.

Yseldra Vey

Yseldra Vey

You are not mistaken. I have spent three centuries studying bone, tending its remains, and listening for the truths it preserves.

She opens the packet and reveals a narrow strip of polished ivory, etched with tiny bells and branching marrow lines. The markings catch the ossuary’s dim light.

Yseldra Vey

Yseldra Vey

I do not love bone as ornament alone, though I respect a fine specimen. Bone is structure, memory, inheritance, and sometimes the last honest witness left behind.

Yseldra Vey

Yseldra Vey

So yes, fox. We may speak as fellow admirers, provided you understand that admiration carries obligations when the dead are involved.

The sealed archway remains silent, but the Marrow Bell’s packet gives a faint, delicate chime. Yseldra’s attention stays wholly on Posh, ready for a more personal conversation before business resumes.

“"Obligations? Oh, to clarify. I delve into what more religious folk would call unholy, just to warm you””

SUCCESS (Legendary Reasoning, rolled +2)

Posh

Posh

Obligations? Oh, to clarify, I delve into what more religious folk would call unholy, just to warm you.

Posh’s clarification settles between the plinth and the sealed archway. The ivory strip gives another delicate chime, as though the Marrow Bell approves of plain naming.

Yseldra Vey

Yseldra Vey

Then we are fellow admirers with different vocabularies. Priests call it unholy when bone remembers too much, or when the dead refuse to remain useful only as warnings.

Yseldra turns the polished strip beneath the dim light, revealing tiny bell marks woven through the marrow lines. Her severe amusement becomes genuine interest.

Yseldra Vey

Yseldra Vey

I have studied forbidden remains, burial magic, and the rites that preserve knowledge after flesh fails. I do not require reverence from you, only precision.

Yseldra Vey

Yseldra Vey

Tell me what sort of unholy subject warms your curiosity most: corpse-binding, sanctified bones, souls caught in marrow, or relics made to offend the living?

““Well one of my favorites is actually bone golems, I truly love constructing them. Although getting them to move about properly is a helluva task””

SUCCESS (Legendary Reasoning, rolled +3)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey
Posh

Posh

One of my favorites is bone golems. I truly love constructing them, although getting them to move properly is a helluva task.

Yseldra’s fingers pause over the polished ivory strip. Her severe amusement deepens into open, scholarly delight, and the strip answers with three soft chimes.

Yseldra Vey

Yseldra Vey

Bone golems. Excellent. Their construction is straightforward compared with persuading a skeleton to understand balance, intention, and stairs.

Yseldra Vey

Yseldra Vey

The fault usually lies in the joints, not the command. A golem needs a marrow lattice that distributes motion before the animating will reaches the limbs.

Yseldra kneels beside the plinth and draws a compact joint diagram in the bone dust: reinforced hips, offset knees, and a segmented spine.

Yseldra Vey

Yseldra Vey

I have a dormant walker beneath Saint Vey, built by my predecessor. If you can animate it safely, its lattice will show you why your creations stumble.

The sealed archway gives a low internal knock. Its locking sigils loosen, revealing a narrow stair descending toward the ossuary’s older chambers, and Yseldra gestures for Posh to lead.

““Oh no no. That’s not my problem, my problem is I add so many bones together to form something entirely new so the faint memories of life are unable to guide its movements anymore. So I have to imprint new memories into the construct in order to make it move properly. Honestly quite the hassle””

SUCCESS (Great Arcana, rolled +1)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey
Posh

Posh

No, no. That is not my problem. I combine so many bones into something entirely new that the faint memories cannot guide it. Then I must imprint new memories so it moves properly. Honestly, it is quite a hassle.

Yseldra listens without interruption. The polished ivory strip gives a low, thoughtful chime as her gaze shifts from Posh to the descending stair.

Yseldra Vey

Yseldra Vey

Ah. You do not animate inherited structure. You erase the old pattern through invention, then provide a memory strong enough to serve as motion’s first instruction.

Yseldra Vey

Yseldra Vey

She is not merely assembling corpses. She is designing an identity and forcing it to inhabit bone.

Yseldra kneels and redraws the lattice in the dust, adding small marks at the spine, hips, and skull. Her expression carries scholarly delight rather than disapproval.

Yseldra Vey

Yseldra Vey

That explains the difficulty. A fresh construct has no remembered balance, no instinctive weight, no dead habit to borrow. The imprint must teach all three.

Yseldra Vey

Yseldra Vey

My predecessor’s walker may demonstrate the principle, but it will not dictate your method. You have already described a more radical art than simple reanimation.

““Ya I moved passed that awhile ago, heck I’ve even started mixing metal into it to give my bone constructs a bone structure” *she gigles*”

SUCCESS (Legendary Reasoning, rolled +1)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey
Posh

Posh

I moved past that awhile ago. I’ve even started mixing metal into my constructs, giving the bones a stronger structure.

Posh

Posh

Metal makes the bones hold together better.

Posh giggles in the descending ossuary, her voice carrying softly among the old stones. Yseldra’s charcoal pauses above the dust-drawn lattice.

Yseldra Vey

Yseldra Vey

Metal within the bone, not merely bracing it from outside. You are building a new skeleton with a hidden inheritance of strength.

Yseldra adds slender lines through the spine and joints, marking where metal would carry strain without replacing the bone’s shaping function.

Yseldra Vey

Yseldra Vey

That may solve the weakness of invented memory. The frame carries force mechanically, while your imprint teaches it how to move.

Yseldra Vey

Yseldra Vey

You must show me this method below. My predecessor’s walker may be old, but its chambers contain tools and alloys suited to your experiments.

““Rather, how about I bring you to my workshop?””

FAILURE (Fair Noble manners, rolled -3)

The Empty Ossuary Worksite
Yseldra Vey
Yseldra Vey

““Rather, how about I bring you to my workshop?””

SUCCESS (Superb Willpower, rolled -1)

Posh

Posh

Rather, how about I bring you to my workshop?

Yseldra studies Posh for a quiet moment, then folds the polished ivory strip back into its bone-sealed packet. Her attention turns from the dormant walker toward the stair above.

Yseldra Vey

Yseldra Vey

Your workshop, then. I would rather see the metal within your constructs than mistake a diagram for the whole of your practice.

She rises and brushes the bone dust from her gloves. The sealed archway remains open behind them, while the older chamber and its dormant walker wait undisturbed below.

Yseldra Vey

Yseldra Vey

Lead on, Posh. I will ask questions, touch nothing without permission, and reserve judgment until I understand what you have built.

Yseldra follows Posh up through Saint Vey’s outer ossuary and the rain-cooled passage beyond. Before long, they arrive at Posh’s workshop, where metal, bone, and unfinished forms await inspection.

Yseldra Vey

Yseldra Vey

She invites scrutiny instead of offering a demonstration. That confidence may be earned, or it may be another fascinating danger.

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