
The dim corridor remembers the doorway before Roald does. The Prefect steps out again, just as he did when the master was coming, and blocks the way with a calm that now feels carefully arranged.

The Prefect
You thought that was kindness. It was an investment.
He smiles with creditor patience, hands loose at his sides, as if he has only come to collect what has already been promised.

The Prefect
I saved you from the master so you would owe me. Boys are easiest when they think they have been spared.
The corridor stays empty around them, but the trap feels busier now, as though the school itself has leaned in to listen.

The Prefect
Keep your head down, do what you are told, and when I call, you will be useful. That is the bargain.
Roald is left facing him in the strip of weak light, understanding at last that the protection was only another leash.
✓ Quest Accepted
Collect wager winnings from the new boys
“I nod and ask when he wants his due.”
SUCCESS (Great Willpower, rolled -1)
Roald gives a small, careful nod, keeping his eyes on the Prefect.

Roald Dahl
When do you want your due?

The Prefect
Soon enough. Not in a rush, that would spoil the lesson.

The Prefect
You asked cleanly. That helps. Boys who ask cleanly usually understand the price.
He reaches into his coat and produces the crumpled paper, letting it rest between two fingers like a receipt.

The Prefect
Foxley likes neat boys. I like useful ones. Keep that straight and you will live longer here.
The paper brushes Roald’s sleeve as the Prefect passes it over, and the contact is light, but deliberate.

The Prefect
Come to me after prep, not before. And if anyone asks, you have seen nothing but a corridor.
“I tell the prefect that I'm finding the Latin homework really difficult, and that I know the teacher will punish me severely if I can't complete it. I plaintively ask the prefect if he might be able to help me with it. I desperately offer to do whatever he wants in return.”
FAILURE (Good Diplomacy, rolled -1)

Roald Dahl
I am finding the Latin work difficult. If I cannot finish it, the master will punish me. Could you help me? I will do what you want in return.

The Prefect
Latin, is it? That is almost honest. Nearly always the worst boys are the ones who pretend they have no trouble at all.

The Prefect
I can help, but not for nothing. Help is a debt, and debts have manners.
He tips the crumpled paper in his fingers, then folds it once and slips it away as if the bargain itself has gone into his coat pocket.

The Prefect
Bring me your Latin book after prep. I will show you which lines matter, and which ones the masters only pretend to read.

The Prefect
As for payment, do not be grand about it. Find out who is kind to you in the house, and who is not. That sort of knowledge is worth more than money.
For a moment his expression softens into something almost amused, and the corridor feels less like a trap than a ledger opened between them.
“I bring him my Latin book after prep”
Roald takes the Latin book as if it were only another errand, while the Prefect watches him with the calm of a man collecting interest. The bargain settles into place between them, neat and ugly.
“I bring him my Latin book after prep”
SUCCESS (Fair Reasoning, rolled -2)
Roald takes the Latin book and starts off down the corridor, book held tight to his chest. The Prefect lets him go only a step before falling in beside him, satisfied and watching.

The Prefect
Bring it after prep, and keep your mouth shut. That is how this works.
Roald gives a small nod and continues. The bargain has been carried out, but it leaves a chill where the paper had been.

The Prefect
You are useful when you do as you are told. Remember that.

Roald Dahl
The corridor is clear, but he is still watching.
Roald moves past the changing room threshold, and the weak light cuts across the floor behind him. The Prefect stays at the gap, a hand near his pocket, as if measuring what Roald owes next.
+ New Item Acquired
Latin book
“I bring him my Latin book after prep and listen carefully as he explains how to complete the most important parts of the homework.”
SUCCESS (Fair Reasoning, rolled -2)
After prep, Roald comes back with the Latin book pressed to his chest. The Prefect takes it without ceremony, then flips to the marked pages as if he owns the lesson already.

The Prefect
You start with the lines that matter. Ignore the rest unless your master asks for show.
He taps two passages with a fingernail, brief and exact, then returns the book with the corners bent. Roald gets the method, but the worn cover pays for it.

Roald Dahl
Those are the parts he wants copied first.

