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Adventure of Kyoko

Detective / Mystery·Kyoko

6 scenes
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Scene4
The Camera Catches Crowemansion's rain-dark rear exit
›
The Camera Catches Crowe
Silas Crowe
Silas Crowe
Marcellus Trent
Marcellus Trent
the bankrupted businessman
The Bankrupted Businessman

The hidden camera remains fixed beneath Kyoko’s paper seal, its lens aimed at the service entrance. Marcellus Trent stands nearby, preparing to call the head detective, while the bankrupted businessman watches the rain-dark threshold.

Kyoko opens the verified copy on a portable screen without disturbing the camera. The recording shows the service door opening shortly before the fresh mud crossed the threshold.

A hooded adult man enters carrying a narrow case, pauses beside the lock, and glances toward the camera’s hiding place. His face remains turned away, but his height and deliberate gait match Trent’s description of Silas Crowe, a lean adult man in a rain-dark hooded overcoat and dark gloves.

The Bankrupted Businessman

The Bankrupted Businessman

Stop there. The brass shaving should appear when he works the lock, not when he leaves.

Kyoko advances frame by frame. A brief metallic flare appears at the latch, followed by a small object dropping beside the threshold. The timestamp places it before the mud trail and after the camera was wiped.

Marcellus Trent

Marcellus Trent

That proves he entered, but not that he killed Vale. The route was available to anyone with my keys.

The Bankrupted Businessman

The Bankrupted Businessman

It also proves the camera was placed before tonight. If Crowe knew about it, he may have edited what remains.

✓ Quest Accepted

Identify what Crowe carried in the narrow case

“If my theory is correct what is on his persons is a gun and blackmail material. Material for you Mr. Vane am I correct? You planted that gun didn’t you? He had material that could ruin you worse than you already are. You’ve had no reason to open that trunk. I’ve had my suspicions. By your mannerisms you have no other connections you are a victim”

SUCCESS (Superb Deduction, rolled -1)

The Camera Catches Crowe
Marcellus Trent
Marcellus Trent
the bankrupted businessman
The Bankrupted Businessman
Kyoko

Kyoko

If my theory is correct, Vale had a gun and blackmail material on his person. Material for you, Mr. Vane. Am I correct? You planted that gun to protect yourself. He had something that could ruin you worse than bankruptcy. You had no reason to open that trunk. I have had my suspicions. Your mannerisms show no other connections. You are a victim.

Vane goes still. His eyes leave the copied footage and settle on the evidence pouch, while Trent watches him with a guarded, dawning alarm.

The Bankrupted Businessman

The Bankrupted Businessman

You are right about the material. Vale had records that could destroy what remains of my name, my accounts, and several people who profited from my ruin.

He removes a folded handkerchief from his pocket but does not touch the revolver. The gesture is controlled, yet his thumb presses hard into the cloth.

The Bankrupted Businessman

The Bankrupted Businessman

I planted the gun after I found the trunk open. I wanted the scene to point toward me as a frightened, desperate killer, not toward the papers Vale carried. I did not shoot him.

Marcellus Trent

Marcellus Trent

Then you tampered with evidence and concealed a motive while Crowe walked through my house. Why should anyone believe the rest of your account?

Vane looks toward the sealed camera, then offers both hands, palms visible. The admission leaves the planted weapon explained, but turns his silence into a second crime.

“Please Mr. Trent leave the detecting work to the detective. He obviously did not pull the trigger look at his state. I must find Crowe *takes the revolver with her as she leaves*”

SUCCESS (Superb Deduction, rolled -2)

The Camera Catches Crowe
Marcellus Trent
Marcellus Trent
the bankrupted businessman
The Bankrupted Businessman
Kyoko

Kyoko

Please leave the detecting to the detective, Mr. Trent. Look at Vane’s state. He obviously did not pull the trigger. I must find Crowe.

Kyoko takes the revolver from its evidence wrapping, preserving the existing seal and handling only the cleared grip. She secures it in her evidence pouch before Trent can object.

Marcellus Trent

Marcellus Trent

You are dismissing me from my own house while carrying away the weapon? At least let me send word to the head detective.

Vane remains with both hands raised, pale and rigid beneath the corridor light. His admission explains the planted revolver, but his account still lacks independent proof.

The Bankrupted Businessman

The Bankrupted Businessman

Find Crowe before he knows the camera has been copied. I will not touch another piece of evidence.

Kyoko leaves the rear exit with the revolver secured and the camera copy in her pouch. The deduction has cost her several minutes sorting Vane’s confession from the physical record, and Crowe’s present location remains uncertain.

Marcellus Trent

Marcellus Trent

I will call the detective and preserve this scene. Do not let Crowe disappear into the rain.

+ New Item Acquired

Revolver

“*calls in a police blockade around the place and waits for her head detective* no one can leave now”

SUCCESS (Great Willpower, rolled -2)

The Camera Catches Crowe
Adrian Shaw
Adrian Shaw

Kyoko uses Trent’s phone to call in a police blockade, giving the mansion’s address, the armed suspect risk, and instructions to preserve every exit and evidence site.

The call ends with her composure visibly thinned: her grip stays steady, but she pauses before returning the receiver, and both men notice the hesitation.

Minutes later, police cars seal the drive and rear grounds. Officers take positions at the service exit, front entrance, and garden wall; no one leaves the estate.

Marcellus Trent

Marcellus Trent

The blockade is in place. Vane and I will remain where they can see us, and nothing here will be moved.

A tall, middle-aged man in a rain-dark overcoat enters beneath an officer’s escort. His close-cropped gray hair, tired eyes, and clipped posture identify authority before he shows his badge.

Adrian Shaw

Adrian Shaw

I am Detective Adrian Shaw. No one leaves until I have the scene, the evidence, and every account in order.

The head detective, a lean man with a square jaw and a charcoal suit beneath the coat accepts the sealed weapon and camera copy without opening either. Outside, the blockade holds while Kyoko waits beside the evidence pouch, visibly spent but unyielding.

✓ Quest Accepted

Establish the evidence’s chain of custody

“*sighs as she stress levels go down as she has her teacher to help now she lets him take charge but helps any way she can give him the evidence*”

SUCCESS (Great Willpower, rolled -1)

The Camera Catches Crowe
Adrian Shaw
Adrian Shaw

Kyoko exhales slowly and steps aside, allowing Detective Shaw to take command. She retrieves the evidence pouch from the staging table and places it in his waiting hand.

Adrian Shaw

Adrian Shaw

Good. I will log the revolver and camera copy myself. You will walk me through every transfer and examination.

Shaw inventories the sealed weapon, copied footage, and pouch without breaking their seals. Kyoko supplies her notebook, pointing out the residue, the lock evidence, and the frame where Crowe enters.

Adrian Shaw

Adrian Shaw

Your sequence is clear. Crowe entered, but the recording does not yet prove he killed Vale. We will keep both facts separate.

The handoff succeeds, but Kyoko’s composure falters at the final timestamp. Her fingers pause over the notebook, and Shaw notices before she steadies them.

Adrian Shaw

Adrian Shaw

You have done enough for this hour. Stay beside me, assist the interviews, and leave the conclusions to the evidence.

Kyoko remains at Shaw’s side as officers preserve the exits. The evidence is formally in his custody, while her observations continue to shape the investigation.

Quest Complete

Establish the evidence’s chain of custody

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