The Prefect
If you are going to survive here, learn what is useful and leave the ornaments behind.
Roald listens, and the corridor seems to narrow around the bargain. The changing room threshold stays behind them, half-lit, with the crumpled paper still tucked at the Prefect’s side.
When Roald turns to go, the Prefect does not follow this time. He only watches, satisfied, as if the homework and the debt are the same thing.
“I leave with the Latin book and keep quiet”
Roald takes the book and goes on at once, the corridor swallowing his footsteps. Behind him, the Prefect stays at the threshold, watching as if the exchange has already been filed and paid for.
− Scene Quest Removed
Collect wager winnings from the new boys
“I ask the Prefect what he wants next”
SUCCESS (Great Willpower, rolled +1)

Roald Dahl
What do you want next?

The Prefect
Next, you stay useful. Bring the Latin book when I call, keep your face blank, and do not tell anyone who helped you.

The Prefect
If I ask for a note, a name, or a sight of Foxley, you give it. That is what buys you passage here.
The Prefect lifts the crumpled paper between two fingers, then folds it away as if sealing the bargain shut.

The Prefect
You want the truth? I do not protect boys for charity. I place them where they matter.
Roald holds his ground in the corridor while the threshold behind the Prefect stands open, bright with the changing-room light.
Roald Dahl leaves corridor behind and arrives at dormitory.
“I go to the dormitory to find the other new boys and collect the money from the wager by showing them that I've received six of the best.”
SUCCESS (Good Agility, rolled +1)

The dormitory takes him at once, all narrow beds, grey wool, and the stale sweetness of polish. Boys are already turning at the sound of his steps.
Roald moves past the trunks and blankets with the Latin book tucked under his arm, his sleeve drawn tight where the proof is hidden.
A knot of new boys looks up from the bedframes and stops talking. One of them stares at Roald's face, then at his hands.

A New Boy
You got it, then?
Roald gives them the look they are waiting for. A red mark shows at his collar, and the room shifts.

A New Boy
Six of the best?
The boys crowd in, half eager, half afraid, and coins begin to appear from pockets and mattress seams. The wager changes hands.
From the far bed, an older boy with a tidy tie watches the exchange, unreadable, while the crumpled paper peeks from Roald's fist like a receipt for trouble.
✓ Quest Accepted
Collect the wager winnings from the new boys
“I hold out my hand and ask for the winnings, quick as a mouse.”
SUCCESS (Good Diplomacy, rolled -1)

Roald holds out his hand, quiet and quick, and the room answers at once. The boys glance from his palm to the bed with the tidy tie, waiting to see who owns the truth.

A New Boy
There. Fair enough. He got it.
Coins drop into Roald’s hand, cold and real, while the wager around him loosens into relieved chatter. The mark at his collar stops being a question and becomes proof.

A New Boy
Thought you’d be sent back empty.
The older boy by the far bed gives the smallest nod, as if the whole thing has already been counted and filed away. The crumpled paper still peeks from Roald’s fist, suddenly less like a warning than a record.

A New Boy
How bad was it, then?
A hush gathers on Roald’s side of the room, not unkind, but hungry for detail. The boys who paid are now looking at him as if he has crossed some private threshold and come back changed.
Quest Complete
Collect the wager winnings from the new boys
+ New Item Acquired
Coins
“I take down my shorts and underwear and lie down on the bed so that the other boys can inspect the six cane marks on my buttocks.”
SUCCESS (Great Willpower, rolled +1)

Roald turns to the bed without hurry, and the room stills to watch the decision land.
He lowers his shorts and underwear, then lies down across the thin mattress, face turned aside, as if obeying a drill nobody has bothered to name.
The boys lean in, and the six cane marks are there to be counted, plain under the dormitory light.

A New Boy
Six, then. Properly done.

A New Boy
That really happened to you?

A New Boy
He means it, and he is not boasting.
The far-bed older boy shifts his weight, eyes fixed on Roald's back, while the crumpled paper stays pinched in Roald's hand like proof.
“Does the older boy think that I'm boasting inappropriately?”
YES (Unlikely, rolled 15)


The Older Boy
He wears those welts like a badge of honor, as if he thinks he has earned a place in the hierarchy by simply enduring the cane.

The Older Boy
You are far too proud of that skin, boy. It is not a trophy, it is a warning to everyone else that you are already broken.

Roald Dahl
He sees the marks as a boast, not a burden, and he thinks I am playing a game I do not even understand.
“Is the older boy going to report me to Foxley for pride and arrogance?”
NO (Likely, rolled 92)
The older boy lets out a short, dry huff of laughter, his gaze sliding away from the welts to the ceiling as if the very idea of reporting such a triviality bores him.

The Older Boy
Foxley has enough to worry about with his own schemes, and he certainly does not care for the petty posturing of a new boy. Keep your pride if it helps you sleep, but do not mistake my indifference for a lack of observation.
“I ask the older boy who else he will tell about his observations of my inappropriate behavior.”
FAILURE (Good Diplomacy, rolled -3)

Roald Dahl
Who else will you tell about it?
The older boy turns back from the wall just enough to look Roald over, his mouth flattening as the question lands badly.

The Older Boy
Anyone who needs to know, which is not the same as everyone. Some boys trade in gossip, some in warnings, and some in silence.
He gives a small, tired shrug, the flickering lamp making his shadow jump across the bed curtain.

The Older Boy
If you are asking whether I parade a new boy's business through the house, no. If I speak, it is to the right ears.
Roald's question hangs between them, but the answer is not comfort. It is a reminder that the older boy keeps his own ledger of who matters and who does not.

The Older Boy
You may keep your paper, and I will keep my observations. That is how one survives a place built on noticing.
“Is the older boy likely to report my inappropriate behaviour to the Housemaster?”
NO, AND WORSE (VeryUnlikely, rolled 99)

The Older Boy
Reporting you to the Housemaster would be a waste of a perfectly good leverage point. Why would I hand over a boy who is already being groomed for the cane, when I can watch you break on your own schedule.

The Older Boy
He thinks I care about the rules, but he is just another piece of the machinery that keeps the rest of us fed.
The Older Boy turns his back fully, his indifference colder than any threat of punishment, leaving Roald to realize that his survival is not a matter of discipline, but of being too insignificant to even be worth the effort of a report.
“I go to find Miller in order to give him the coins.”
SUCCESS (Good Agility, rolled -1)

Roald rises from the bed and folds the coins into his palm, keeping his face blank as the dormitory lamp flickers over the blankets.
He crosses between the beds in careful silence, the crumpled paper brushing his sleeve, while the older boy stays turned away at the far wall.
At the threshold, the corridor light cuts in thin and pale, and Roald slips out without being challenged.
Three turns later, he finds Miller by the changing room entrance, half in shadow, half in the dull strip of light from the hall.

Roald Dahl
Miller. The coins.
Roald holds out the money. Miller takes it at once, his hand closing over the coins before Roald can draw back.

Miller
Good. You learn fast when it costs you.
Miller slips the coins into his pocket and glances past Roald toward the corridor, as if measuring who might have seen.
“I ask Miller what he wants next”
FAILURE (Good Diplomacy, rolled -3)

Roald Dahl
What do you want next?
Miller does not answer at once. He slides the coins deeper into his pocket and keeps his eyes on the corridor instead of on Roald.

Miller
Want? I want to know who saw you hand them over.
His tone stays flat, but his hand shifts toward the half-open threshold, marking the place as if it belongs to him.

Miller
If anyone asks, you were sent. If no one asks, you keep moving and forget my name.

Roald Dahl
He is not asking for money. He is asking for cover.
Miller gives a small, hard look toward the changing room, then back to Roald, making the bargain plain without softening it.
“Is Miller threatening to cane me in the changing room again?”
NO, BUT (Unlikely, rolled 43)
Miller lets out a short, dry breath that might have been a laugh if it held any warmth. He leans his shoulder against the doorframe, his posture losing its rigid, predatory edge as he looks at Roald with a strange, detached curiosity.

Miller
You think I want to spend my evening in there with you, Dahl. I have better things to do than mark your skin for the sake of it. The cane is for the ones who don't understand the rules, not for the ones who pay their way.

Roald Dahl
He is not threatening me, but he is making it clear that my safety is only as good as my next payment.

Miller
Keep your head down, keep your accounts clean, and you will find that the changing room stays empty when you walk past. It is a simple enough bargain, isn't it.
“I ask what he means by paying my way”
SUCCESS (Fair Reasoning, rolled +0)

Roald Dahl
What do you mean, pay my way?

Miller
I mean the school takes its coin in more ways than one. Some boys pay with money, some with silence, some with looking useful when they are watched.

Miller
Foxley likes an arrangement that can be counted. He gets order, I get paid, and you get to keep walking past this door with your skin on.
Miller taps the loose button with the toe of his shoe, then lets his hand fall open in a small, almost careless shrug.

Miller
He is quicker than he looks. That could be useful, if he stays frightened.
Roald has the answer now, and it is uglier than a simple bribe. The bargain is not protection, but a share in the school’s machinery.

Miller
So, Dahl, do you want to be a boy who pays, or a boy who gets counted?
“I tell Miller that I don't understand what he means, but that I will do whatever he wants and that I will bring him more money soon.”
SUCCESS (Good Diplomacy, rolled +1)

Roald Dahl
I don't understand what you mean. I will do what you want, and I will bring you more money soon.

Miller
Good. He says it plainly, so he can be bent plainly.

Miller
That is better. Money is only one kind of obedience, but it is the easiest to count.
Miller eases off the doorframe and lets the changing room threshold stay open behind him, as if Roald has just chosen the proper side of it.

Miller
Bring it soon, and do not make me ask twice. If you are useful, the school notices less.
Roald gets his answer, and Miller's tone is almost conversational now, the bargain made smaller and sharper at the same time.

Miller
What matters is that you understand the price, Dahl. Do you think you can manage that, or will I have to keep reminding you?
“I tell Miller that I will do my best to remember, and that I accept whatever punishment he decides on, if I fail to satisfy him.”
FAILURE (Great Willpower, rolled -1)

Roald Dahl
I will do my best to remember. If I fail you, I will take whatever punishment you decide.

Miller
That is the first sensible thing you have said. Remembering is safer than pretending.
Miller’s mouth barely moves, but his eyes stay on Roald as if weighing the sentence, not the boy.

Miller
You are not buying forgiveness, Dahl. You are buying time, and even that is rented.
Roald’s words land thinly, not as a promise of safety but as proof he understands the terms. Miller lets that be enough.

Miller
If you want to avoid my cane, learn the difference between obedience and usefulness. One is for fools, the other keeps you moving.
For a moment, Miller tips his head toward the open threshold, and Roald sees it clearly, the door is not a wall, it is a choice that can shut.
“Does Miller have an interest in sexual favours, as well as just money?”
NO, AND WORSE (Likely, rolled 93)

Miller
Do not mistake my interest for anything so common as desire, Dahl. I have no use for your body in that way, and frankly, you are far too scrawny to be worth the trouble.

Miller
I am interested in the system, in the way a boy like you breaks under the right pressure. That is a far more profitable study than anything else you might imagine.
Roald feels a cold shiver that has nothing to do with the drafty corridor. Miller’s gaze is not hungry, but clinical, as if he is dissecting a specimen to see how long it can endure before it stops functioning entirely.
“Is Foxley likely to want sexual favours from me, even if Miller doesn't?”
NO, AND WORSE (Unlikely, rolled 98)

Miller
Foxley has no interest in your body, Dahl. He finds the idea of such intimacy as repulsive as you do, for he views you only as a tool to be sharpened and eventually discarded.

Miller
He wants to see you broken by the system itself, not by his own hand. He is waiting for the moment you finally realize that you are not a person to him, but a record of his own absolute authority.

Roald Dahl
The coldness of his words is worse than any threat of violence.
“Will there be other prefects who do want sexual favours from me?”
YES (Unlikely, rolled 9)


Miller
You are naive to think Foxley is the only one with an appetite, Dahl. There are others in the upper forms who do not care for the system or the order, and they look at a boy like you with a hunger that has nothing to do with discipline.

Roald Dahl
The cold, clinical way he speaks makes the corridor feel suddenly smaller, as if the walls themselves are closing in to hide what happens in the dark.

Miller
Keep your head down and stay useful to the right people, or you will find that some prefects are far less interested in your obedience than they are in your company.
“I ask Miller which of the older boys are likely to have that kind of interest in me.”
FAILURE (Good Diplomacy, rolled -1)


Roald Dahl
Which of them, then? The older boys.
Miller’s smile thins. He glances toward the dark end of the corridor, but not as if naming names is free.

Miller
The ones who watch first, and speak last. The ones who stand too near doorways.
He shifts his weight off the threshold, and the half-open changing room behind him feels suddenly farther away.

Miller
If one offers help too quickly, keep away from him. If one asks what you owe, keep away twice.
That lands with a small, ugly certainty. Miller has given Roald a pattern, not a kindness.
The corridor light flickers again, and the doorway holds, waiting for Roald to choose whether he steps back through it or keeps standing in the dark.
“Is Miller warning me about a specific boy?”
NO (Likely, rolled 82)

Roald Dahl
Is there a name, then? Someone I should watch for specifically?

Miller
No, Dahl. It is not a matter of one boy. It is the way the whole house breathes.
Miller shakes his head, his expression devoid of any specific malice or secret knowledge. He leans back against the doorframe, the flickering light casting his face into a mask of weary, systemic indifference.

Miller
He thinks it is a game of chess with a single opponent. He has no idea how many hands are on the board.
“Would Miller protect me if older boys wanted to take advantage of inappropriately?”
NO (Unlikely, rolled 81)

Miller
Do not mistake my warnings for a shield, Dahl. If someone else decides you are their prize, I will not be the one to stand in their way.

Roald Dahl
He is not a protector, only a bookkeeper of my misery.
Miller turns his back, his indifference absolute as he begins to organize the lockers. The corridor light flickers, leaving Roald alone with the cold reality that his safety is a commodity no one is willing to buy.
“Is Miller letting me go for now?”
NO, AND WORSE (Likely, rolled 98)
Miller does not let Roald leave. He slams the locker shut with a metallic clang that echoes through the dim corridor, then pivots to block the exit entirely.

Miller
You are not going anywhere, Dahl. Foxley just sent word that your next session is being moved up to right now.

Roald Dahl
The schedule is not a warning. It is a trap that closes the moment I try to walk away.
“I change into my pyjamas and wait for Foxley to arrive and cane me.”
SUCCESS (Fair Health, rolled +0)

Roald slips into his pyjamas with the corridor still trembling in the flicker. The cloth feels rough and damp with the room’s chill, and the change comes with a small, guilty scrape of bench on floorboard.

Miller
Keep them on. Foxley likes a boy to look properly delivered.
Miller stays by the threshold, one shoulder against the frame, key ring hanging loose in his hand. The locker door is shut tight behind him, and the jagged shadows make the passage seem narrower than it is.

Roald Dahl
The threshold is the only way out.

Miller
You think this is mercy, because I am the one talking. It is only order.
He tips his head toward the corridor beyond the changing room, where the light gutters and steadies in uneven pulses. The crumpled paper sits in his pocket, and the fallen button near the bench catches a brief flash before the dark swallows it again.

Miller
Foxley does not send for boys unless he means to use them. That is the whole of him.
Roald waits in the half-light, dressed now for what comes, while Miller watches him with a satisfied, measuring calm. The room holds itself still, as if listening for footsteps from the corridor, and the next question hangs unanswered in the doorway.
“I ask Miller whether I can put on my thick camel-hair dressing gown over my pyjamas so that the caning will hurt much less.”
SUCCESS (Great Willpower, rolled +0)


Roald Dahl
May I put my thick camel-hair dressing gown over these pyjamas, if I am to wait here?

Miller
You may. If it keeps you from shaking, that is one less thing for Foxley to notice.
Miller's mouth twitches, not quite a smile, and he gives a small jerk of his chin toward the bench. The corridor light flares and stutters beyond him, but the doorway holds steady for the moment.
Roald gets the gown and pulls it on over the pyjamas. The thick cloth softens the chill at once, and the room looks less bare with another layer between him and the school.

Miller
That will do better than bravado.

Miller
Better. A boy can endure more when he is not trying to look brave.
He eases one shoulder off the frame and studies Roald with that same hard, practical calm, as if fitting him into a rule he has seen before. The threshold stays open behind him, and the flicker paints both their shadows long across the floor.
“I ask Miller whether he thinks Foxley is more likely to give me three or six strokes of the cane.”
SUCCESS (Fair Reasoning, rolled -1)


Roald Dahl
Do you think Foxley means three strokes, or six?

Miller
Six, if he means to be seen. Three, if he means to teach you something and move on.

Miller
He likes a boy to wonder which sort of trouble is coming. That costs him less effort than the cane itself.
Miller says it without looking away from Roald, and the answer lands like a rule, not a guess. His key ring gives a small metallic jingle at his hip as he shifts his weight off the frame.

Miller
Foxley chooses the number for the room, not the boy. The boy pays in either case.
The flickering corridor light catches the shut locker door, the fallen button by the bench, and the crumpled paper line in Miller’s pocket, making each thing look briefly sharper.

Miller
If you are asking, that means you already know he is counting. Keep that in mind when he speaks to you.
Roald gets his answer, but the question has cost him a small silence. Miller’s eyes stay on him a moment longer, measuring the boy’s face for what the question has revealed.
“I ask Miller how Foxley chooses his targets”

Miller lets the question hang a second, then gives Roald a flat, practical look. 'He watches who makes noise, who flinches, and who can be made useful.'

Miller
The ones who are easiest to bend become his favorites.
He taps the locker door once with his key ring, then turns his shoulder toward the corridor, as if the answer itself has already shut that route behind Roald.
“I obediently wait for Foxley to arrive and punish me, looking down meekly at my feet.”
SUCCESS (Great Willpower, rolled +1)
Roald lowers his eyes to his shoes and holds still by the bench. The corridor does not move for him, but the flicker keeps worrying the wall, the locker, and Miller's shadow in broken strips.
Miller does not call it mercy. He only watches Roald settle into place, then eases his shoulders back against the doorway as if the waiting itself proves a point.

Miller
That is better. Boys who wait properly save everyone trouble.

Miller
He takes his time, studying Roald's bowed head.
The key ring falls quiet in Miller's hand. He glances once toward the hall, then back to Roald, as though measuring how much fear can fit inside a silence.

Miller
Foxley likes the ones who do not make a show of themselves.
Roald stays where he is, meek and small in the narrow light. The threshold remains open, the button lies forgotten near the bench, and the room waits with him.
“I keep still and wait for Foxley”

Roald keeps still, letting the silence do the work. Miller watches a moment longer, then looks away toward the hall, his grip loosening on the keys.

Miller
That is all it takes, most days.
The flicker catches the doorway and the bench in hard slashes. Nothing else moves, so the waiting feels almost deliberate.
“I look up meekly as Foxley arrives with his cane.”
SUCCESS (Great Willpower, rolled +3)

Roald lifts his chin just as movement enters the corridor, and the look lands before the man does. Foxley appears with his cane in hand, taking in the threshold, the bench, and Roald’s raised face at a glance.

Foxley
There you are. Good. That is what I wanted to see.
Foxley does not surge forward. He stands easy, almost lazy, the cane resting against his coat while the flickering light catches his mouth in a thin, satisfied line.

Miller
He has been waiting properly, sir.
Miller’s answer comes too quickly, and the prefect’s eyes flick to him, then back to Roald. The cane tip shifts once toward the floor, not yet a threat, more a signpost.

Foxley
Of course he has. That is why he is useful.
Roald’s meek look holds. Foxley’s smile widens a fraction, as if the boy has already passed a test neither of them named. The open threshold, the fallen button, and the crumpled paper all hang in the same hard light.
“I change into my pyjamas, touch my toes, and submit to the pain as Foxley canes me.”
FAILURE (Fair Health, rolled -1)

Roald turns from the doorway, pulls on his pyjamas with quick, careful hands, and lowers himself beside the bench. The flicker strips Foxley’s face into light and shadow as the cane lifts.
He bends for the touch of his toes, shoulders tight, back exposed. Foxley waits just long enough to make the obedience feel like a lesson.

Foxley
Better. Stay there.
The first stroke lands and Roald jerks, not away, but upward in a sharp, involuntary flinch. The pose breaks before he can hold it.

Miller
Steady, boy. Don’t spoil the line now.
Roald tries again, more rigid this time, but the pain keeps pulling him out of shape. Foxley’s relaxed stance never changes.

Foxley
There. That is the problem. You cannot quite keep still.
When the cane lowers, Roald stays folded over, breathing hard. The fallen button glints by the bench, and Miller does not move to help him up.
“I wait for Foxley to finish beating me.”
SUCCESS (Great Willpower, rolled +2)

Roald holds the position and lets the moment pass. The cane no longer rises. Foxley studies him with that easy, almost bored stillness, as if the lesson has been written down already.

Foxley
Good. You can stay where you are when it matters.
Miller shifts at the threshold, the keys quiet in his hand. The flicker catches the open doorway, the bench, and the fallen button, then lets them fall back into shadow.

Miller
He has the right sort of nerve, or the right sort of fear.
Foxley lowers the cane fully and steps back half a pace. The room stops bracing for the next blow, and the corridor becomes sound again, breath and cloth and the thin hum of the light.

Foxley
That will do for now. Stand up.
Roald is left with the pause after punishment, not rescued, only released. Foxley watches to see whether he rises neatly, while Miller keeps his post by the threshold, waiting for the next use he can make of the silence.
“I stand up and thank Foxley for punishing me.”
SUCCESS (Great Willpower, rolled +0)

Roald Dahl
Thank you, sir.
Roald gets to his feet in one careful motion, but the last word comes out thin and costs him a dry swallow. Foxley’s cane stays lowered, and his attention sharpens instead of softening.

Foxley
Good manners. That is something I can use.
Miller’s mouth twitches once at the threshold. The flicker catches the bench, the fallen button, and the open doorway behind him, then snaps them back into shadow.

Miller
He means it, too. That is rarer than courage here.

Foxley
Courage is noisy. I prefer boys who listen.
Foxley folds the cane under one arm and turns the punishment into instruction, his posture almost lounging now. Roald stands upright before him, the thanks already spoken, while the silence after it feels borrowed rather than given.
“I rub my burning buttocks to try to ease the pain, but am humiliated as Foxley and Miller both laugh at my squirming.”
SUCCESS (Fair Health, rolled +2)
Roald eases one hand behind him and rubs the burning skin through the pyjamas, careful to do it where Foxley can see nothing but a small, practical shift of weight. The motion gives him a little relief at once.

Foxley
There. Much better. Even pain responds to good handling.

Miller
He is learning manners first. That is how they start, before they learn anything useful.
Foxley gives a low, amused laugh, not cruel exactly, but pleased at the sight of Roald having to compose himself in front of them. Miller looks from Roald to Foxley and back, the dry smile staying on his face.

Foxley
Keep that stillness, Dahl. It is the only part of you I can trust.
The flickering light breaks across the bench, the fallen button, and the open threshold in sharp pieces, then gathers again. Roald’s hand stays where it is, the pain dulled enough to bear, while both older boys watch him like a lesson being checked.

Miller
You hear him. Quiet boys last longer here.
“Would Foxley protect me if one of the other older boys tried to take advantage of me inappropriately?”
NO (VeryUnlikely, rolled 70)

Foxley
Protect you, Dahl? You are a tool, not a treasure. If another boy finds a use for you, that is simply the way the house keeps its accounts.

Miller
He is right. You are only worth what you can endure, and if someone else decides to test that, it is not our business to interfere.
Foxley turns his back, his cane tapping a slow, rhythmic beat against his leg as he stares into the shadows of the corridor. The cold indifference in his posture makes it clear that Roald is entirely on his own.
“Are Foxley and Miller going to force me to take a cold bath before bed?”
NO (VeryUnlikely, rolled 69)
The two older boys offer no further commands, their interest in Roald evaporating as quickly as the warmth in the corridor. They simply walk away toward the dormitories, leaving the threat of a cold bath as nothing more than a passing, unspoken fear.
